The Necks on Tour in the US

The Necks are conducting a short US tour starting this week:

Saturday January 16th
at Bijou Theatre
Knoxville, TN
http://www.knoxbijou.com

Tuesday January 19th
at The Empty Bottle
Chicago, IL
two shows: 7pm and 10pm
http://www.emptybottle.com

Friday January 22nd
London Ontario Arts Live
http://www.lolafest.com
at Museum London
London, Ontario
http://www.museumlondon.ca
Presented by London Ontario Live Arts (LOLA) and Museum London with Grooves Record Store.

Saturday January 23rd
at The Music Gallery
Toronto, Ontario
http://www.musicgallery.org

Sunday January 24th
Suoni Per Il Popolo et CKUT présentent
at La Sala Rossa
Montreal, Quebec
http://www.casadelpopolo.com/suoniperilpopolo/

Wednesday January 27th
at Issue Project Room
Brooklyn, NY
http://issueprojectroom.org

Thursday January 28th
at Issue Project Room
Brooklyn, NY
http://issueprojectroom.org

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Henry Brant at the Guggenheim

From NYTimes.com:

Frank Lloyd Wright might never have anticipated this. But the rotunda of his late masterpiece the Guggenheim Museum — which opened in 1959, six months after his death — is an ideal place to perform one of the most mesmerizing and eclectic musical works ever written: “Orbits” for 80 trombones, soprano and organ by the Montreal-born American composer Henry Brant.

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New on Victo Records

From Victo Records:

In the spring of 2006, Spanish sound artist Francisco López led a composition workshop in Montreal. A master of the field recording and its use in acousmatic composition, López asked the participants to share their urban field recordings. From their work came a compact disc, Montreal Sound Matter on Pogus, and an exhibition presented at the Fonderie Darling in Montreal. The Victoriaville Matière Sonore project continues the work started in the metropolis. For this occasion, the original seven participants have agreed to get together again, under López’s direction, and create a new collective work from scratch. First, they came to Victoriaville to make field recordings in various public and private spaces, recordings that have been once again shared with the group. Then, they each produced a new piece using this common soundbank. However, this time around López did add one extra rule: a sequential order has been set, so that composers had to use, as the starting point for their own composition, the piece of the composer coming before them. As a result, we have a long acousmatic work in eight sections, each section picking up where the previous one has left

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New Releases from Ad Hoc Records

Tim Hodgkinson
Image via Wikipedia

From Ad Hoc Records:

Bill Gilonis – Chantale Laplante: Zürich / Bamberg
Bill Gilonis – Chantale Laplante
Bill Gilonis and Chantale Laplante worked on Zürich-Bamberg intermittently for three years. The CD comprises a series of pieces that fall loosely into a category that could be called “electro-acoustic Hörspiel.” However, with Bill in Zurich and Chantale based firstly in Bamberg, Germany and later in Montreal, Canada, it was difficult to find a way of collaborating by conventional means. But, by ping-ponging audio file CDs between these cities they managed to develop a practical, and in some ways advantageous, composition and recording strategy. For this project conventional instrumentation has been virtually abandoned. What we hear on these recordings – collaged and sometimes manipulated via processing technology – is street noise, household clatter, fragments of radio, close-miked objects, etc. By and large the pieces are constructed from precisely the sounds that our ears are constantly and automatically filtering out; but by orchestrating these sounds into pieces to be listened to – as opposed to heard – listeners are introduced to a radically personal world.

The Hat Shoes: “Differently Desperate”
Bill Gilonis – Catherine Jauniaux – Charles HaywardTom Cora
Ad Hoc Records’ new, four-panel digipack reissue of THE HAT SHOES’ debut album will be especially welcomed by lovers of intelligent and thoughtful Progressive music, with a hint of Romanticism. Originally released in 1991, “DIFFERENTLY DESPERATE” is a studio offering of diverse avant-pop songs by a “Super-group”, comprised of members BILL GILONIS (The Work), CATHERINE JAUNIAUX (Fluvial), CHARLES HAYWARD (This Heat, Camberwell Now) and TOM CORA (Skeleton Crew, Curlew). There’s also a slew of well-known guest performers: David Thomas, Amos, Chris Cochrane, Tim Hodgkinson, Hahn Rowne and Rick Brown, among others.

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Jean Derome brings Montreal improv to Vancouver

Jean Derome is interviewed about the musical scene he brings to Vancouver.

Language and geography pose formidable challenges to those who’d like to see more interplay between Quebec and British Columbia, but many artists are working to bridge that gap—most notably in improvised music, where there’s been a strong connection between Vancouver and Montreal for more than 20 years.

The two cities share some common attributes, notably a degree of isolation from the mainstream and a willingness to experiment. But affordable housing and superior funding have allowed Montreal’s players to develop an idiom all their own: musique actuelle, which blends elements of American-style free jazz, progressive rock, contemporary chamber music, and Gallic joie de vivre in a sound that’s as sophisticated as haute cuisine and as earthy as joual.

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