Interpretations in 2010

From NY’s Interpretations:

January 21 – Roy Campbell’s Akhenaten / Matana Roberts’ Illumination
Creative ensemble music from two of the downtown scene’s most distinct horn players.Trumpeter and composer Roy Campbell’s Akhenaten performs music from their recent Aum Fidelity release, Live at the Vision Festival 12, with vibraphonist Bryan Carrott, bassist Hilliard “Hill” Greene, and drummer Michael Wimberly. Saxophonist and composer Matana Roberts presents her compositional configuration Illumination, based on ongoing research related to the questions, history, and conundrums of the universal creative act of dreams. Featuring cornetist Graham Haynes, pianist Gabriel Guerrero, harpist Shelley Burgon, and drummer Damion Reid.

January 23, 9PM – BAM Café: Big Red Media and Mutable Music Present Fred Ho & The Green Monster Big Band CD Release Party
Hosted and co-sponsored by BAM Café, Fred Ho debuts the 21 member Green Monster Big Band, and their debut CD, The Celestial Green Monster, on Mutable Music. Featuring Ho’s inimitable compositions and arrangements, including an epic “In-A-Godda-Da-Vida”, Jimi Hendrix’s “Purple Haze”, and “Very, Very Baaad: The Michael Jackson Medley Tribute” (featuring Aaron Sherraden, guest bassist and arranger, and Leena Conquest, guest vocalist).

February 25 – Thomas Buckner Premieres New Works by Earl Howard, Matthias Kaul, Eckart Beinke, and Bun Ching Lam
Baritone Thomas Buckner presents an evening of new works, including Earl Howard’s Frond, for baritone, violin, bass saxophone, and live electrtonics, Bun Ching Lam’s Trois Cadeaux, for baritone, harp, and piano, and Matthias Kaul’s Zappa-esque The Mellow Quark. With French harpist Isabelle Courret, the German ensemble L’Art Pour L’Art, Mari Kimura (violin), JD Parran (bass saxophone), and Earl Howard (saxophone, live electronics and processing).

March 16 – The Paula Cooper Gallery World Premiere: Somei Satoh’s The Passion
Co-sponsored by the S.E.M. Ensemble, The Paula Cooper Gallery hosts the premiere of The Passion, by Japanese composer Somei Satoh, whose works are fragile in their clarity and simplicity, representing a sculptural minimalism infused with the lyrical sense of Romanticism. Featuring baritone Thomas Buckner and an ensemble including oboe, clarinet, two harps, percussion, violin, viola and cello, Satoh’s innovative setting of The Passion of Christ has all roles performed by one singer, with each character represented by a different vocal style, including Syomyo and Biwa song and Nagauta from Japan, along with traditional western singing and Gregorian chant.

March 25 – Sean Heim / Chinary Ung
Challenging and deeply personal contemporary solo and chamber music from a distinguished and renowned elder composer and an acclaimed former protégé. Chinary Ung is the first American composer to win the highly coveted International Grawemeyer Award (sometimes called the Nobel prize for music composition). The evening’s works include Ung’s Seven Mirrors and Heim’s In The Between (Reflections On The Six Bardos), both for solo piano. Ensemble works include Ung’s Spiral IX baritone, viola, percussion and Heim’s Holomovements, for oboe, violin, viola, double bass, and piano.

April 15 – “Blue” Gene Tyranny / Miguel Frasconi
Engaging electro-acoustic music performed on both traditional instruments and imaginative sound objects. Avant-garde composer and pianist “Blue” Gene Tyranny and Conrad Harris perform electro-acoustic works for piano and violin by Philip Krumm and George Cacioppo, including Cacioppo’s Cassiopeia and Krumm’s Four Nations, as well as world premieres by “Blue” Gene Tyranny and Paul Reller. Composer and improviser Miguel Frasconi uses glass objects, electronics, keyboards, and “de-evolved” instruments to create music from a uniquely imagined tradition.

April 29 – Joan La Barbara / Yael Acher With Irina Kalina-Goudeva
Two very different dramatic excursions into the theatrical side of contemporary music. Joan La Barbara and Ne(x)tworks will be performing excerpts from Angels, Demons and other Muses, her opera in-progress exploring inner secrets of the artistic mind. Inspired in part by the dreams of Joseph Cornell, intricate word turnings of Virginia Woolf, and psychological twists of Poe. With Kenji Bunch, Shelley Burgon, Yves Dharamraj, Cornelius Dufallo, Miguel Frasconi, Stephen Gosling, Ariana Kim, and Chris McIntyre. Flutist and composer Yael Acher and contrabassist Irina-Kalina Goudeva, whose work also incorporates voice, drama, and movement, present Two – Walk, a multimedia electro-acoustic performance.

May 25 – Yasunao Tone / Adachi Tomomi
Contemporary music from two generations of Japan’s experimental music community. Yasunao Tone became active in the Fluxus movement in the 1960s and moved to the United States in 1972. Tone will premiere his MP3 Corruption Piece, a new system for live performance, based on the real-time corruption of mp3 files to generate data that controls the playback of various audio materials. Adachi Tomomi is a performer/composer, sound poet, and installation artist living in Japan. He has performed improvised music and contemporary music with voice, computer, sensor system and self-made instruments.

Reblog this post [with Zemanta]

DMG Newsletter June 6th, 2009

From DMG:

Sun Ra Arkestra! Steve Lehman Octet! Jim Black‘s Alasnoaxi! Jerry Granelli’s V16 with Dave Tronzo! Mohammed Jimmy Mohammed Trio Han Bennink DVD! Andy Milne & Benoit Delbecq! Henry Hills DVD! Hypnotic Brass Band!

Spunk, Trad Gras Och Stenar! Bob Moses /Dave Liebman/Jeanne Lee! Long Arms Label from Russia!

Sonny Rollins & Don Cherry! Albert Ayler Box-Set Sale! Six Rare Box-Sets from Jimi Hendrix and the Not Two label!

Reblog this post [with Zemanta]

DMG Newsletter April 10th, 2009

From DMG:

Marc Ducret’s 11-Piece, PSI – Evan Parker Sax Solos, Fernandez/Edwards/Sanders, New from Not Two: Michael Bisio Qt, Perelman & Duval, Dave Rempis Percussion Qt, Ullmann’s Basement Research

Tony Malaby All-Star Quintet, Phillip Johnston Qt, Nate Wooley/Lonberg-Holm/Roebke, JD Parran Duo, The Nu Band, Refuge Trio (w/ Bleckmann, Versace & Hollenbeck),

Barney McAll Quintet, Dave Fiuczynski’s KiF plus Historic Discs from: Jimi Hendrix Limited Rarities, Archie Shepp, Air’s ‘Air Song’, Chico Freeman, Colosseum Reunion, Ghedalia Tazartes and tons of vinyl from Henry Flynt, Luc Ferrari and way more…

Reblog this post [with Zemanta]

This Week’s Best Albums from ALARM Magazine

In ALARM Magazine:

Bob Log III: My Shit is Perfect (Birdman)

For 15 years, Bob Log III has knocked out fucked-up, floor-stomping rhythms for adventurous show-goers, performing in full-body cannonball suits with a telephone-receiver mic fastened to a motorcycle helmet. His one-man-band MO consists of crazy blues riffs, drum-machine beats, solo kick-drum rhythms, and steel-stringed slide guitar. True to form, My Shit is Perfect is quintessential Bob Log with elements of stop-start timing, lighting-fast picking, and mostly incomprehensible lyrics.

Gouseion: More Friends for the Fire EP (Run Riot)

Electronic producer Cassidy DeMarco returns with another release as Gouseion, purveyor of buzz-saw synthesizers and big beats. For this EP, DeMarco stresses backing harmonies and scales back the power of his drum samples, resulting in a dancier mix whose appeal reaches beyond raves. Released less than six months after his last full album, Nijikon, this EP is a digital-only release.

Bushman’s Revenge: You Lost Me at Hello (Rune Grammofon)

Led by the down-tuned riffs of Even Helte Hermansen, the guitarist for the outstanding Norwegian prog-jazz group Shining, Bushman’s Revenge filters a heavy rock trio through the lens of an improvisational jazz outfit. The group cites inspiration as much from Black Sabbath and Jimi Hendrix as Ornette Coleman and Albert Ayler, and You Lost Me at Hello oddly sounds a bit like all of it, even if it leans on the first two. Boundless free jazz meets structured rock and roll on the album, which comes recommended for fans of both styles.

Pulling Teeth: Paradise Illusions / Paranoid Delusions (Deathwish Inc.)

Punching in at five songs and 23 minutes, this doubly themed release takes hardcore group Pulling Teeth in a crushing and despairing direction. The group’s full-throttle tempos, speed picking, push beats, and wailing solos are still present, but the final product is a more-complete, ominous concoction that adds a few melodic breakdowns.

Rahim AlHaj: Ancient Sounds (UR Music)

Iraqi political refugee Rahim AlHaj found asylum in the USA in 2000, finally free of the torture and imprisonment that he suffered at the hands of Saddam Hussein for aligning himself with anti-Hussein groups. A master of the oud, AlHaj now lives in New Mexico, where he was able to vote last November for the first time in his entire life. His beautiful Arabic style, full of microtones and complex rhythms, has taken small elements of Western structure over the years, although this duet recording with sarod master Ustad Amjad Ali Khan is rather traditional.

Stinking Lizaveta: Sacrifice and Bliss (At a Loss)

Splashing together prog rock, math rock, stoner/psych rock, and bits of Eastern flavor, Stinking Lizaveta accomplishes quite a bit for having a semi-standard rock-trio lineup. Guitarist Yanni Papadopoulos shines with his technical and diverse creations, and he adds keyboards and theremin as sonic supplements. Sacrifice and Bliss comes strongly recommended for instrumental-tech-rock geeks.

Reblog this post [with Zemanta]

Seattle Metropolitan Magazine Lists Wally Shoup as Seattle’s 50 most influential musicians

Shoup is honored alongside Jimi Hendrix, Ray Charles, Stuart Dempster, John Cage, Bill Frisell, Eyvind Kang, and many others.

Improvising isn’t just a musical strategy but a guiding philosophy for jazz saxophonist Shoup. The North Carolina native, now in his mid-60s, changed his life to become a musician after hearing the influential 1970 album Music Improvisation Company. Since settling in Seattle in 1985, Shoup has been a tireless engine in the underground noise scenes, where music is liberated from the status of commodity and the only unwelcome dissonance is the concept of “smooth jazz.” He was one of the early organizers of Seattle’s Improvised Music Festival, which began in 1985. His fiery, spasmodic creativity also fuels his paintings (exhibited by the Garde-Rail Gallery) and his work collaborating with groups such as Sonic Youth. —TM

Because of him… Seattle hosts the country’s longest-running improvised music festival.
Now hear this: Shoup’s 2003 album Fusillades and Lamentations is just that: a mesmerizing amalgam of edgy outbursts and hazy dirge.

Reblog this post [with Zemanta]

RIP Mitch Mitchell

The Jimi Hendrix Experience album cover
Image via Wikipedia

Mitch Mitchell has passed on.

Mitch Mitchell, the jazzy and versatile British drummer in the Jimi Hendrix Experience, died on Wednesday in a hotel in Portland, Ore. He was 62 and had recently finished a national tribute tour, Experience Hendrix.

Reblog this post [with Zemanta]