Toby Driver from Kayo Dot is interviewed.
No doubt, you may have a bit of difficulty determining whether Kayo Dot’s latest album The Blue Lambency Downward is the soundtrack to a bizarre avant-garde masterpiece, or just a flurry of chaotic, sonic incomprehensibility. Did this Boston-born experimental project compose it for the end of the world, or for the beginning? Beneath this maniac morass of textures, can one find any theme, any possible sense to be made?
Let’s put it this way: it’s pretty complicated.
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