Nathan Davis & Cristina Valdes in Seattle

From Wayward Music:

8:00 PM; $5 – $15 sliding scale donation at the door.

Nathan Davis and Cristina Valdes – music for percussion, piano, and electronics

Critically acclaimed composer and percussionist Nathan Davis makes music inspired by natural processes, acoustic phenomena, and the abstraction of simple stories. Tonight he plays his solos for triangles, river stones, and amplified laptop – probed with microphones and exaggerated with live electronic processing. Pianist Cristina Valdes (Seattle) performs the world premiere of CuoRE, a solo piano piece written for her by Seattle composer Donald Stewart. Together they play duos including the US premiere Orlando Garcia’s September 2007 (Remembering Morty), a memorial to Morton Feldman.

Nathan Davis (NYC) makes music as a composer and percussionist. He has received commissions from the International Contemporary Ensemble (ICE), the Meehan/Perkins Duo, Ethos Percussion Group, the Jerome Foundation, Concert Artists Guild, and received awards from ASCAP, Meet the Composer, the Look and Listen Festival, and the ISCM. His music has been performed in the U.S., Canada, Cuba, Europe, Finland, and China, in Carnegie Hall, Merkin Hall, Symphony Space, Roulette, The Stone, LPR, and many others. Several of his electroacoustic percussion pieces are available on a solo cd, Memory Spaces, and his acoustic music is published by Frog Peak. As a percussionist, Nathan is a member of ICE and plays original and commissioned works with cellist Ha-Yang Kim in the duo Odd Appetite, touring as far as Russia, Bali, and Turkey, and appearing closer to home as a soloist at Carnegie Hall and at the Bang on a Can Marathon. He has worked with Evan Ziporyn, Lee Hyla, Louis Andriessen, and Christian Wolff, premiering their music, and has recorded for Tzadik, New Albion, Bridge, Cold Blue records.

Cristina Valdes has performed across four continents and in a multitude of venues including Lincoln Center, Carnegie Recital Hall and the Kennedy Center. As an advocate of new music she has collaborated with and premiered the works of countless composers. Her festival performances include the Singapore Arts Festival, the Foro Internacional de Musica Nueva in Mexico City, the New Music in Miami Festival, and the Festival of Contemporary Music in El Salvador among others. She has also performed with the Bang on a Can “All Stars”, Musicians Accord and the Parsons Dance Company. Cristina holds degrees from the New England Conservatory and SUNY at Stony Brook, and is the recipient of an Arts International Grant, the Thayer Award for the Arts, and an Yvar Mikhashoff Trust for New Music grant.

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Bang on a Can All-Stars in NY Reviewed

Terry Riley
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A recent BOAC performance gets reviewed.

Le Poisson Rouge, the West Village club that opened in the summer, has fast become one of the city’s main alternative spaces for classical music events, with many presented by the Wordless Music series, an inventive venture that programs rock, classical and indie music together.
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Chang W. Lee/The New York Times

Terry Riley, left, and Evan Ziporyn of Bang on a Can All-Stars, at Le Poisson Rouge.

On Saturday a well-attended concert there by the Bang on a Can All-Stars — the genre-blurring group that meshes elements of jazz, rock, classical and world music — fell into the classical camp. But were it not for the music on the musicians’ stands, you might at times have assumed it was an impromptu jam session by the sextet of clarinet, cello, keyboards, electric guitar, bass and percussion.

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