Tag: Newport Jazz Festival

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Performances Reviews

By Any Means brings chemistry and history to the Newport jazz festival

The Boston Globe reviews the supergroup By Any Means Necessary.

The trio of alto saxophonist Charles Gayle, bassist William Parker, and drummer Rashied Ali play with a potency and urgency that can make your hairs stand on end. They also just happened to have made one of the greatest albums in free jazz, a 1993 date called “Touchin’ on Trane,’’ a collection of tunes inspired by, rather than composed by, John Coltrane. (For contractual reasons, the album was released under the artists’ individual names rather than by By Any Means.) In 2008, more than 20 years after it formed, By Any Means finally released a proper album, a superb two-CD set called “Live at Crescendo’’ that was recorded at a club in Sweden.

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General

RIP Ian Carr

Ian Carr has passed on.

At the age of seventeen Carr started to teach himself trumpet. After university he joined his brother in the Newcastle band, the EmCee Five from 1960 to 1962, before moving to London, where he became co-leader with Don Rendell of the Rendell–Carr quintet (1963–1969). In its six years, the group (including pianist Michael Garrick, bassist Dave Green, and drummer Trevor Tomkins) made five albums for EMI – all of which have been re-issued – and performed internationally.

After leaving the quintet, Carr went on to form the ground-breaking jazz-rock band Nucleus. This led to the release of twelve albums (some under the band’s name, some under Carr’s), and a successful international career. In their first year they won first prize at the Montreux Jazz Festival, released their first album (Elastic Rock), and performed at both the Newport Jazz Festival and the Village Gate jazz club. He has also played with the United Jazz and Rock Ensemble since 1975.

Carr has worked as a session musician in non-jazz contexts, with Nico, No-Man, Faultline, and others. He also doubles up on flugelhorn.

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