DMG Newsletter May 8th, 2009

From DMG:

Peter Evans solo 2 CD set! Keith Tippett Septet! Magma: Tokyo 2005! Marilyn Crispell Groups! KOJ & Louis Sclavis! Arne Henriksen With David Sylvian! J. G. Thirlwell (Foetus) Cartoon Music! Mike Patton Cranked Up! Ernst Reijseger!

Live DVDs from: Thirteenth Assembly [Taylor Ho Bynum, Mary Halvorson, Jessica Pavone, Tomas Fujiwara], Michael Vlatkovich Qt, Weasel Walter Trio with Halvorson and Evans!

Richard Bliwas! Tom Hamilton! Throbbling [sic] Gristle! Jon Mueller tri-format release! David Rosenboom! Peter Garland! Evelyn Glennie! John Luther Adams!

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DMG Newsletter April 3rd, 2009

From DMG:

Sun Ra 6 CD Slugs box .. and Live ’64 with Pharoah! Lou Reed Metal Machine Music Trio Live 2CD! Derek Bailey ’74! Melvin Gibbs With Pete Cosey & John Medeski! Joe Morris! Cooper-Moore! Gunter Hampel original Heartplants ’65!

Bob Moses! Roswell Rudd Trombone Tribe! Miles Okazaki! LaDonna Smith/Michael Evans! Andrea Parkins! Josef Van Wissem! Yoshi Wada! Phil Kline! Remaining INCUS backcatalog!

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LAST CHANCE FOR THIS FOREMAN-ZORN THEATRICAL EVENT – ENDS THIS SUNDAY!

Richard Foreman is one of the most important theatre directors in the world, and has been a personal hero of John Zorn‘s for over 30 years. This theatre/music piece is the historic first-time collaboration for two masters of the bizarre (both MacArthur geniuses) who individually have challenged, enlightened and entertained adventurous audiences for decades.

ASTRONOME: A NIGHT AT THE OPERA is a work dominated by ecstatic groans, grunts and babbling, and explores the initiation of a group of people into a world where ambiguous behavior alone leads to freedom–perhaps under the tutelage of the necessary “false messiah.” This is one of those events that can only happen downtown – culminating from a chance meeting in the street – independent of any special grants, funding, institution or administration.

Based on ASTRONOME, the intense second CD of a series featuring Mike Patton, Trevor Dunn and Joey Baron, Richard Foreman’s staging of it is absolutely stunning!

Please make a special effort to see this once in a lifetime event, which opened FEBRUARY 5th and RUNNING ONLY through APRIL 5th at the ONOTOLOGICAL-HYSTERIC THEATRE
@ St Marks Church in the East Village, 131 East 10th St on Second Ave!

to purchase tickets, go to:

https://www.ovationtix.com/trs/pr/633735

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Secret Chiefs 3 Article

Trey Spruance
Image via Wikipedia

Trey Spruance of SC3 is interviewed.

Known primarily as one of the main creative forces in experimental metal group Mr. Bungle, guitarist Trey Spruance is certainly no stranger to creating genre hybrids. Along with Bungle’s other principal songwriters, Mike Patton and Trevor Dunn, Spruance took glee in mashing up rock, experimental noise, avant-garde jazz, modern classical, obscure film scores and death metal into a twisted, heaving mass. Looking back, Spruance freely admits that Bungle’s aesthetic lacked compassion.

“Mr. Bungle lacked that big-time,” he deadpans. “We were deficient, dehumanized, sub-human, wounded, fucked-up psychological terrorists, frankly. I’ve met a lot of people who were in that phase with us and came out of it on the better side. But I would be bending things to say that we were a good force in the world, though. Because I really don’t think so. Just speaking from the broader cultural context, I don’t think we had a good impact on anything.”

For what it’s worth, I liked Bungle because they were “deficient, dehumanized, sub-human, wounded, fucked-up psychological terrorists.” Sigh.

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Musique Machine Reviews

From Musique Machine:

Future Islands – Wave Like Home
Future Islands specialize in wonky,often dense yet criminal additive brand of off-kilter 80’s retro pop meets post punk crunch ‘n’ grime. Think a more active, up-beat and positive take on the kind of thing John Maus has been doing over the last few of years. But Future Islands are far from a copy of Maus work; this their debut(after an 7 inch and a few self releases) is an wonderful self assured, well played and distinctive slice of retro wonderful-ness.

Hum of the Druid and Fire in the Head – Split
This is a 12 inch vinyl split between the organic and clattering noise meets ambience of Hum of the Druid and Fire in the Head’s industrialized sample heavy drone and often muffled beat bound attacks.

Tipsy – Buzz
The San Francisco based duo of Tipsy have been making their own brand of often sampled and turntable based lounge meets beats since 1996; Buzz is their fourth album and first on Mike Patton’s Ipecac label.

Animal Hospital – Memory
Animal Hospital is a one-man project by Kevin Micka, whose music is created using guitars, a room full of effects and electronics. By today’s standards, that set-up doesn’t sound all that unusual, and of course, it isn’t really. But Micka doesn’t take the expected route when it comes to the music, and that makes Memory a worthwhile listen. Most of the album is quiet and introspective, but rather than simply creating an atmosphere, there are some actual tunes to grab your attention. You may have to listen intently to find them at times, but they’re there. The guitar is frequently very recognisable, meaning it sounds like a guitar, and the effects are used to color the music, rather than hide the artist’s shortcomings. Micka is all over the place, style-wise, and despite this fact Memory is cohesive. It was assembled with care over a period of three years, and each segment dovetails nicely with the next. One suspects that a lot of material was left on the cutting room floor, with only the best of the best saved for the listener.

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Zu’s Carboniferous Reviewed

Cover of "Igneo"
Cover of Igneo

The latest from this heavy Italian free-jazz band is reviewed:

Here’s a hypothetical question for you- how many bass strings would you get through a month if you were Masimo Pupillo, the bassist in Italian trio Zu?

A lot, would be your answer, had you been listening to Carboniferous recently. I haven’t heard a bass sound as dense as the unearthly throb which hails the start of “Ostia”, the opening track of the jazz metaller’s latest opus, in a very long time. It’s an all-consuming deathly hum, menacingly clear and crisp yet absolutely huge sounding. Think Jesus Lizard, think Shellac, think hard house, think dub, think whatever you like, just think big.

Thankfully for the listener, there’s more than that (admittedly wondrous) bass sound going for Zu. The Italian trio are on their 14th album, but it seems that where last album Igneo started their slow acceptance into a larger audience, Carboniferous will be the one that cements it. Not because it’s released on avant metal guru and former Faith No More-er Mike Patton’s Ipecac label, nor because it features Patton on vocals, and probably not even because Melvins head honcho King Buzzo lends some guitar riffery to the churning “Cthonian”, but most likely because it’s about as friendly as Zu have yet been.

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