Few notions encapsulate the human condition more tidily than the notion of passage: of passing to different places or stages of life, or simply passing through in any of its literal or figurative meanings. On pressing clouds passing crowds guitarist/composer Kim Myhr has collaborated with poet Carolyn Bergvall on a suite of pieces touching on passage and transience in their many manifestations.
The music, which was written before Bergvall’s words were composed, is performed by Myhr on twelve-string guitar and Ingar Zach on percussion, along with the string quartet Quatuor Bozzini, from Montreal. In a structural allusion to passage the six parts of the suite segue naturally from one to the other, and feature repeated figures, ringing chords and arpeggios over insistent rhythms; for the Bozzini there are restrained drones and elongated, unstable chords with subtly rising and falling inner voices. Myhr’s penchant for repetition underscores the spirit of Bergvall’s text: repetition, as the recurrence of something that by itself doesn’t last, is simply the other side of flux. By the same token, Bergvall’s text is well-suited to the music: through images, anecdotes and aphorisms, she crafts an anti-narrative of what it’s like to experience the passing nature of things—in her words, to “move into unknown terrain where the ground is imperceptibly changing.”