AMN Celebrates Braxton 75: Part X

e72b1213374b63d74f500ddefea1fafa--jazz-artists-jazz-musiciansWelcome to AMN Celebrates Braxton 75, a multipart series focused on the work of American composer and multi-instrumentalist Anthony Braxton. Braxton, who in 2020 will be celebrating his seventy-fifth birthday, is one of the most important and influential creative minds of the past fifty years. Each week this series will feature three to four links of live performances, interviews and articles found on the web that should be of interest to both the curious and the longtime explorers of Braxton’s music.

An intense 70 minute live performance of Anthony Braxton’s Composition 355 at the Venice Biennale Musica in 2012 by the Anthony Braxton 12+1Tet.

An Anthony Braxton interview by Ken Weiss from Jazz Inside Magazine in 2010. This is a great read where Braxton reflects deeply on topics from musical identity to music history to his work over the last forty years. As a bonus, it also includes an interview with Gerry Hemingway on Braxton’s music.

This week’s final link is a great audio-only performance of the Anthony Braxton Trio live at the Immanuel Chapel, Boston in 1982. The trio was with Dave Holland – bass and Marilyn Crispell on piano.

Join us again next week for another post as AMN Celebrates Braxton 75

Previous Segments

Chris De Chiara

AMN Celebrates Braxton 75: Part IX

1_braxton_0Welcome to AMN Celebrates Braxton 75, a multipart series focused on the work of American composer and multi-instrumentalist Anthony Braxton. Braxton, who in 2020 will be celebrating his seventy-fifth birthday, is one of the most important and influential creative minds of the past fifty years. Each week this series will feature three to four links of live performances, interviews and articles found on the web that should be of interest to both the curious and the longtime explorers of Braxton’s music.

This is a short excerpt from a 1994 concert of Anthony Braxton and Richard Titielbaum. Unfortunately, it never shows Titielbaum and misspells his name in the credits.  But the music is great!

“What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers by Graham Locke is an article that dives deeply into Braxton’s use of graphics and graphic notation in his musical compositions. Locke is a very knowledgeable Braxton scholar who has written a great book about Braxton, “Forces in Motion”.  If you have been following this series and haven’t read it, you may want to check it out.

Here is Anthony Braxton’s Composition no. 151 performed by a large ensemble of teen musicians at Face the Music at Le Poisson Rouge in NYC on June 10th, 2019. Face the Music is Kaufman Music Center’s contemporary music program for teens. These teens do a great job!

Join us again next week for another post as AMN Celebrates Braxton 75

Previous Segments

Chris De Chiara

AMN Celebrates Braxton 75: Part VIII

1_braxton_0Welcome to AMN Celebrates Braxton 75, a multipart series focused on the work of American composer and multi-instrumentalist Anthony Braxton. Braxton, who in 2020 will be celebrating his seventy-fifth birthday, is one of the most important and influential creative minds of the past fifty years. Each week this series will feature three to four links of live performances, interviews and articles found on the web that should be of interest to both the curious and the longtime explorers of Braxton’s music.

In 1988, when Anthony Braxton was teaching at Mills College, he wrote his “Introduction to Catalog of Works “ so that musicians and musicologists could better understand how to approach the study and performance of his music. This is well worth the read because it explains what Braxton considers fundamentally important to his music and to his creative esthetic.

A wonderful excerpt of the Anthony Braxton Falling River Quartet Live at Marta in 2010. This quartet is one of many different ensemble formations that Braxton has assembled to perform the largely abstract and mostly graphic scores of the Falling River series.

Here is a photo of  a score from the Falling River series

391655_10151266813907154_1218698809_n

Anthony Braxton interviewed by his old friend and bandmate Gerry Hemingway in 2013.  The interview runs about an hour and was filmed just prior to their trio performance at the 2013 Willisau Festival with Taylor Ho Bynum. Braxton reflects on topics ranging from Cecil Taylor to education to opera to women in music and so much more.

An excerpt from the Wet Ink Ensemble Portrait Concert of Anthony Braxton in 2016.

Join us again next week for another post as AMN Celebrates Braxton 75

Previous Segments

Chris De Chiara

AMN Celebrates Braxton 75: Part VII

1_braxton_0Welcome to AMN Celebrates Braxton 75, a multipart series focused on the work of American composer and multi-instrumentalist Anthony Braxton. Braxton, who in 2020 will be celebrating his seventy-fifth birthday, is one of the most important and influential creative minds of the past fifty years. Each week this series will feature three to four links of live performances, interviews and articles found on the web that should be of interest to both the curious and the longtime explorers of Braxton’s music.

The Anthony Braxton Quartet, Montreux 1975 performing  Composition 40M.  This quartet was Braxton – Reeds, Dave Holland – Bass, Barry Altschul – Drums and Kenny Wheeler – Trumpet and Flugelhorn.  This was a tremendous group I’m so glad that there is video of this group floating around for all us to enjoy.

This is a transcript of an interview with Anthony Braxton at WKCR FM by Ted Panken. In this interview from 1995 Braxton discusses the forming of the Tri-Centric Foundation, his friendship with Roscoe Mitchell and Muhal Richard Abrams, the early days of the AACM, among many other topics. Panken also gets Braxton to explain some of his terminology so it is a very interesting read.

This is a wonderful excerpt from a live concert Of the Dave Holland Quartet at the Festival de Jazz d’Antibes Juan-les-Pins, Pinède Gould, July 25, 1974.  The group was Sam Rivers, Dave Holland, Barry Altschul and Anthony Braxton.

Join us again next week for another post as AMN Celebrates Braxton 75

Previous Segments

Chris De Chiara

AMN Celebrates Braxton 75: Part V

Braxton_anthony_moers_260507Welcome to AMN Celebrates Braxton 75, a multipart series focused on the work of American composer and multi-instrumentalist Anthony Braxton. Braxton, who in 2020 will be celebrating his seventy-fifth birthday, is one of the most important and influential creative minds of the past fifty years. Each week this series will feature three to four links of live performances, interviews, and articles found on the web that should be of interest to both the curious and the longtime explorers of Braxton’s music.

Anthony Braxton Unwaveringly Creative is a recent essay by Timo Hoyer for the 2019 Berlin Jazz Festival.  It provides very informative program notes for the performances of Braxton’s Sonic Genome and ZIM Music. Here are the entire five-plus hours of the Berlin performance of Anthony Braxton’s Sonic Genome.

This is an absolutely burning clip (audio only) of Braxton in a trio with Dave Holland – Bass and Phillip Wilson –  drums from Town Hall in NYC in 1972. It features the trio in a very unusual and original performance of the jazz standard “All The Things You Are”.

An hour of the Anthony Braxton Sextet performing Composition 348 in Spain, 2008.

Join us again next week for another post as AMN Celebrates Braxton 75

Previous Segments

Chris De Chiara

AMN Celebrates Braxton 75: Part IV

Braxton_anthony_moers_260507Welcome to AMN Celebrates Braxton 75, a multipart series focused on the work of American composer and multi-instrumentalist Anthony Braxton. Braxton, who in 2020 will be celebrating his seventy-fifth birthday, is one of the most important and influential creative minds of the past fifty years. Each week this series will feature three to four links of live performances, interviews, and articles found on the web that should be of interest to both the curious and the longtime explorers of Braxton’s music.

The Sounds of Now, Part Three: Anthony Braxton and the Ethics of Improvisation by Chadwick Jenkins from 2007 is a very insightful essay that digs into Braxton’s musical philosophy. Jenkins very clearly explains his interpretation of some of the ideas found in Braxton’s Tri-Axium Writings. It is very well written and should be read carefully, and maybe more than once in order to digest Jenkin’s interpretation of Braxton’s writings.

This is a recent performance of Braxton’s Composition No. 1 (1968) for solo piano performed by Brett Carson.

A short interview from 2008 where Anthony Braxton discusses chess, math & music.

A set of the Anthony Braxton Quartet performing in East Berlin in 1985. The group for this concert is Anthony Braxton, Marilyn Crispell – piano, Gerry Hemingway – drums and Jens Saleh – bass. You can hear the magic that Hemingway, Crispell, and Braxton have together.

Join us again next week for another post as AMN Celebrates Braxton 75

Previous Segments

Chris De Chiara

AMN Celebrates Braxton 75: Part III

Braxton_anthony_moers_260507Welcome to AMN Celebrates Braxton 75, a multipart series focused on the work of American composer and multi-instrumentalist Anthony Braxton. Braxton, who in 2020 will be celebrating his seventy-fifth birthday, is one of the most important and influential creative minds of the past fifty years. Each week this series will feature three to four links of live performances, interviews, and articles found on the web that should be of interest to both the curious and the longtime explorers of Braxton’s music.

In 1973 Bill Smith interviewed Anthony Braxton for Coda Magazine.  Smith removed the questions from the interview so that it reads like an essay.  The interview offers some insight into Braxton’s development as a musician and his determination to be true to himself and his vision, despite the potential consequences. “Anthony Braxton Interview 1973” by Bill Smith.

This is a very good recording of the first set at The Kitchen in 1977 of three of the AACM’s titans – Roscoe Mitchell, Anthony Braxton, and Joseph Jarman.  There is no video but the performance is astounding! The second set is also floating around and worth checking out.

The Instant Composers Pool (ICP) is an independent Dutch jazz and improvised music label and orchestra founded in 1967.  In this short excerpt of a 2005 performance at the Bimhuis in Amsterdam, they are joined by Anthony Braxton.

Join us again next week for another post as AMN Celebrates Braxton 75

Previous Segments

Chris De Chiara