Sound Poetry: The Wages of Syntax
Other Minds presents it’s 23rd Festival of new music. Sound poets from around the globe gather in San Francisco for the 23rd edition of the Other Minds Festival. This year, we’ll have an all-star cast of composers and writers whose purview is that hippodrome of hilarity where literature and speech intersect music and performance.
The event takes place April 9, 10, 11, 12, 13, and 14, 2018, at the ODC Theater, 3153 17th Street at Shotwell, in San Francisco.
Featured artists include an all-star cast, including Anne Waldman, Clark Coolidge & Alvin Curran, Michael McClure, Aram Saroyan, Enzo Minarelli, Jaap Blonk, Pamela Z, Amy X Neuburg, Charles Amirkhanian & Carol Law, Beth Anderson, and more. We’ll also bring you historical glimpses into the past of sound poetry by Marinetti, Depero, Hugo Ball, Stein, Toch, Heidsieck, Kurt Schwitters and many more.
For more information visit: other minds
The world was reintroduced to outsider electronic music composer Todd Dockstader in the 1990’s when Starkland reissued most of his work from the early 1960’s on two CD’s. The Starkland discs were met with widespread critical acclaim. Stunned by this newfound interest and acclaim for his work Dockstader returned to composing. In 2002 Recommended Records reissued additional work from the 1960’s on CD. Dockstader then teamed up with David Lee Meyers (AKA Arcane Device and Pulsewidth) releasing two CD’s on Recommended Records in 2004 and 2005. During 2005 -2006 Sub Rosa released a three CD set from Dockstader entitled “Aerial”. Many believed that this was to be his final work. Todd Dockstader passed away peacefully on February 27, 2015 surrounded by his friends and family while listening to his own music.
“From the Archives” is a posthumous release of new work by electronic music composer Todd Dockstader. When Dockstader passed away in 2015 he left behind a computer full of new work totaling more than one hundred fifty hours. Daughter Tina Dockstader Kinard enlisted enthusiast Justin Brierly to go through the material and select fifty pieces to send to Thomas Steenland at Starkland. Steenland selected fifteen pieces for this outstanding new release.
The compositions on “From the Archive” were composed during 2005 – 2008. They demonstrate Dockstaders growing comfort with the computer and his original imaginative style firmly finding its way into the digital sphere. The pieces cover a wide range of sonic texture and are generally less ethereal and atmospheric then “Aerial” which was Dockstader’s last release during his lifetime. What set Dockstader’s compositions apart from many of his contemporaries is that his work is focused on highly imaginative constructions of organized sound as opposed to the use of sampled sound collage or synthetic extensions of the traditional composition world of “do re me” that continues to dominate electronic music. Dockstader’s compositions had a kind of cinematic drama in their construction and this continues to be the case with the pieces on this new volume – “From the Archive”. In this new work we are treated to a subterranean prelude of ringing filters in “Basement Passage”. The sounds of a choir of ghosts singing and wailing in whispered tones on “Whispered Smooth”. Contrasting cinematic edits between real and imagined sounds in “Todt 1”. “Anat Loop” is a subtle construction of glitch and loops. Then there is the noisy, rhythmic, almost industrial sonic assault of “Big Jig” and so much more.
Todd Dockstader’s “From the Archives” is one of the best releases of 2016. It provides us with an hour of new music from one of the masters of sound art. “From the Archives” will make long time Dockstader listeners extremely happy and will hopefully bring his incredible work to many new listeners. Thanks to the efforts of Tina Dockstader Kinard, Justin Brierley and Thomas Steenland we have the chance to hear this new work and to enjoy it for many years to come.
For more information – http://www.starkland.com/st226/index.htm
Chris De Chiara
From New York’s Roulette:
Central to the music of Trophies is the voice or a multitude of voices. A type of voices bordering song and speech but not embracing either one of those practices completely. On November 14th at Roulette, composer and sound artist Alessandro Bosetti presented TROPHIES along with Kenta Nagai, and Ches Smith. We met up with Alessandro to talk about the project.