New Releases From Hyperdelia

Source: Hyperdelia.

splitter musik
Splitter Orchester

Hyperdelia is proud to present “splitter musik” – the first Splitter Orchester album solely consisting of the ensemble’s own music. Previous recordings have highlighted the orchestra’s vast genre-bending output in collaboration with George Lewis, The Pitch and Felix Kubin. This 3CD release aptly titled “splitter musik” showcases for the first time the orchestra’s very own musical process.

As a large scale improvising ensemble, Splitter Orchester has no central leader and is organised through direct democratic principles. Founded in 2010, Splitter is a unique collective of composer-performers with various backgrounds in the Echtzeitmusik, free improvisation and experimental music scenes in Berlin. Despite the long lasting collaboration and the mostly consistent line-up of musicians, the band maintains an incredible dynamism, continuously reinventing concert formats and composition processes. Collective and free improvisation involves risk-taking: Splitter’s endeavour of integrating up to 24 musicians takes this motto to heart. The result is a music characterised by an inherent possibility of failure.

All The Patterns Inside
Sun Kit

Hyperdelia is happy to present Sun Kit’s debut record All The Patterns Inside. Sun Kit is an experimental band, formed in Berlin. The band consists of Jules Reidy (guitar) and Andreas Dzialocha (bass) and fuses both artists’ singular sounds. Their debut album All the Patterns Inside is a moody and ecstatic ride that navigates distance and closeness, breaking and re-forming.

The record was produced completely self-sufficiently at home, the two sending each other recordings and sketches back and forth, mostly as direct input signals. These layered interactions gradually turned into songs which increasingly were abstracted through electronics, filterings, effects, autotune and a whole lot of distortion. As a result, the album holds song-like structures with vocals (such as the title track, “Vain” or “Red”), electronically powered hyper-ballads (as on “Springtime Rain” or “Tunnel Vision”) as well as more grainy tracks which highlight the band’s experimental side (“All In”, “Release”).