Source: San Francisco Classical Voice.
A fascinating slice of electro-acoustic music history has just come out on the Carrier label. This 1984 concert performance of Rainbow Family by George Lewis — composer, master jazz trombonist, Association for the Advancement of Creative Musicians member, computer music explorer — takes us back to an early stage of artificial intelligence (AI) when desktop computers (then known as microcomputers) were starting to interact with live musicians.
After two years of research and experimentation at IRCAM — Pierre Boulez’s new music laboratory underneath the Pompidou Centre in Paris — Lewis put together what he believes was IRCAM’s first commission for microcomputers and musicians improvising together. In his long booklet note, Lewis writes that he did all of the computer programming and “hardware hacking” himself, using the computer language Forth that he learned from his mentor, composer/record producer David Behrman.
Source: The Washington Post.
On a recent Friday afternoon in Brooklyn’s Prospect Park, surrounded by golden-leaved trees and numerous recreational sporting matches, a cluster of experimental musicians were gathered in a field to make improvised noise.
At this ad hoc park gig attended by about 30-odd New Yorkers, the stage was a checkered blanket. There was something disarming about this new variable, wondering whether a performer of such deep music might get bopped in the head by a flying soccer ball from a children’s scrimmage nearby.
The guitarist and songwriter Wendy Eisenberg was third on the bill, performing in between a loud violinist and a free jazz trio.