In mythology and religion, the Leviathan is a gigantic sea creature or dragon (perhaps in ouroboros form) that typically embodies evil. Political philosopher Thomas Hobbes referred to an authoritarian central government that maintains order and peace as a leviathan. On this album the word takes on a different meaning, referring to a natural force holding the world together that is slowly losing its power due to impending climate collapse.
Roddy represents this interpretation through five mid-length (6-10 minute) processed guitar drones, four relating to specific locations impacted by climate change, and the fifth a lament to a future of societal upheaval as a consequence of ecological breakdown. Each piece includes distorted soundscapes with controlled feedback and gritty textures. While majestic and sweeping, they also incorporate a sense of foreboding and an uncertain future.
Some involve harsh, windswept tones and multiple competing voices. These darker, denser pieces are compelling and their textures drip with details. Comparisons to Sunn O))) are in order, but Roddy’s creations are less reliant on power chords and instead focus on samples, electroacoustics, and processing.
Perhaps there is an analogy between the writing of Hobbes and our climate crisis. In order for modern society to maintain stability and survive the next few decades, we will need to work together under a form of international governance that balances individual rights with the need to preserve our collective interests. But unlike Hobbes, here it is critical to avoid our natural tendency of resorting to tyranny when the going gets tough.
Regardless, Roddy provides a commendable – if bleak – call to action. Leviathan will be released on October 6 and a share of the proceeds will go to the Heartstone Veganic Sanctuary in Ireland.
Avant Music News 