Coming up at An die Musik LIVE

Atomic
Image by svennevenn via Flickr

From DC’s An die Musik LIVE:

Friday, January 29, 8 & 9:30 pm
FOUR LIMONES

Tim Berne, saxophone
Rick Parker, piano
Mark Aanderud, trombone
Hernan Hecht, drums

Saxophonist/composer TIM BERNE has become one of the most renowned voices in the avant garde jazz community. Sleek and Modernistic” (David Adler) aptly describes the music of trombonist/composer Rick Parker. Pianist and Composer MARK AANDERUD, is one of today’s most important figures coming out of the Mexican scene. Originally from Argentina and now residing in Mexico, drummer, producer and composer HERNAN HECHT is one of the most exciting talents on the Mexican music scene. Sleek and Modernistic” (David Adler) aptly describes the music of trombonist/composer RICK PARKER. He has released 2 CD’s as a leader gaining him major notoriety by critics and publications such as Downbeat Magazine and Jazz Times. Parker is a 2 time winner of the ASCAP Young Jazz Composer Award.

February 4, Thursday, 8 pm
LAPLANTE/FORMANEK/CLEAVER
A must-see for improvised jazz lover!

Travis Laplante is highly active in New York City’s experimental music scene, and at just 27 is already one of the most in-demand and unique young voices in improvisational sound. Michael Formanek’s singular approach to the acoustic bass has led to an impressive range of musical associations during his thirty-plus year career. Gerald Cleaver‘s 2002 “Adjust”, recorded for the Spanish label Fresh Sound New Talent, was nominated in the Best Debut Recording category.

February 18, Thursday, 8 & 9:30 pm
ETHNIC HERITAGE ENSEMBLE
Celebrating Black History Month at An die Musik Live for their sixth consecutive year!

Internationally acclaimed line up:
Trumpet virtuoso Corey Wilkes
Saxophone Titan Ernest Kahbeer Dawkins
Multi/Percussion Wizard Kahil Elzabar

Formed 35 years ago upon Kahil El’Zabar’s return from the University of Ghana to combine concepts of African American music making with the earlier roots of traditional African music and make it something new. After 35 years, this legendary band is still serving the people worldwide with their special brand of 21st century Griot music that truly feed the soul!

February 20, Saturday, 8 & 9:30 pm
THE MAKANDA PROJECT FEATURING CARL GRUBBS

A dynamic pairing of one of Baltimore’s iconic jazz figures with Boston-based Makanda Project. Formed to play previously unrecorded compositions by the late multi-instrumentalist Makanda Ken McIntyre, a significant jazz composer with a unique voice. McIntyre student and sideman pianist John Kordalewski arranged the music for multiple horns. The group’s artists are among Boston’s leading jazz musicians.

March 3, Wednesday, 8 pm
ATOMIC

Fredrik Ljungkvist – reeds
Magnus Broo – trumpet
Håvard Wiik – piano
Ingebrigt Håker Flaten – bass
Paal Nilssen-Love – drums

Atomic was established in 2000 and already after their first two studio albums Feet Music (2002) and Boom Boom (2003), both their growing audience and music reviewers alike began to perceive them as an original flavor with an entirely individual energy that few Scandinavian jazz groups could match. Even though initially thought of as a sort of rebellion to the quaintness of the “Scandinavian Sound” which had become exemplified by Norwegian artists on labels such as ECM, Atomic found themselves becoming a new sort of unique sound on their own. An explosive blend of American free-jazz with European characteristics is how some reviewers have described them. Or better yet, “part academic lecture, part a fun night out on the town”, is how the band describes themselves, and is what makes their sound truly Atomic.

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Roulette in February

From NY’s Roulette:

Tenko
Thu Feb 11 – 8:30 PM
Tenko kicked off her career in music with female rock group Mizutama Shobodan in 1979. Two years later in New York she got captivated by improvised music and back in Japan started performing in a vocal duo The Honeymoons. In 1984 in New York, Tenko made her debut as a soloist and before long started working with New Yorkers Fred Frith, John Zorn, Christian Marclay and David Moss. She also performed and recorded with Art Lindsay, Wayne Horvitz, as well as Japanese Otomo Yoshihide, Tatsuya Yoshida, Ikue Mori duo and Wni-Gohan female improvisers group. Since 1985, Tenko has collaborated with various musicians in festivals in the USA, Europe and Asia. Tonight marks a rare opportunity to hear Tenko in the US.

David Linton: Bicameral Research Sound & Projection System with David First & Satoshi Takeishi : 60 Hz Raga
Sat Feb 13 – 8:30 PM
Originally a percussionist David Linton has created sound for many collaborative dance, theater, & performance settings since his arrival in downtown NY in the early 1980’s. By the later 80’s he was equally known for his live wired solo electro-acoustic drumkit performances as well as his soundscore productions. His 1986 solo LP ‘Orchesography’ (on Glen Branca’s Neutral Label) was an influential collusion of ‘early’ sampling tek with street beats and theatrical post modernism. Throughout the 90’s Linton became a dedicated advocate for the expansion and appreciation of realtime performance in electronic media through the design and/or production of event / environments. Since 2002 Linton’s fascination with instantaneous collaborative audio visual communication among select units of electronic musicians and visualists has assumed the form of a live television Manhattan cable/webcast project – UGTV – Unitygain Television.

John Lindberg’s TriPolar
Mon Feb 15 – 8:30 PM
Tripolar is the new ensemble of bassist/composer/producer John Lindberg, featuring multi-reed instrumentalist Don Davis – renowned for his formidable work with the Microscopic Septet and a wide array of other associations ranging from the Swollen Monkeys to Levon Helm, and master percussionist Kevin Norton doubling on drums and vibraphone – well-known for his numerous albums as a leader in his own right, and for his work with artists as diverse as Anthony Braxton, Milt Hinton and Tony Malaby. John Lindberg has recorded over fifty albums and has been an active member of the String Trio of New York for 32 years, as well as working with artists such as Jimmy Lyons, Wadada Leo Smith, Tony Coe, Steve Lacy, Albert Mangelsdorff and many others.

Ma La Pert: Jennifer Walshe & Tony Conrad
Fri Feb 19 – 8:30 PM
Ma la Pert is the duo of Jennifer Walshe and Tony Conrad. They use voice, violins, viola, bass, autoharps, autotune, keyboard, shells, broken plastic, words, parts of words, stories, chanting, jigs, screaming, shouting, broken drum skins, bells, green furry outfits, breastplates, wire, bird call, and old lady dresses. Walshe and Conrad first began working together after they ran from service as household slaves of King Pepy I at the end of Old Kingdom Egypt. They were subsequently monks in Carolingean Gaul during the period roughly 820 to 850, Venetian courtesans at Pope Eugene’s court during the mid 15th century, and prisoners on Reunion Island in 1738, where Walshe tried to secure Conrad’s escape using “remote viewing” techniques. The unfortunate outcome of the latter incident resulted in Conrad’s work as a medicine man in Australia in the 19th century, where in 1834, trying to quell a cattle riot, they both accidentally ingested leprosy vectors and subsequently lost three legs and two arms between them.

PFL Traject
Sat Feb 20 – 8:30 PM
PFL Traject is the improvisational trio of Pascal Pariaud, clarinets and pipes, Jean-Charles François, percussion, and Gilles Laval, electric guitar, from Lyon, France. The members of the group all went through very different journeys : Pascal Pariaud is a clarinetist specializing in new music performance and early music, a choral conductor and teacher; Jean-Charles François is a composer and percussionist who was professor at UC San Diego and founding member of the improvisation group KIVA; coming from the world of Hardcore and the alternative scene, Gilles Laval has been involved with many unlikelies, like Chef Menteur, Impur with Fred Frith, and La Douzaine., he is also the head of the popular music department at the Villeurbanne National Music School. Each improvisation of PFL Traject is a voyage in the already constituted memory, a promenade in the garden of delights. PFL Traject invites the audience to travel, to stroll, to ramble, to put oneself into orbit, to fly off at a tangent, to make the tour of a world that is well-defined in its individual windings, but is infinite in its collective combinations.

INTERPRETATIONS: Thomas Buckner premieres new works by Earl Howard, Matthias Kaul, Eckart Beinke and Bun Ching Lam
Thu Feb 25 – 8:00 PM
Buckner presents an evening of new works, including Earl Howard’s Frond, for baritone, violin, bass saxophone, and live electrtonics, Bun Ching Lam’s Trois Cadeaux, for baritone, harp, and piano, and Matthias Kaul’s Zappa-esque The Mellow Quark. With French harpist Isabelle Courret, the German ensemble L’Art Pour L’Art, Mari Kimura (violin), JD Parran (bass saxophone), and Earl Howard (saxophone, live electronics and processing).
William Parker, Conrad Bauer & Hamid Drake

Fri Feb 26 – 8:30 PM
Master musician, improviser, and composer William Parker teams up with one of Europe’s finest free jazz trombonists – Conrad Bauer, and virtuosic percussionist Hamid Drake for an evening of off the wall free improv. With a collective resume including collaborations with such names as Derek Bailey, Han Bennink, Anthony Braxton, Peter Brotzmann, Cecil Taylor, and Butch Morris – this All-Star trio is NOT to be missed!

Childrens Concert with WOLLESONIC
Sat Feb 27 – 2:00 PM
Wollesonic returns to Roulette for a very special kids workshop/concert where YOU the audience can be a part of the show! Kenny Wollesen and members of Wollesonic will distribute instruments designed and made by Wollesonic Laboratories (balloon bassoons, chika chikas, and scrap wood marimbas) to all participants, then give a brief tutorial on sound making, performance styles, and improvisation techniques….then, freshly armed with our sound devices we will all embark on a sonic exploration where we will attempt to discover never before heard sounds, get a feel for what its like to be “in the lights”, perform our newly learned improvisations and have a great time! Plus you can take your instrument home! join Wollesonic for a one of a kind soniferous situation! All kids welcome!

Steve Swell
Sat Feb 27 – 8:30 PM
“One of the most adventurous and prolific members of the New York free-jazz community” according to Ed Hazell of Signal To Noise, Steve Swell’s reputation, work ethic and committment to excellence has kept him in the forefront of improvised music and a leading voice on his instrument for more than 20 years. Tonights concert will feature a relatively new ensemble with some of improvised music’s finest contributors: Rob Brown, alto; Chris Forbes, piano; Hilliard “Hill” Greene, bass; Michael T.A. Thompson, drums, percussion. It will feature Swell’s writing along with his unique, on the spot direction of incorporating this group’s rich improvisation abilities along with his compositions. An extra element of improvisation that determines the direction of the music.

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Ingrid Laubrock – Saxophone Is Her Only Constant

From NYTimes.com:

For the last several years Ms. Laubrock has been visiting the United States now and then to study and perform, and on Wednesday night at the Cornelia Street Café in Greenwich Village she led a New York-based quartet — Mary Halvorson on guitar, John Hébert on bass, Tom Rainey on drums — with Kris Davis on piano occasionally as a fifth member. It was her own composed music, but sometimes as free as it could get within parameters.

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AUM Fidelity To Release David S. Ware’s Saturnian March 9th

David S.
Image via Wikipedia

From Improvised Communications:

AUM Fidelity is proud to announce the March 9th release of Saturnian (AUM060), the first in a planned series of limited edition solo recordings by eminent saxophonist/composer David S. Ware. Recorded live at New York’s Abrons Arts Center, this release documents Ware’s triumphant return to the stage in October following a successful kidney transplant. Each of the three extended pieces is performed on a different instrument: saxello, stritch, and tenor saxophone.

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Megasound Releases and Tours

Megasound is a new Italian label soon to launch. They have two recent releases, both highly recommend. A USA tour may follow this summer.

Neo is an italian Jazz-punk-blues trio and have released Water Resistance.
http://www.youtube.com/neojazztrio

Tribraco is a jazz-rock quartet, with a first album “Cracking the Whip.” In August 2009 they had a tour in Sardinia, were they played with Roscoe Mitchell (The Trio) from Art Ensemble of Chicago, at the Sant’Anna Arresi Jazz Festival “Ai confini tra Sardegna e Jazz 009”.
http://www.youtube.com/tribraco

With both of the bands we are organizing a tour all over the USA on summer 2010, 7.500 mi, more than 20 cities, including New York, Chicago, Philadelphia, Los Angeles, San Francisco, Portland, Seattle, Minneapolis, Washington D.C., New Orleans.

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RUCMA Shows

From New York’s Rise Up Creative Music & Arts:

January 11
TONY TIMES TWO!
7PM
Iron Dog
Sarah Bernstein – Voice
Stuart Popejoy – bass guitar, synth
Andrew Drury – Drums

8PM
Tony Malaby‘s Paloma Recio
Tony Malaby – Saxes /Eivind Opsvik – Bass
Ben Monder – Guitar / Nasheet Waits – Drums

9PM
Tony Malaby’s Paloma Recio
Tony Malaby – Saxes /Eivind Opsvik – Bass
Ben Monder – Guitar / Nasheet Waits – Drums

10PM
TBA

for more information visit:
http://www.RUCMA.org
http://www.visionfestival.org
Next Week

January 18

7PM
Cup of Joe, No Bull
Katie Bull – Voice / Joe Fonda – Bass

8PM
Yoon Sun Choi / Sacks / Sperezza
Yoon Sun Choi – Voice
Jacob Sacks – Keys / Vinnie Sperezza – Drums

9PM
McPhee / Duval / Cappozzo
Joe McPhee – Tenor sax, pocket trumpet
Dominic Duval – Bass / Jean-Luc Cappozzo – Tmp

10PM
Stephen Gauci’s Basso Continuo
Stephen Gauci – Tenor Sax / Ken Filiano – Bass
Herb Robertson – Trumpet / Mike Bisio – Bass

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Jazz Listings from the New York Times

From NYTimes.com:

DARCY JAMES ARGUE’S SECRET SOCIETY (Saturday) “Infernal Machines” (New Amsterdam), one of the most celebrated jazz releases of 2009, was the debut of this ultramodern big band, led by Mr. Argue, an indefatigable young composer. Girded with indie-rock textures and a generous sense of drama, it still only captures part of what the group can pull off in performance. At 9 and 10:30 p.m., Jazz Gallery, 290 Hudson Street, at Spring Street, South Village , (212) 242-1063, jazzgallery.org; $15; $10 for members. (Chinen)

COMPANY OF HEAVEN JAZZ FESTIVAL (Friday through Sunday) Organized by a booking agency, this event unfurls a succession of worthy artists in brief club sets, beginning with a group led by the trombonist Reut Regev (Friday at 8:30 p.m.) and ending with Ballin’ the Jack, led by the clarinetist Matt Darriau (Sunday at 11 p.m.). In between are more than half a dozen smart bets, including Totem, a group led by the bassist Mario Pavone (Friday at 11); the Thirteenth Assembly, a potent young improvising collective (Saturday at 8:30); and the Michael Musillami Trio + 3, led by Mr. Musillami, a guitarist (Sunday at 8:30 p.m.). Cornelia Street Café, 29 Cornelia Street, West Village , (212) 989-9319, corneliastreetcafe.com; cover, $10 per set, $25 for the night, with a $7 minimum per set. (Chinen)

JON IRABAGON (Saturday and Monday) Mr. Irabagon, an energetic and proficient young alto saxophonist, leads two distinct groups in the coming days, each a reflection of his personality. His quintet — with the trumpeter Brandon Lee, the pianist Adam Birnbaum, the bassist Peter Brendler and the drummer Donald Edwards — plays concise, well-reasoned post-bop, as heard on “The Observer” (Concord), his most recent album. That group appears on Saturday; on Monday Mr. Irabagon, Mr. Brendler and the drummer Kevin Shea make up the Rollins Trio, invoking the precedent of Sonny Rollins and basing a full set’s outcome on the marathon explication of a single tune. Saturday at 10 p.m., Fat Cat, 75 Christopher Street, at Seventh Avenue, West Village, (212) 675-6056, fatcatmusic.org. Monday at 9 p.m., Zebulon, 258 Wythe Avenue, near Metropolitan Avenue, Williamsburg, Brooklyn , (718) 218-6934, zebuloncafeconcert.com; no cover. (Chinen)

INGRID LAUBROCK QUARTET (Wednesday) Ingrid Laubrock, a German-born tenor and soprano saxophonist who is based in Britain, works here with Mary Halvorson, a shrewdly slippery guitarist; John Hébert, a stalwart bassist; and Tom Rainey, a stark, suggestive drummer. At 8:30 p.m., Cornelia Street Café, 29 Cornelia Street, West Village , (212) 989-9319, corneliastreetcafe.com; cover, $10, with a $7 minimum. (Chinen)

? TONY MALABY (Monday and Tuesday) Mr. Malaby, a saxophonist of broad imagination and fearless disposition, leads two groups next week, each worthy. On Monday he reunites the band from “Paloma Recio” (New World), one of the better slept-on jazz releases of 2009: the guitarist Ben Monder, the bassist Eivind Opsvik and the drummer Nasheet Waits. On Tuesday he enlists a favorite frontline partner, the trumpeter Ralph Alessi, as well as the bassist Drew Gress and the drummer Billy Drummond. Monday at 8 and 9 p.m., the Local 269, 269 East Houston Street, at Suffolk Street, Lower East Side, (212) 254-5420, rucma.org; $10 per set, or $20 for the night; $7 per set for students, or $15 for the night. Tuesday at 8:30 p.m., Cornelia Street Café, 29 Cornelia Street, West Village , (212) 989-9319, corneliastreetcafe.com; cover, $10, with a one-drink minimum. (Chinen)

MOSTLY OTHER PEOPLE DO THE KILLING (Friday) Rampaging through the jazz tradition is the sport of choice for this four-piece free-bop band, led by the bassist Moppa Elliott and featuring the trumpeter Peter Evans, the alto saxophonist Jon Irabagon and the drummer Kevin Shea. “Forty Fort” (Hot Cup), the group’s fourth album, is a characteristic thrill ride, prankish in its affect but gravely serious in its execution. At 9 p.m., Zebulon, 258 Wythe Avenue, near Metropolitan Avenue, Williamsburg, Brooklyn , (718) 218-6934, zebuloncafeconcert.com; no cover. (Chinen)

NYC WINTER JAZZFEST (Friday and Saturday) For New York City jazz fans the Winter Jazzfest has become a perennial postholiday splurge and a righteous kick-start to the new year. Held this year in five separate clubs, all within a tight radius in Greenwich Village, it puts forth a profusion of available talent with an unspoken emphasis on cosmopolitan chic. For highlights, see the feature elsewhere in this section; for a full schedule and ticket information: winterjazzfest.com. Le Poisson Rouge, 158 Bleecker Street, near Thompson Street, Greenwich Village ; $25, or $30 for a two-day pass. (Chinen)

CHAD TAYLOR AND CIRCLE DOWN (Thursday) Mr. Taylor, a versatile and texture-aware drummer, functions as the first of equals in this exploratory trio, which also features the lyrical pianist Angelica Sanchez and the responsive bassist Chris Lightcap. At 9 and 10:30 p.m., Jazz Gallery, 290 Hudson Street, at Spring Street, South Village , (212) 242-1063, jazzgallery.org; $15, and $10 for members, in the first set; $10, and $5 for members, in the second set. (Chinen)

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