AMN Reviews

AMN Reviews: Tashi Dorji and Tyler Damon – Soft Berm (2018; Magnetic South Recordings)

Hear ye, aesthete! Hear ye, free music(s) fan! Hear ye, improvisers! The brash, virulent duo of Tashi Dorji and Tyler Damon hold the keys to the kingdom and are ready to storm the palace of non-idiomatic form. Shimmy Soft Berm, the latest from guitarist Dorji and drummer Damon’s ever-proliferating corpus, into the deck. Comprised of a single live performance from Fall 2017, this one has all the hallmarks and hits the high points.

Soft Berm is a fine specimen of contemporary audio verité: the wow, flutter, and hiss of the original source recording, the sounds of shuffling feet and crowd noise, and even a few unsteady moments during the duo’s sonic explorations remain preserved and presented. Whilst their studio releases afford the pair a degree of forgiveness and/or rumination on the productive process, make no mistake, Berm’s fleeting moments of disorientation are as fascinating as the eons of pure exhilaration captured on this performance. From Damon’s crystalline drum paradiddles to Dorji’s prepared guitar hypno-raga, the duo spends just over 40 minutes trekking through three distinct sonic movements, in which they sanguinely explore space, syncopation, timbre, tension, and release. Damon is easily one of the most exciting percussionists to appear on the scene since Chris Corsano and having recently witnessed Kuzu, Damon and Dorji’s trio with Dave Rempis, I can assert that his technical proficiency and stamina behind, around, and in front of the drum kit are top-notch. Meanwhile, Dorji remains one of the few contemporary guitarist possessive of a Bailey-esque sensitivity, which is manifestly apparent in his tasteful engagement with his looping pedal.

Barring any wanton self-indulgence or dives off the proverbial deep end, this duo is walloping towards canonization. You heard it here first. Don’t be surprised when you hear someone half your age name-checking Damon and Dorji alongside Rashied Ali and John Coltrane as a force to be reckoned with in the realm(s) of free/improvised/art rock.

– J. Sebastien Ericsson Saheb


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Masami Akita at Moers Festival 2007
Image via Wikipedia

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