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Music and More Reviews

From Music and More:

FRIDAY, JANUARY 22, 2010
Dave Rempis and Frank Roasly – Cyrillic (482 Music, 2010)

WEDNESDAY, JANUARY 20, 2010
Mostly Other People Do the Killing – Forty Fort (Hot Cup, 2010)

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Performances

DOWNTOWNMUSIC.NET Photos

From DOWNTOWNMUSIC.NET:

January 16, 2010
Meridian Arts Ensemble, Abrons Arts Center
Dave Ballou, John Ferrari, Daniel Grabois, Benjamin Herrington, Brian McWhorter, Jon Nelson, Raymond Stewart
Open Circuit International Trumpet Ensemble, Abrons Arts Center
John Betsch, Taylor Ho Bynum, Jean-Luc Cappozzo, Franz Hautzinger, Joe McPhee, Itaru Oki, William Parker, Herb Robertson

January 15, 2010
Chuck Bettis & Dafna Naphtali Duo, IBeam
Chuck Bettis, Jeremiah Cymerman, Dafna Naphtali
Nate Wooley Solo, IBeam
Nate Wooley
Zach Layton & Ryan Sawyer Duo, IBeam
Zach Layton, Ryan Sawyer

January 11, 2010
Iron Dog, The Local 269
Sarah Bernstein, Andrew Drury, Stuart Popejoy
Tony Malaby‘s Paloma Recio, The Local 269
Tony Malaby, Ben Monder, Eivind Opsvik, Nasheet Waits

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Performances

Roulette in February

From NY’s Roulette:

Tenko
Thu Feb 11 – 8:30 PM
Tenko kicked off her career in music with female rock group Mizutama Shobodan in 1979. Two years later in New York she got captivated by improvised music and back in Japan started performing in a vocal duo The Honeymoons. In 1984 in New York, Tenko made her debut as a soloist and before long started working with New Yorkers Fred Frith, John Zorn, Christian Marclay and David Moss. She also performed and recorded with Art Lindsay, Wayne Horvitz, as well as Japanese Otomo Yoshihide, Tatsuya Yoshida, Ikue Mori duo and Wni-Gohan female improvisers group. Since 1985, Tenko has collaborated with various musicians in festivals in the USA, Europe and Asia. Tonight marks a rare opportunity to hear Tenko in the US.

David Linton: Bicameral Research Sound & Projection System with David First & Satoshi Takeishi : 60 Hz Raga
Sat Feb 13 – 8:30 PM
Originally a percussionist David Linton has created sound for many collaborative dance, theater, & performance settings since his arrival in downtown NY in the early 1980’s. By the later 80’s he was equally known for his live wired solo electro-acoustic drumkit performances as well as his soundscore productions. His 1986 solo LP ‘Orchesography’ (on Glen Branca’s Neutral Label) was an influential collusion of ‘early’ sampling tek with street beats and theatrical post modernism. Throughout the 90’s Linton became a dedicated advocate for the expansion and appreciation of realtime performance in electronic media through the design and/or production of event / environments. Since 2002 Linton’s fascination with instantaneous collaborative audio visual communication among select units of electronic musicians and visualists has assumed the form of a live television Manhattan cable/webcast project – UGTV – Unitygain Television.

John Lindberg’s TriPolar
Mon Feb 15 – 8:30 PM
Tripolar is the new ensemble of bassist/composer/producer John Lindberg, featuring multi-reed instrumentalist Don Davis – renowned for his formidable work with the Microscopic Septet and a wide array of other associations ranging from the Swollen Monkeys to Levon Helm, and master percussionist Kevin Norton doubling on drums and vibraphone – well-known for his numerous albums as a leader in his own right, and for his work with artists as diverse as Anthony Braxton, Milt Hinton and Tony Malaby. John Lindberg has recorded over fifty albums and has been an active member of the String Trio of New York for 32 years, as well as working with artists such as Jimmy Lyons, Wadada Leo Smith, Tony Coe, Steve Lacy, Albert Mangelsdorff and many others.

Ma La Pert: Jennifer Walshe & Tony Conrad
Fri Feb 19 – 8:30 PM
Ma la Pert is the duo of Jennifer Walshe and Tony Conrad. They use voice, violins, viola, bass, autoharps, autotune, keyboard, shells, broken plastic, words, parts of words, stories, chanting, jigs, screaming, shouting, broken drum skins, bells, green furry outfits, breastplates, wire, bird call, and old lady dresses. Walshe and Conrad first began working together after they ran from service as household slaves of King Pepy I at the end of Old Kingdom Egypt. They were subsequently monks in Carolingean Gaul during the period roughly 820 to 850, Venetian courtesans at Pope Eugene’s court during the mid 15th century, and prisoners on Reunion Island in 1738, where Walshe tried to secure Conrad’s escape using “remote viewing” techniques. The unfortunate outcome of the latter incident resulted in Conrad’s work as a medicine man in Australia in the 19th century, where in 1834, trying to quell a cattle riot, they both accidentally ingested leprosy vectors and subsequently lost three legs and two arms between them.

PFL Traject
Sat Feb 20 – 8:30 PM
PFL Traject is the improvisational trio of Pascal Pariaud, clarinets and pipes, Jean-Charles François, percussion, and Gilles Laval, electric guitar, from Lyon, France. The members of the group all went through very different journeys : Pascal Pariaud is a clarinetist specializing in new music performance and early music, a choral conductor and teacher; Jean-Charles François is a composer and percussionist who was professor at UC San Diego and founding member of the improvisation group KIVA; coming from the world of Hardcore and the alternative scene, Gilles Laval has been involved with many unlikelies, like Chef Menteur, Impur with Fred Frith, and La Douzaine., he is also the head of the popular music department at the Villeurbanne National Music School. Each improvisation of PFL Traject is a voyage in the already constituted memory, a promenade in the garden of delights. PFL Traject invites the audience to travel, to stroll, to ramble, to put oneself into orbit, to fly off at a tangent, to make the tour of a world that is well-defined in its individual windings, but is infinite in its collective combinations.

INTERPRETATIONS: Thomas Buckner premieres new works by Earl Howard, Matthias Kaul, Eckart Beinke and Bun Ching Lam
Thu Feb 25 – 8:00 PM
Buckner presents an evening of new works, including Earl Howard’s Frond, for baritone, violin, bass saxophone, and live electrtonics, Bun Ching Lam’s Trois Cadeaux, for baritone, harp, and piano, and Matthias Kaul’s Zappa-esque The Mellow Quark. With French harpist Isabelle Courret, the German ensemble L’Art Pour L’Art, Mari Kimura (violin), JD Parran (bass saxophone), and Earl Howard (saxophone, live electronics and processing).
William Parker, Conrad Bauer & Hamid Drake

Fri Feb 26 – 8:30 PM
Master musician, improviser, and composer William Parker teams up with one of Europe’s finest free jazz trombonists – Conrad Bauer, and virtuosic percussionist Hamid Drake for an evening of off the wall free improv. With a collective resume including collaborations with such names as Derek Bailey, Han Bennink, Anthony Braxton, Peter Brotzmann, Cecil Taylor, and Butch Morris – this All-Star trio is NOT to be missed!

Childrens Concert with WOLLESONIC
Sat Feb 27 – 2:00 PM
Wollesonic returns to Roulette for a very special kids workshop/concert where YOU the audience can be a part of the show! Kenny Wollesen and members of Wollesonic will distribute instruments designed and made by Wollesonic Laboratories (balloon bassoons, chika chikas, and scrap wood marimbas) to all participants, then give a brief tutorial on sound making, performance styles, and improvisation techniques….then, freshly armed with our sound devices we will all embark on a sonic exploration where we will attempt to discover never before heard sounds, get a feel for what its like to be “in the lights”, perform our newly learned improvisations and have a great time! Plus you can take your instrument home! join Wollesonic for a one of a kind soniferous situation! All kids welcome!

Steve Swell
Sat Feb 27 – 8:30 PM
“One of the most adventurous and prolific members of the New York free-jazz community” according to Ed Hazell of Signal To Noise, Steve Swell’s reputation, work ethic and committment to excellence has kept him in the forefront of improvised music and a leading voice on his instrument for more than 20 years. Tonights concert will feature a relatively new ensemble with some of improvised music’s finest contributors: Rob Brown, alto; Chris Forbes, piano; Hilliard “Hill” Greene, bass; Michael T.A. Thompson, drums, percussion. It will feature Swell’s writing along with his unique, on the spot direction of incorporating this group’s rich improvisation abilities along with his compositions. An extra element of improvisation that determines the direction of the music.

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Reviews

Music and More Reviews

{{de|Der Jazzbassist Eberhard Weber bei einem ...
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From Music and More:

WEDNESDAY, JANUARY 13, 2010
Eberhard Weber – Little Movements (ECM, 2009)

TUESDAY, JANUARY 12, 2010
Gebhard Ullman – Don’t Touch My Music Vol. 2 Don’t Touch My Music Vol. 2 (Not Two, 2009)

MONDAY, JANUARY 11, 2010
Eberhard Weber – Yellow Fields (ECM 1976, 2010)

SUNDAY, JANUARY 10, 2010
Dennis Gonzalez Yells at Eels – The Great Bydgoszcz Concert (Ayler, 2009)

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General

Newsbits

Philip Glass in the WNYC studios on December 1...
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Frank Rosaly’s Milkwork is out on Contraphonic.

Flingco Sound has released a free 15 songs compilation of their artists.

Several of Philip Glass‘s discoveries performed recently.

Weasel Walter is interviewed about his recent move to Brooklyn.

Nate Wooley appears at the Douglass Street Music Collective show in Brooklyn at the end of the month.

A new Zu recording is due out on Public Guilt.

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Artist Profile

For Pierre Boulez, It’s Still About the Music

From NYTimes.com:

IN a maroon turtleneck and loose-fitting gray suit, eyes on his score, Pierre Boulez took turns one late August morning here rehearsing the soloists for “Répons.” Written in 1981 for six soloists, chamber orchestra and live electronics, it is the first major work he wrote using the electronic-music institute in Paris, Ircam. But it has rarely been performed, just a few dozen times.

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Artist Profile Performances

The lion in winter still roars but more quietly

Pierre Boulez, a friend of Górecki during the ...
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From chicagotribune.com, a profile of Pierre Boulez and his upcoming events.

On March 26, the French composer and conductor, one of the most distinguished figures in contemporary music, will turn 85. The Chicago Symphony Orchestra, with which Boulez has enjoyed an exceptionally cordial relationship that goes back four decades, is celebrating that milestone with a series of concerts and discussions throughout the month that will bring audiences closer to Boulez’s music, as well as give them the chance to hear him conduct new pieces along with classics of the 20th century with which he has long been identified.

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January at Ars Nova Workshop

From Philly’s Ars Nova Workshop:

Friday, January 8, 8pm
BEN PEROWSKY QUARTET
Chris Speed, tenor saxophone + clarinet; Ted Reichman, accordion; Trevor Dunn, double-bass; and Ben Perowsky, drums

Philadelphia Art Alliance, 251 S. 18th Street
$10 General Admission

Sunday, January 17, 7pm
FESTIVAL OF NEW TRUMPET | PHILADELPHIA

OPEN CIRCUIT INTERNATIONAL TRUMPET ENSEMBLE
Taylor Ho Bynum (USA), cornet; Jean-Luc Cappozzo (France), trumpet; Franz Hautzinger (Austria), trumpet; Joe McPhee (USA), trumpet; Itaru Oki (Japan/France), trumpet; Herb Robertson (USA), trumpet; William Parker (USA), bass; and John Betsch (USA/France), drums

MERIDIAN ARTS ENSEMBLE WITH DAVE BALLOU
John Ferrari, drums; Daniel Grabois, horn; Benjamin Herrington, trombone; Brian McWhorter, trumpet; Jon Nelson, trumpet; Raymond Stewart, tuba; and Dave Ballou, trumpet

CHICAGO UNDERGROUND DUO
Rob Mazurek, cornet + electronics; and Chad Taylor, percussion

International House Philadelphia, 3701 Chestnut Street $12 General Admission

Friday, January 22, 8pm
KEN VANDERMARK SEPTET performs the music of DON CHERRY
Ken Vandermark, reeds; Dave Rempis, saxophones; Jeb Bishop, trombone; Jason Adasciewicz, vibraphone; Pandelis Karayorgis, Fender Rhodes + piano; Nate McBride, el. bass + double-bass; and Chad Taylor, drums

International House Philadelphia, 3701 Chestnut Street $12 General Admission

Thursday, January 28, 8pm
JASON AJEMIAN’S DAYDREAM FULL LIFESTYLES
Rob Mazurek, cornet; Tony Malaby, tenor saxophone; Jason Ajemian, bass; and Chad Taylor, drums

International House Philadelphia, 3701 Chestnut Street $12 General Admission

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Modfest Previewed

From Chronogram Magazine:

On January 23, Joe McPhee and Friends (Richard Teitelbaum on keyboards and Thurman Barker on drums and percussion ) will perform. McPhee is a multi-instrumentalist (and Poughkeepsie resident) who solos on tenor, alto and soprano saxophone, trumpet, pocket trumpet, trombone, clarinet, cornet, didgeridoo, and flugelhorn. He also sometimes sings. Though McPhee, at 70, is a major figure in avant-garde jazz, his music is not hysterical or ear-splitting. His playing is gracious and considered. I asked McPhee what he calls his genre. “I call it ‘Po music,’” he replied. “’Po’ is a language indicator to show that provocation is being used to move from a fixed set of ideas in an attempt to discover new ones. It refers also to words like possible, poetic, positive, etc.”

Electronic music pioneer Milton Babbitt, who is 93, will engage in a public conversation with Vassar music professor Richard Wilson, followed by a performance of Babbitt’s work by the Argento Ensemble (January 24).

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Best of Best of 2009

I’ve already said my piece on the best of 2009, but here is an opportunity to present the opinions of others. Over the last month or so, I’ve collected some of the more interesting and relevant “best of” lists, that focus on music likely to be within the AMN scope.

So, welcome to the best of the best of 2009.

The Village Voice
Howard Mandel
NPR’s Take Five.
Jason Crane
Music and More
Stuart Broomer
Susanna Bolle
Laurence Donohue-Greene
Derek Taylor
Adam Strohm
Nate Chinen
Ben Ratliff
Francios Couture
Destination Out
Jim Macnie
Brett Saunders

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