Categories
Performances

Los Angeles / SoCal Scene

flecktones_autographed
flecktones_autographed (Photo credit: DeathByBokeh)

From blue whale:

Friday, March 9, 9 pm
The blue whale hosts the Bay Area’s Scott Amendola Trio in an evening of music. Scott Amendola (drums), Jeff Parker (guitar), and John Shifflett (bass). blue whale, Weller Court, 123 Astronaut E.S. Onizuka St., Ste. 301, downtown Los Angeles | call 213-620-0908 for ticket prices

From the wulf:

Saturday, March 10, 8pm
the wulf presents Omoi for Japan, “One for All”, a tribute concert dedicated to all the victims and sufferers of 3.11 earthquake/tsunami in Japan. Performed by: Michael Pisaro, Sara Roberts, Ulrich Krieger, Adam Overton, Mark So, Julia Holter, Alex Sramek, Christine Tavalocci, Ezra Buchla, Alan Nakagawa, Carmina Escober, Archie Carey, Paul Fraser, Colin Wambsgans, Chaz Underriner, Stephen Touchton, James Klopfleisch, Ingrid Lee, Donald Gialanella, Kristin Thora Haraldsdottir, Justin Asher, John Hagen-Brenner, Eric Mayron, Mari and more. the wulf, 1026 South Santa Fe Ave. #203, downtown Los Angeles | Free, donations accepted

From Southwest Chamber Music:

Saturday, March 10, 8pm
Southwest Chamber Music continues its Cage 2012 Festival, celebrating the centenary of John Cage, concluding on the composer’s 100th birthday on September 5, 2012. This evening’s concert will include Cage works: Atlas Eclipticalis, Variations IV, and 0’00”. Art Center College of Design, 1700 Lida St., Pasadena | $38 / $28 seniors / $10 students

Sunday, March 11, 5pm
Southwest Chamber Music continues its Cage 2012 Festival, celebrating the centenary of John Cage, concluding on the composer’s 100th birthday on September 5, 2012. This late-afternoon concert will include Cage works: Branches, Music for Carillion No. 5, Radio Music, and Etudes Boreales I-IV. Pacific Asia Museum, 46 N. Los Robles Ave., Pasadena | $38 / $28 seniors / $10 students

From LA Jazz:

Sunday, March 11, 7:30pm
Fearless San Francisco-based string quartet Kronos and L.A.’s own modern jazz pianist/composer Billy Childs each play their own sets and then collaborate on a piece written by Childs to stunning effect. “The most innovative and influential jazz guitarist of the past 25 years” (Wall Street Journal), Bill Frisell begins the evening with his spacious jazz & country-inflected drum/violin trio, featuring Eyvind Kang and Rudy Royston. Walt Disney Concert Hall, 111 South Grand Ave., downtown Los Angeles | $47-121, available here

From SD City Beat:

Tuesday-Wednesday, March 13-14, 7:30pm / 9:30pm (two shows each night)
Anthology presents Béla Fleck & The Flecktones: The Original Line-Up, featuring Béla Fleck, Victor Wooten, Roy “Future Man” Wooten, and Howard Levy. “Béla Fleck and the Flecktones’ new CD Rocket Science reunites the highly eclectic group’s original personnel, and really re-ignites the musical chemistry of unlikely ingredients that made the group’s first two CDs so utterly distinctive.” (George Graham). Anthology, 1337 India St., San Diego | $19-99

From musicweb UCSD:

Wednesday, March 14, 8pm
Graduate computer music students perform original works in a concert featuring experimental music, performance art, and visual music. Highlights include custom software for live performance, hand built electronics, sculptural sound objects, and a brainwave interface that controls sound by reading the performer’s mood. <a href=”University of California San Diego, CPMC Theatre, 9500 Gilman Dr., La Jolla | Free

From Angel City Arts:

Thursday – Friday – Saturday, March 15-16-17, 9pm
Angel City Arts and the blue whale present the three-evening residency of Kneebody, featuring Adam Benjamin, Ben Wendel, Kaveh Rastegar, Nate Wood, and Shane Endsley. By combining sophisticated compositions and virtuosic improvising, the Grammy nominated group Kneebody has created a diverse, loyal fan base in the United States and Europe. Founded in 2001, Kneebody has built upon an impressive array of individual resumes and conservatory training to create a truly singular voice within the instrumental world. blue whale, Weller Court, 123 Astronaut E.S. Onizuka St. Ste. 301, downtown Los Angeles | General Admission: $15 / $25 (for 2 nights) $35 (for three nights).

Categories
Podcasts

Taran’s Free Jazz Hour, Podcast 05/2012

Bologna, la notte bianca del jazz, 17 settembr...
Bologna, la notte bianca del jazz, 17 settembre 2011 - Steve Lacy (Photo credit: Il Fatto Quotidiano)

From Taran’s Free Jazz Hour, podcast 05/2012:

porter
cracked refraction: Kyle Bruckmann (oboe, english horn), Tim Daisy (percussion), Anton Hatwich (bass), Jen Clare Paulson (viola), Jason Stein (bass clarinet).

emanem
avignon and after – 1: Steve Lacy (soprano saxophone)
the sun: Steve Lacy (soprano saxophone), Irene Aebi (voice), Enrico Rava (trumpet), Karl Berger (vibraphone), Kent Carter (double bass), Aldo Romano (drum set).

Fast Talk: Kay Grant (voice, electronics), Alex Ward (clarinet).

andy haas
ask the oracle: Andy Haas (soprano sax, flute, hojok), Colin Fisher (guitar), Aaron Lumley (bass), Brandon Valdivia (perc), Matthew “Doc” Dunn (perc).

multikulti
nuntium: Robert Kusiolek (accordion, electronics), Anton Sjarov (violin, voice), Ksawery Wojcinski (double-bass0, Klaus Kugel (drums, percussion, sound-objects).

delmark
sun rooms: Jason (vibraphone), Mike Reed (drums) and Nate McBride (bass).

the story this time: Joshua Abrams (bass), Frank Rosaly (drums), Keefe Jackson (tenor sax, contrabass clarinet).

edgetone records
brains – unloaded: Drew Ceccato (tenor sax), Chris Golinski (drums).

turqoise sessions: Joe Lasqo (piano).

roguart records
velvet songs: Ernest Dawkins (soprano, alto & tenor saxes), Harrison Bankhead (double bass, cello), Hamid Drake (drums, frame drum).

new artists
the stone set: Connie Crothers (piano), Bill Payne (clarinet).

Categories
General Performances

San Francisco Bay Area Scene

English: Pamela Z speaking at Third Coast Inte...
Image via Wikipedia

From Bay Improviser:

Thursday, March 8, 8pm
OutSound presents the Luggage Store New Music Series, this week featuring The Misspelled Trio at 8pm, and from Albuquerque, trombonist Christian Pincock performing a solo set at 9pm, with improvised and composed music on valve trombone and a computer-based instrument of his own creation with MAX/MSP. The Misspelled Trio is Phillip Greenlief (sax), Arora Josefson (voice), and Matt Davignon (drum machine, cd player). Luggage Store Gallery, 1007 Market St. (@ 6th St.), San Francisco | $6-10 sliding

From CCRMA:

Thursday, March 8, 8pm
CCRMA at Stanford presents a Cabaret Series concert with Jaap Blonk (composer, performer, poet) with his latest piece “Polyphtong” for voice and live-electronics, plus a rare complete performance of Kurt Schwitter’s “Ursonate”! Stanford University, The Knoll Building, CCRMA Stage (3rd floor), 660 Lomita Dr., Stanford | Free

From Bay Improviser:

Thursday, March 8, 8pm
The Mills College Music Department Graduate Program presents Signal Flow, an annual spring festival showcasing new student works in music and sound art. This evening’s concert includes works by Evan Bogunia, Matthew Creer, Lydia Martín, Edan Mason, Brandon Rolle, Ryan Ross Smith, and Ben Tinker. Mills College, 5000 MacArthur Blvd., Oakland | Free

Friday, March 9, 6:30pm
Pioneer of computer-enhanced performance practice Edmund Campion transforms Gallery B, at the Berkeley Art Museum, with sound and visuals, including video projection, a choir spread throughout the building, and his own brand of dynamic, buoyant electronic music. Designer Raveevarn Choksombatchai, artist and 3-D animator Claudia Hart, and the Cornelius Cardew Choir come together to collaborate with Campion, a codirector of UC Berkeley‘s Center for New Music and Audio Technologies. Berkeley Art Museum, 2626 Bancroft Way, Berkeley | Free to $7

Friday, March 9, 8pm
The Mills College Music Department Graduate Program presents Signal Flow, an annual spring festival showcasing new student works in music and sound art. This evening’s concert includes works by Sarah Davachi, Giselle Eastman, Nick Kanozik, and Xo Nguyen. Mills College, 5000 MacArthur Blvd., Oakland | Free

Saturday, March 10, 8pm
The Mills College Music Department Graduate Program presents Signal Flow, an annual spring festival showcasing new student works in music and sound art. This evening’s concert includes works by Rachel Condry, Adam Lowdermilk, Yaman Palak, Edward Stumpp, and Nick Wang. Mills College, 5000 MacArthur Blvd., Oakland | Free

Sunday, March 11, 2pm
Gilberg Johnson and Ken Bullock Presents Second Sunday Jazz at Cafe Royale, featuring three sets from The Lost Trio – Phillip Greenlief (tenor saxophone), Dan Seamans (bass), Tom Hassett (drums). Cafe Royale, 800 Post St. (@ Leavenworth), San Francisco | donations accepted

Sunday, March 11, 4pm
The Mills College Music Department Graduate Program presents Signal Flow, an annual spring festival showcasing new student works in music and sound art. This evening’s concert includes works by Ashley Bellouin, Cindy Colins, Wendy Farina, Moni Gbadebo, Ryan Jobes, and Ralph Lewis. Mills College, 5000 MacArthur Blvd., Oakland | Free

From Dana Street Roasting:

Sunday, March 11, 7:30pm
Back for more! Always a great experience, the Scott Amendola Trio bring their “A” game to Dana Street and offer you a unique musical perspective that is rarely found at any venue in the Bay Area…and we offer it, up close and personal. Jeff Parker (guitar), John Shifflett (bass), and Scott Amendola (drums/electronics). Dana Street Roasting Co., 744 W. Dana St., Mountain View | $15

From Bay Improviser:

Sunday, March 11, 8pm
The Swarm Gallery presents a triple-bill evening of music with local avant-jazz-post-rock group Stratic – Michael Coleman (keyboards, electronics), Aram Shelton (saxophone, electronics), and Alex Vittum (drums), an album release performance by Berkeley/Brooklyn hybrid trio Jabberclaw – Jon Arkin (drums), Brian Drye (trombone), and Mike McGinnis (clarinet), and an opening set by Chicago bassist Anton Hatwich. Swarm Gallery, 560 2nd St., Oakland | $10-15 donation

From FaceBook:

Sunday, March 11, 8pm
Cello Joe presents Cello MADNESS Congress 2012, featuring mystical moments of musical mayhem…cellists improvising in ways you’ve never heard cello before. Our jams can depict the ephemeral wisps of smoke rising from a funeral pyre to the prismatic rainbow colored fanfare of a three ring circus complete with elephants and clowns. We also read music arranged for cello. We invite all cellists to come and explore with us. Other instruments are welcome too, especially violin, viola, and upright bass. Featured performers include Rushad Eggelston (the craziest punk rock cellist in all the lands), Clay Chollar Vs. CelloJoe (live dubstep trip tron phonics & cello), and Cello Joe (see it to believe it, friends: beatboxing + cello = classical hip hop). Viracocha, 998 Valencia St. (between Liberty & 21st St.), San Francisco | $8-20 sliding

From FaceBook:

Monday, March 12, 7pm
Nebraska Mondays at Lunas’s Cafe presents Gerry Pineda/Ross Hammond Duo with Scott Collard Group. Nebraska Mondays is the weekly underground jazz/electronic/poetic/creative music spot, hosted by Ross Hammond.
Luna’s Cafe, 1414 16th St., Sacramento | $5-20 sliding

From Bay Improviser:

Tuesday, March 13, 9pm
Active Music Series at the Uptown presents: Moe!kestra + Clifford / Hatwich / Shelton / Wick. Moe!kestra is the large ensemble/orchestra project of Bay Area experimental musician, Moe! Staiano, which began at Berkeley’s Beanbenders’ series in 1997. For this concert, Staiano will conduct 30+ Bay Area musicians through Piece No. 9: When Terrie Had Six, based on songs by, and dedicated to, the Dutch band, the Ex. Opening will be the quartet of Mark Clifford (vibraphone), Anton Hatwich (bass), Aram Shelton (clarinets), and Jacob Wick (trumpet). Uptown Nightclub, 1928 Telegraph Ave., Oakland | donations encouraged

Wednesday, March 14, 7:30pm
Meridian Music: Composer in Performance Series presents the San Francisco-based composer/performer and media artist, Pamela Z, featuring new solo voice and electronics works. Meridian Gallery, 535 Powell St., San Francisco | $10 general / $5 student/senior

Wednesday, March 14, 9pm
Moe! Staiano’s own Surplus 1980, the fervent fishes of ReCardiacs Fly, and the mysterious (but loud) PG13 (Thomas Scandura, John Shiurba, and Phillip Greenlief) — will take over the Hemlock Tavern and your world. Cardiacs T-shirts and stickers will be on sale to benefit the ongoing medical care of Cardiacs frontman Tim Smith. Hemlock Tavern, 1131 Polk St., San Francisco | $7

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Categories
General Performances

Los Angeles / SoCal Scene

Photo of Pauline at a dinner/concert in Oakland
Image via Wikipedia

From FaceBook:

Thursday, March 1, 8pm
TRiP presents Spincycle, featuring Base 4 – Derek Bomback (guitar), Alan Cook (drums, percussion), and Bruce Friedman (trumpet). TRiP, 2101 Lincoln Blvd., Santa Monica | Free

From Sundays Live:

Thursday, March 1, 8pm
CSULB Faculty Artist Series presents the Ironworks Percussion Duo, featuring Dave Gerhart and Axel Clarke. Cal State University Long Beach, Daniel Recital Hall, University Music Center, Long Beach | $10 / $7 students and seniors

From FaceBook:

Thursday, March 1, 8:30pm
ATX, Gregory Lenczycki, and Jorge Martin present JAAP BLONK, an evening of improvisations with Ted Byrnes, Anna Homler, Jorge Martin, Vetza, and Brian Walsh. Atwater Crossing (ATX), 3269 Casitas Ave., Atwater, Los Angeles | $10

From FaceBook:

Friday, March 2, 7:30pm
Sacred Grounds Coffee presents an evening with Base 4, featuring Derek Bomback (guitar), Alan Cook (drums, percussion), and Bruce Friedman (trumpet). Sacred Grounds Coffee, 468 W 6th St., San Pedro | Free

From Sundays Live:

Friday, March 2, 8pm
The Toronto-based NEXUS percussion quartet will perform a concert at California Lutheran University‘s Samuelson Chapel. Nexus features percussionists Bob Becker, Bill Cahn, Russell Hartenberger, and Garry Kvistad. California Lutheran University, Samuelson Chapel, 60 West Olsen Rd., Thousand Oaks | Free

Friday, March 2, 8pm
California State University Fullerton presents an evening with the resident New Music Ensemble, the International Contemporary Ensemble (ICE), Pauline Oliveros (guest composer in residence), and Steve Lehman (saxophonist, composer). Friday’s program will include: Steve Lehman – For McCoy Tyner, Tristan Murail, Anthony Braxton, and Alexander Scriabin; Steve Lehman – Manifold; Pauline Oliveros – Breaking Boundaries; Pauline Oliveros – 13 Changes; Pauline Oliveros – Inner/Outer Sound Matrix George Crumb, Movements from 11 Echoes of Autumn; and Pamela Madsen – Prophecy of Place with video by Quintan Ana Wikswo. California State University Fullerton, Meng Concert Hall, 800 N. State College Blvd., Fullerton | $15

Saturday, March 3, 3pm
The Occidental Faculty Artist Recital series presents: Piano Journey in Japan – Import, Synthesis, and Export, from the first piano piece in Japan to Game Music, featuring Junko Ueno Garrett (piano). The program will include selections by Ryuichi Sakamoto, Nobuo Uematsu, Takashi Yoshimatsu, Toru Takemitsu, Akira Miyoshi, Yoshinao Nakada, Rentaro Taki, and Kosaku Yamada. Occidental College, Bird Studio, 1600 Campus Rd., Los Angeles | Free

Saturday, March 3, 8pm
California State University Fullerton presents an evening with the resident New Music Ensemble, the International Contemporary Ensemble (ICE), Pauline Oliveros (guest composer in residence), and Steve Lehman (saxophonist, composer). Saturday’s program includes: Nathan Davis – Fullerton Bells; Elliott Carterb – Esprit Rude/Esprit Doux; Steve Lehman – Lenwood and Other Saints who Roam the Earth; George Lewis – Artificial Life; Cory Smythe – pluripotent; Pauline Oliveros – Double X; and Steve Lehman – Demian. California State University Fullerton, Meng Concert Hall, 800 N. State College Blvd., Fullerton | $15

From SouthWest Chamber Music:

Saturday, March 3, 8pm
Southwest Chamber Music continues its celebration of John Cage’s 100th birthday, with a concert of two of his many works: One-6 and One-10. Both of these works, by John Cage, will feature audio-kinetic sound sculptures by Mineko Grimmer. Japanese American National Museum, 369 East First St, downtown Los Angeles | $38 / $28 seniors / $10 student w/ID

Sunday, March 4, 5pm
Southwest Chamber Music continues its celebration of John Cage’s 100th birthday, with a concert of two of his many works: One-6 and One-10. Both of these works, by John Cage, will feature audio-kinetic sound sculptures by Mineko Grimmer. Japanese American National Museum, 369 East First St, downtown Los Angeles | $38 / $28 seniors / $10 student w/ID

From FaceBook:

Sunday, March 4, 5pm
Balconi Coffee Company + Cafemode present: SONG X, a group art show curated by Kio Griffith. SONG X is a group show of artists’ interpretations of a piece of music that sticks in one’s mind so that one seems to hear it, even when it is not being played. This condition is also known as musical imagery repetition and involuntary musical imagery. Reinterpretated as single cut EPs artists were asked to create their custom 7 x 7 inch artworks based on their song choice. Opening reception features a special performance by Shin Kawasaki who will attempt to sing and play the tune choices! BALCONI COFFEE COMPANY, 11301 Olympic Blvd, #124 West Los Angeles | Free

From Open Gate Theatre:

Sunday, March 4, 7pm
Open Gate Theatre presents their Sunday Evening Concert Fifteenth Year Celebration. Come March it will be fifteen years since Open Gate Theatre began hosting monthly concerts of unusual and uncompromising creative music, most of it in some way improvisational in nature. At the time of this writing, among those scheduled to participate along with Alex Cline and Wil Salmon are Vinny Golia, William Roper, Brad Dutz, Emily Hay, Tom McNalley, Steuart Liebig, Jie Ma, Charles Sharp, Tim Perkis, Andrew Pask, Jeff Schwartz, Joseph Berardi, G.E. Stinson, Kaoru, Wayne Peet, Bruce Friedman, Dave Tranchina, Robert Leng, Scott Heustis, Anthony Shadduck, Alan Cook, Carey Fosse, Jim McAuley, Rich West, and, in what is likely to be a gargantuan “Call and Response” section, poet Dorothea Grossman. More are sure to join the serious fun. As if this weren’t enough, free food and beverages will be available for everyone’s consumption. Center for the Arts Eagle Rock, 2225 Colorado Blvd., Eagle Rock, Los Angeles | $10 / students, seniors, and series performers half price

From Angel City Arts:

Monday, March 5, 9pm
Angel City Arts and the Blue Whale brings the world premiere of “Orphic Machine,” primarily commissioned by Chamber Music America, clarinetist and composer Ben Goldberg leads an amazing ensemble in a song-cycle based on the poetical writings of Allen Grossman. Internationally renowned musicians help Ben bring this extraordinary project to life, including vocalist and violinist Carla Kihlstedt (of Tin Hat), guitarist Jeff Parker (of Tortoise), saxophonist Rob Sudduth, percussionist Ches Smith (of Secret Chiefs 3), pianist Myra Melford, trumpeter Ron Miles, percussionist Kenny Wollesen, and bassist Greg Cohen (of Masada). Blue Whale, Weller Court, 123 Astronaut E.S. Onizuka St. #301, downtown Los Angeles | $10

From SASSAS:

Tuesday, March 6, 9pm
SASSAS and ATX present AD HOC #5, an evening of new works for brass and electronics. Valve trombonist Christian Pincock of Albuquerque, New Mexico interfaces his instrument to a laptop and transforms all sonic expectations while the pairing of live computer music legend Tim Perkis, teaching at CalArts for the semester, and LA local and trumpet innovator Dan Clucas explores the inner workings of totally free improvisation. Atwater Crossing (ATX), 3245 Casitas Ave., Atwater, Los Angeles | $7 advance; $5 for SASSAS members. $10 at the door.

From blue whale:

Wednesday, March 7, 9pm
The Blue Whale presents the trio of Emily Hay (flute, voice), Motoko Honda (keyboards), and Brad Dutz (percussion) in concert. Blue Whale, Weller Court, 123 Astronaut E.S. Onizuka St. #301, downtown Los Angeles | $10

From Santa Barbara New Music Series:

Thursday, March 8, 8pm
The Santa Barbara New Music Series presents a double bill featuring Dick Wood and the Bonnie Barnett Group. Dick Wood (sax, flute, whistle, boom box) will perform with Dan Clucas (trumpet, flute, octokoto), Hal Onserud (bass), Mark Trayle (live electronics), Marty Mansour (drums/percussion), Dan Ostermann (trombone), and Chuck Manning (tenor sax). Bonnie Barnett (voice) performs with Dick Wood (reeds), Hal Onserud (bass), and Garth Powell (percussion). Muddy Waters Cafe, 508 E. Haley St., Santa Barbara | $8

Categories
General Performances

San Francisco Bay Area Scene

English: Harold Budd in Japan Category:Ambient...
Image via Wikipedia

From Bay Improviser:

Thursday, March 1, 8pm
OutSound presents the Luggage Store New Music Series, this week featuring T.D. Skatchit & Company, with the “Skatch Surveillance” CD release show. Tom Nunn and David Michalak (skatchboxes) will perform with guests, in various formations, with Tom Bickley, Tom Djll, Phillip Greenlief, Aurora Josephson, and Polly Moller.
Luggage Store Gallery, 1007 Market St. (@ 6th St.), San Francisco | $6-10 sliding

Thursday, March 1, 8pm
Edgetone Records celebrates the CD release of “The Green Mitchell Trio”, featuring Cory Wright (reeds), Lisa Mezzacappa (bass), and Jason Levis (drums). Cory Wright will also perform a solo opening set.
Maybeck Studio, (contact cowrig@gmail.com for address/directions), Berkeley | $10-20 sliding

Thursday, March 1, 8pm concert, 7pm Panel Discussion
The palindromic Norwegian ensemble asamisimasa kicks off three nights of Other Minds concerts at the JCCSF with a full program of works by young mavericks Øyvind Torvund and Simon Steen-Andersen. Torvund’s virtuosically quirky Neon Forest Space combines influences from Purcell to Black Flag in seven sections, making use of radios, aerosol cans, bird whistles and an electric milk steamer. Audiences will also be treated to the world premiere of his new work, Willibald Motor Landscape, composed especially for asamisimasa. Where Torvund’s work harnesses an incredibly disparate collection of sounds, Steen-Andersen focuses on a kind of micro-world, amplifying barely audible instrumental gestures in both sound and video. In his words, he is “trying to approach the human being behind the instrument, because then music can suddenly be about everything that is most important: communication, being, fragility and intimacy.” His set of four recent works concludes with a haunting piece for cello with a “video-shadow,” bringing the concept of amplification into a multimedia context.
Jewish Community Center SF, Kanbar Hall, 3200 California St. (@ Presidio Ave.), San Francisco | $25-35

Friday, March 2, 7pm
the Explorist International Records & Books presents Free Jazz Friday, featuring a set by Michael Whitaker (reeds & brass)(solo improvisations) and a set by El Topo (Sutherland/ LaBreche, sax/drums).
Explorist International Records & Books, 3174 24th St., San Francisco | Free

Friday, March 2, 8pm concert, 7pm Panel Discussion
The second night at the JCCSF of Other Minds 17 features Harold Budd, Ikue Mori, and Gloria Coates, with performances by Del Sol String Quartet, Tyshawn Sorey and Ken Ueno. Esteemed expat Gloria Coates (b. 1938) and the ambient/avant-garde legend Harold Budd (b. 1936) are joined by Japanese-American innovator Ikue Mori on this eclectic program. A prolific composer and declared “the greatest woman symphonist” by Kyle Gann, Gloria Coates has remained outside of the mainstream of American classical music, having lived in Europe since 1969. Born in Wisconsin, she began experimenting with overtones and clusters at age nine, and has continued to explore the outer limits of expressive tools in her deep catalog of 15 symphonies, nine string quartets, and numerous other works. San Francisco’s Del Sol String Quartet tackles her String Quartet No. 5, an emotive masterpiece whose first movement is a double canon with the first violin and viola tuned a quarter-tone sharp. Budd brings his trademark atmospheric piano style to the Other Minds stage in collaboration with Seattle bassist Keith Lowe. After a purported retirement in 2004, Budd has in recent years re-emerged, producing new works that blur the line between minimalism and his better-known ambient music collaborations with Brian Eno. The evening concludes with a special set of improvisations led by Japanese punk drummer-turned electronics composer-performer Ikue Mori. Equally at home as a soloist or collaborator, Mori brings a drummer’s sense of propulsion and invention to her laptop-based improv. She’ll perform solo, and also together with Tyshawn Sorey (drums) and Ken Ueno (voice / throat-singing).
Jewish Community Center SF, Kanbar Hall, 3200 California St. (@ Presidio Ave.), San Francisco | $25-35

Saturday, March 3, 7:30pm
The Alameda Public Library presents Sssshhhh Live Music Series , with Thomas Dimuzio and Cloud Shepherd. Thomas Dimuzio is a true sonic alchemist moving from electro-acoustic and noise to glitch, dark ambient, improv and drone. He’ll be playing solo electric guitar. Cloud Shepherd are an East Bay improv group specializing in the pasturing of ever-changing, nonlinear cumulations of sound. Their instrumentation includes Theremin, bass/tapes, flutes/reeds, and percussion.
Alameda Public Library, 1550 Oak St., Alameda | Free

Saturday, March 3, 8pm concert, 7pm Panel Discussion
Other Minds 17 concludes with a newly commissioned work by Ken Ueno for Del Sol String Quartet and interactive video by Johnny DeKam; plus Magik*Magik Orchestra performs music by John Kennedy and Finland’s Lotta Wennäkoski. John Kennedy and Finland’s Lotta Wennäkoski offer new takes on the chamber ensemble: Kennedy, who each spring conducts the Spoleto Festival’s contemporary music programs, presents the world premiere of a new work for mixed chamber quartet, plus a percussion duo for recycled materials. He also appears onstage conducting the Bay Area’s collective Magik*Magik Orchestra in Wennäkoski’s touching Nosztalgiaim for chamber orchestra. Tyshawn Sorey returns to the stage for a solo set on both drumset and percussion. His skills as both a composer and performer have led to collaborations with Steve Coleman, Muhal Richard Abrams, Joey Baron, Butch Morris, Vijay Iyer, Dave Douglas, and Ishmael Wadada Leo Smith, all by the age of 30, to studies with Anthony Braxton at Wesleyan, and now to the PhD program at Columbia University in New York. Recent Rome Prize and Berlin Prize winner and UC Berkeley professor Ken Ueno presents the premiere of Peradam, a new work for Del Sol String Quartet with video, commissioned by Other Minds. Ueno’s stated mission is “to champion sounds that have been overlooked or denied so that audiences reevaluate their musical potential.” His remarkable vocabulary of beatings and overtones combines here with scratches, whispering bow scrapes, and vocalizations by the quartet members, to evoke the eponymous stone—first used in the French Surrealist novel Mount Analogue, a curved crystal so clear that it is only revealed to those who seek it “with sincere desire and true need.”
Jewish Community Center SF, Kanbar Hall, 3200 California St. (@ Presidio Ave.), San Francisco | $25-35

Saturday, March 3, 8pm
The Temescal Arts Center brings THE UNCOMFORTABLE ZONES OF FUN. Frank Moore, world-known shaman performance artist, will conduct improvised passions of musicians, actors, dancers, and audience members in a laboratory setting to create altered realities of fusion beyond taboos. Bring your passions and musical instruments and your senses of adventure and humor.
Temescal Arts Center, 511 48th St., Oakland | Free, donations encouraged

Sunday, March 4, 7:30pm
OutSound presents the SIMM series At Musicians Union Hall. Featured at 7:30 is Pacific Sticks Ensemble performing 8 Trios For Percussion by Oszkar Balazs. At 8:30pm, Noertker’s Moxie Quintet will perform, featuring Annelise Zamula (tenor saxophone, flute), Amber Lamprecht (oboe, flute), John Vaughn (baritone sax, flute), Bill Noertker (contrabass), and Dax Compise (drums).
Musicians Union Hall, 116 9th St. (@ Mission), San Francisco | $8-10

Sunday, March 4, 8pm
San Francisco Community Music Center, in association with San Francisco Cinematheque, presents virtuoso Dutch vocalist Jaap Blonk, performing solo and with sfSound, including John Cage’s “Aria” with “Fontana Mix”. On the program will be: Jaap Blonk – Dr Voxoid’s Next Move (2011); John Cage – Aria (1958 – featuring Jaap Blonk) with Fontana Mix (1958 – sfSound’s new realization); Jaap Blonk/sfSoundGroup – Improvisation (2012); John Cage – Composition for 3 Voices (1934); Matt Ingalls – False Awakening (2008) amplified instruments and electronics. The performers include Jaap Blonk (voice), Kyle Bruckmann (oboe), Tom Dambly (trumpet), Matt Ingalls (clarinet), John Ingle (saxophone), Ben Kreith (violin), Michelle Lou (guitar), Hadley McCarroll (piano), Monica Scott (cello), Andy Strain (trombone).
Community Music Center, 544 Capp St., San Francisco | $15 [$8 underemployed]

Sunday, March 4, 8pm
As part of the Jewish Music Festival, the Freight & Salvage brings the world premiere of “Orphic Machine,” primarily commissioned by Chamber Music America, clarinetist and composer Ben Goldberg leads an amazing ensemble in a song-cycle based on the poetical writings of Allen Grossman. Internationally renowned musicians help Ben bring this extraordinary project to life, including vocalist and violinist Carla Kihlstedt (of Tin Hat), guitarist Jeff Parker (of Tortoise), saxophonist Rob Sudduth, percussionist Ches Smith (of Secret Chiefs 3), pianist Myra Melford, trumpeter Ron Miles, percussionist Kenny Wollesen, and bassist Greg Cohen (of Masada).
Freight & Salvage, 2020 Addison St., Berkeley | tickets $23 advance / $26 at the door, advance tickets available via the Jewish Music Festival Box Office, at 866-558-4253

From FaceBook:

Monday, March 5, 7pm
Nebraska Mondays at Lunas’s Cafe presents Tyson Graf with Crossing The River. Nebraska Mondays is the weekly underground jazz/electronic/poetic/creative music spot, hosted by Ross Hammond.
Luna’s Cafe, 1414 16th St., Sacramento | $5-20 sliding

From Bay Improviser:

Monday, March 5, 8pm
The Monday Makeout presents a triple bill, featuring: NATHAN CLEVENGER GROUP, featuring Aaron Novik + Kasey Knudsen + Sylvain Carton + Evan Francis (winds), Nathan Clevenger (guitar), Sam Bevan (bass), and Jon Arkin (drums); JOHN SHIURBA’S 3-3 featuring John Shiurba (guitar), Kyle Bruckmann (analog synth), and Gino Robair (drums); DISTANT INTERVALS, featuring Sheldon Brown (saxophones), Andrew Joron (theremin, poetry), Dave MacNab + Noah Phillips (guitars), Michael Wilcox (bass), and Vijay Anderson (drums).
Makeout Room, 22 St. at Mission, San Francisco | Free

From CCRMA Stanford:

Wednesday, March 7, 5:15pm
CCRMA presents Colloquium with Jaap Blonk (born 1953 in Woerden, Holland). Blonk is a self-taught composer, performer and poet. Many compositions and performances are examples of sound poetry, making use of words and phonetic snippets as well as clicks, hisses, and other vocal manipulations. Jaap visits CCRMA this week for a Colloquium (March 7) and a CCRMA Cabaret concert (March 8).
Stanford University, CCRMA Classroom, Stanford | Free

Categories
General Performances

San Francisco Bay Area Scene

English: Tim Berne, jazz saxophonist; Picture ...
Image via Wikipedia

From Bay Improviser:

Thursday, February 23, 8pm
OutSound presents the Luggage Store New Music Series, with an evening of works by Daniel Steffey (composer, percussionist), Pete Rat Martin (composer, multi-instrumentalist), and Benjamin Ethan Tinker (multidisciplinary artist and electronic musician). Luggage Store Gallery, 1007 Market St. (@ 6th St.), San Francisco | $6-10

Thursday, February 23, 9:30pm
The Totally Intense Fractal Mindgaze Hut hosts an evening of improvisational music with local musicians in different configurations, welcoming Joe Straub (acoustic guitar, electronics) back to the San Francisco Bay Area from Berlin, Germany. The performance also features Jason Hoopes (double bass), Karl Evangelista (electric guitar), David Leikam (moog rogue, electric bass-cello), Jordan Glenn (drums), and Sarah Howe (electronics, video). Totally Intense Fractal Mindgaze Hut, 671 24th St., Oakland | donations encouraged

From CCRMA Stanford

Friday, February 24, 8pm
The Center for Computer Research in Music and Acoustics at Stanford presents CCRMA Winter Concert, a showcase of electronic music made at CCRMA, and some special guests. On this program (not in concert order) will be Fernando Lopez-Lezcano and Kurt Werner (analog synth + multichannel electronics), Jessica Aszodi and Bruno Ruvaro (voice + electronics), and Chris Carlson (live-electronics + video). Stanford University, CCRMA Stage, Stanford | Free

From Bay Improviser:

Friday, February 24, 8pm
Open Sound West presents: Lewis Jordan and Music at Large, plus Addleds (Bruckmann, Dryer, Heule, Nishi). Music at Large is a performance series dedicated to interdisciplinary and multicultural productions. Lewis Jordan has collaborated with musicians, poets, dancers and actors for over 30 years, focusing on creative structures for improvisation. Music at Large features Lewis Jordan (saxophone, poetry), India Cooke (violin), Karl Evangelista (electric guitar) and Marshall Trammell (drums). Addleds is the quartet of Kyle Bruckmann (oboe/English horn), Tony Dryer (double bass), Jacob Felix Heule (percussion) and Kanoko Nishi (koto) who explore timbral and textural extremes of distended instrumental technique via improvisation and open-ended compositional strategies. Their music tends towards a brutalist minimalism as informed by the noise underground as by recent developments in the field of free improvisation. University of California Berkeley, CNMAT, 1750 Arch St., Berkeley | $5-15

From Heavy Discipline:

Saturday, February 25, 5:30pm
Heavy Discipline presents the David ALt Birthday Celebration: two sets with Alt Tal – David Alt (saxophone), Kenny Annis (bass), and Andrew Ryan (drums). Good Bellies Cafe, 4659 Telegraph Ave., Oakland | donations encouraged

From Bay Improviser:

Saturday, February 25, 9pm
The Swarm Gallery presents two sets of creative music with the Ross Hammond Quartet and the debut performance of Swarm Intelligence. Ross Hammond (guitar) will perform with Vinny Golia (reeds), Steuart Liebig (bass), and Alex Cline (drums). Swarm Intelligence features Karl Evangelista (guitar) with Phillip Greenlief (reeds), Cory Wright (reeds), Dan Seamans (bass), and Jordan Glenn (drums). Swarm Gallery, 560 2nd St., Oakland | $5

From Ross Hammond:

Sunday, February 26, 3pm
Sierra Mountain Coffee Roasters will host Ross Hammond Quartet with Randy McKean/Ludi Henrichs. Sierra Mountain Coffee Roasters, 671 Maltman Dr., Grass Valley |

From Bay Improviser:

Sunday, February 26, 9pm
The Subterranean Arthouse presents a triple-bill evening of dreamy song, ambient meditations and improvisations, and delicious, like candy, art-pop featuring, from Florida, Jane Jane Pollock, the Bay Area’s own Aloonaluna, and The Andrew Weathers Ensemble. Subterranean Arthouse, 2179 Bancroft Way, Berkeley | $10-15

From kuumbwa jazz:

Monday, February 27, 7pm
kuumbwa jazz is proud to bring the Tim Berne Snake Oil project to our stage. Saxophonist Tim Berne leads an uncompromising new ensemble featuring Oscar Noriega (clarinet, bass clarinet), Matt Mitchell (piano), and Ches Smith (drums, percussion). kuumbwa jazz, 320-2 Cedar St., Santa Cruz | $20 adv / $23 door, with 1/2 price students with valid I.D.

From Nebraska Mondays:

Monday, February 27, 7pm
Nebraska Mondays at Luna’s Cafe will host the CD release by the Ross Hammond Quartet. Also scheduled to perform is the Josh Fernandez/Shawn Hale Duo. Luna’s Cafe, 1414 16th St., Sacramento | $5-20 sliding

From Bay Improviser:

Monday, February 27, 7:30pm
Mills College hosts an evening with Jozef van Wissem, the sublime Dutch master of the baroque lute, in a lecture entitled The Liberation of the Lute. He will demonstrate a “swan neck” baroque lute which was especially built for him. Van Wissem is renowned for his ability to appropriate the Renaissance and Baroque lute in the context of contemporary experimental music. By cutting and pasting classical pieces, reversing melodies, and adding electronics and processed field recordings, he is able to bridge the language of 17th century music with that of the 21st century without compromising the timbre and resonance of traditional lute playing techniques. Mills College, Ensemble Room, 5000 MacArthur Blvd., Oakland | Free

Tuesday, February 28, 7:30pm
Tuesdays at Tom’s Place presents a double bill, with Jozef van Wissem (lute, electronics) and Suit (Tony Dryer, Jacob Felix Heule, and guests). Tuesdays at Tom’s Place, 3111 Deakin St., Berkeley | Free, donation requested

From Yoshi’s Oakland:

Tuesday, February 28, 8pm
Yoshi’s Oakland is proud to present Tim Berne: Snakeoil. Saxophonist Tim Berne leads an uncompromising new ensemble, featuring Oscar Noriega (clarinet, bass clarinet), Matt Mitchell (piano), and Ches Smith (drums, percussion). Yoshi’s Oakland, 510 Embarcadero West, Jack London Square, Oakland | $12

From Bay Improviser:

Wednesday, February 29, 8pm
The Berkeley Arts Festival presents an evening of improvised environments and sound, featuring Per Ahlund (electronics) from Sweden, with Phillip Greenlief (tenor saxophone), Steuart Liebig (electric bass, effects, processing), and Gino Robair (electronics, energized surfaces). Berkeley Arts Festival, 3122 University Ave., Berkeley | $10

Wednesday, February 29, 8:30pm
The Subterranean Arthouse presents a Brooklyn-Bay Area creative jazz double header, with Harris Eisenstadt and Canada Day (from Brooklyn, NY) and Lisa Mezzacappa’s Bait and Switch. Harris Eisenstadt and Canada Day features Nate Wooley (trumpet), Matt Bauder (tenor saxophone), Chris Dingman (vibraphone), Garth Stevenson (bass), and Harris Eisenstadt (drums, compositions). Lisa Mezzacappa’s Bait & Switch features Aaron Bennett (tenor saxophone), John Finkbeiner (electric guitar), Vijay Anderson (drums), and Lisa Mezzacappa (acoustic bass). Subterranean Arthouse, 2179 Bancroft Way, Berkeley | $10

Categories
General Performances

San Francisco Bay Area Scene

English: Matt Ingalls
Image via Wikipedia

From Bay Improviser:

Sunday, January 19, 3pm
Club 475 presents a house concert with Jack Wright (saxophones), Bob Marsh (bass, voice), and Spirit (percussion). Jack Wright has been playing with both Spirit and Bob Marsh for over 25 years, and Bob Marsh has been playing with Spirit for the last few years, but the three of them have never played together. They will present solos, duos, and trios. Club 475 (house concert), 475 43rd St. (corner of Barrett),
Richmond | donations accepted

Sunday, January 19, 7:30pm
OutSound presents the SIMM series with, at 7:30, Forward Energy CD release set of “The Awakening” featuring Jim Ryan (saxophones), Rent Romus (saxophones), CJ Borosque (trumpet), Scott R. Loney (piano), Eric Marshall (bass), and Timothy Orr (drums). At 8:30, the trio of Emily Hay (voice, flutes), Motoko Honda (piano), and Valerie Kuehne (cello) will perform. Musicians Union Hall, 116 9th St. (@ Mission), San Francisco | $8/10

From Nebraska Mondays:

Monday, January 20, 7pm
Nebraska Mondays presents a double bill with Gongfarmer (featuring Jim McAuley) and the Emily Hay Trio. Nebraska Mondays is the weekly creative music series, hosted by Ross Hammond. Luna’s Cafe, 1414 16th St., Sacramento | $5-20 sliding

From Bay Improviser:

Tuesday, February 21, 9pm
The Oakland Active Orchestra returns to the Uptown, with large group improvisations and compositions by Bennett, Schott, Shelton, and more, featuring Hillary Overberg (violin), Emily Packard (viola, violin), Aram Shelton (alto sax, bass clarinet), Aaron Bennett, (baritone saxophone, flute), Cory Wright (tenor sax, clarinet), Darren Johnston (trumpet), Theo Padouvas (trumpet), Rob Ewing (trombone), John Schott (guitar), Mark Clifford (vibraphone), Kim Cass (bass), Doug Stuart (bass), and Jordan Glenn (percussion). Uptown Nightclub, 1928 Telegraph Ave., Oakland | donations encouraged

From CCRMA Stanford

Wednesday, February 22, 5:15pm
The Center for Computer Research in Music and Acoustics at Stanford presents Colloquium – Matt Ingalls. Oakland musician Matt Ingalls is a composer, clarinetist, concert producer, and computer music programmer. Often incorporating elements of improvisation, his music is heavily influenced by his long involvement in computer music. His composerly solo improvisations explore extended clarinet techniques that interact with the acoustic space, often as combination tones. Stanford University, CCRMA Classroom, Stanford | Free

From Bay Improviser:

Thursday, February 23, 8pm
OutSound presents the Luggage Store New Music Series, with an evening of works by Daniel Steffey (composer, percussionist), Pete Rat Martin (composer, multi-instrumentalist), and Benjamin Ethan Tinker (multidisciplinary artist and electronic musician). Luggage Store Gallery, 1007 Market St. (@ 6th St.), San Francisco | $6-10

Thursday, February 23, 9:30pm
The Totally Intense Fractal Mindgaze Hut hosts an evening of improvisational music with local musicians in different configurations, welcoming Joe Straub (acoustic guitar, electronics) back to the San Francisco Bay Area from Berlin, Germany. The performance also features Jason Hoopes (double bass), Karl Evangelista (electric guitar), David Leikam (moog rogue, electric bass-cello), Jordan Glenn (drums), and Sarah Howe (electronics, video). Totally Intense Fractal Mindgaze Hut, 671 24th St., Oakland | donations encouraged

From CCRMA Stanford

Friday, February 24, 8pm
The Center for Computer Research in Music and Acoustics at Stanford presents CCRMA Winter Concert, a showcase of electronic music made at CCRMA, and some special guests. On this program (not in concert order) will be Fernando Lopez-Lezcano and Kurt Werner (analog synth + multichannel electronics), Jessica Aszodi and Bruno Ruvaro (voice + electronics), and Chris Carlson (live-electronics + video). Stanford University, CCRMA Stage, Stanford | Free

From Bay Improviser:

Friday, February 24, 8pm
Open Sound West presents: Lewis Jordan and Music at Large, plus Addleds (Bruckmann, Dryer, Heule, Nishi). Music at Large is a performance series dedicated to interdisciplinary and multicultural productions. Lewis Jordan has collaborated with musicians, poets, dancers and actors for over 30 years, focusing on creative structures for improvisation. Music at Large features Lewis Jordan (saxophone, poetry), India Cooke (violin), Karl Evangelista (electric guitar) and Marshall Trammell (drums). Addleds is the quartet of Kyle Bruckmann (oboe/English horn), Tony Dryer (double bass), Jacob Felix Heule (percussion) and Kanoko Nishi (koto) who explore timbral and textural extremes of distended instrumental technique via improvisation and open-ended compositional strategies. Their music tends towards a brutalist minimalism as informed by the noise underground as by recent developments in the field of free improvisation. University of California Berkeley, CNMAT, 1750 Arch St., Berkeley | $5-15

From Heavy Discipline:

Saturday, February 25, 5:30pm
Heavy Discipline presents two sets with Alt Tal – David Alt (saxophone), Kenny Annis (bass), and Andrew Ryan (drums). Good Bellies, 4659 Telegraph Ave., Oakland | donations encouraged

From Bay Improviser:

Saturday, February 25, 9pm
The Swarm Gallery presents two sets of creative music with the Ross Hammond Quartet and the debut performance of Swarm Intelligence. Ross Hammond (guitar) will perform with Vinny Golia (reeds), Steuart Liebig (bass), and Alex Cline (drums). Swarm Intelligence features Karl Evangelista (guitar) with Phillip Greenlief (reeds), Cory Wright (reeds), Dan Seamans (bass), and Jordan Glenn (drums). Swarm Gallery, 560 2nd St., Oakland | $5

Categories
General Podcasts

Taran’s Free Jazz Hour Podcast 04/2012

English: Bobby Bradford, moers festival 2008
Image via Wikipedia

From Taran’s Free Jazz Hour, podcast 04/2012

pfmentum
not far from here: Dick Wood (alto sax, flute, whistle, boom box), Dan Clucas (cornet, flute, octokoto, other sounds), Hal Onserud (bass), Mark Trayle (live electronics with Supercollider graphics), Marty Mansour (drums, percussion), Dan Ostermann (trombone with space mute), Chuck Manning (tenor saxophone, percussion).

in between dreams: Bonnie Barnett (vocals), Richard Wood (alto sax, flute, bass clarinet), Hal Onserud (bass), Garth Powell (percussion).

an autobiography of a pronoun: Harry Scorzo (violin), Jonathan Golove (cello), Anders Swanson (contrabass), Brian Walsh (clarinet), Jeff Kaiser (trumpet), Michael Vlatkovich (trombone/percussion), William Roper (tuba/euphonium/cimbasso), Tom McNalley (guitar), Wayne Peet (keyboard), Ellington Peet (cymbal), Mark Burdon (percussion).

slam
stagioni: Valerio Daniele (acoustic guitar), Redi Hasa (cello).

ancon: Herb Robertson (trumpet, little instruments), Jason Ajemian (bass), Andrew Barker (drums), Edward Ricart (guitar).

rudi records
here in now: Mazz Swift (violin), Tomeka Reid (cello), Silvia Bolognesi (double bass).

ross hammond
adored: Ross Hammond (guitar), Vinny Golia (saxes, clarinet), Alex Cline (drums), Steuart Liebig (bass), Wayne Peet (piano).

relative pitch records
take your time: Vinny Golia (tenor, alto, soprano saxophones), Bobby Bradford (cornet), Ken Filiano (bass), Alex Cline (drums).

that overt object of desire: Joelle Leandre (bass), Phillip Greenlief (reeds).

cleanfeed
baloni: Frantz Loriot (viola), Joachim Badenhorst (clarinet), Pascal Niggenkemper (bass).

frog leg logic: Hank Roberts (cello), James Zollar (trumpet), Marty Ehrlich (alto sax), Michael Sarin (drums).

capri
sparkle: Jeff Hamilton (drums), Christoph Luty (bass), Tamir Hendelman (piano).

Categories
General Performances

Los Angeles / SoCal Scene

I Heart Lung, Empty Bottle, Chicago, March 8, 2009
Tom Steck, Empty Bottle, Chicago, March 8, 2009 (Photo credit: John Kannenberg)

From LAFMS:

Friday, February 17, 6:30pm
The LA Free Music Society (LAFMS) presents a bonus concert at The Box. This concert will feature Points of Friction (Damian Bisciglia, Tim Alexander, Joseph Hammer, Mitchell Brown), Albert Ortega, Destroy Date (Eddie Nervo), Small Drone Orchestra (Wild Don Lewis – bass, synth; Eddie Nervo on 2nd bass) and Artzenkraft (John Lewis, solo extended guitar). The Box, 805 Traction Ave., downtown Los Angeles | Free, donations accepted

From FaceBook:

Friday February 17, 7:30pm
Sacred Grounds Coffee presents Base 4, the jazz/free improv trio of Derek Bomback (guitar), Alan Cook (drums), and Bruce Friedman (trumpet). Sacred Grounds Coffee, 468 W. 6th St., San Pedro | Free, donations accepted

From Beyond Baroque:

Friday, February 17, 9:30pm
Beyond Baroque presents WYATT PENN KEUSCH MUSIC PERFORMANCE. Following up on the four-year-long concert series “decay fest”, Wyatt Penn Keusch and KHALIJA present transmigrations, a new series of experimental electronic music performances focussing on one-off collaborations between artists within the KHALIJA collective. This, the first installment, will feature performers such as Daniel Eaton, Jinku Kim, Wyatt Penn Keusch, Scott Cazon and more. Beyond Baroque, 681 Venice Blvd., Venice | $7

From Open Gate Theatre:

Saturday, February 18, 8pm
Open Gate Theatre presents What the Moose Heard: CC’:”filamento”, with Carole Kim (live video performance, performance-based video installation) and Carmina Escobar (voice, multimedia performance) performing a criss-cross live audio-visual sampling
projections onto a sculptural mesh screen. Glendale Moose Lodge, 357 West Arden Ave., Glendale | $10

From Sundays Live:

Saturday, February 18, 8pm
Miles Memorial Playhouse presents Fireside at the Miles, with String Theory, a unique collaborative ensemble of musicians and dancers that utilize invented instruments and sonic sculpture to create a unique performance landscape and sonic footprint. Miles Memorial Playhouse, 1130 Lincoln Blvd. (1/2 block N. of Wilshire), Santa Monica | $10

From Creative Alarm Inventions:

Tuesday, February 21, 7:30pm
Creative Alarm Inventions and California State University Dominguez Hills present a series of concerts featuring Improvisation and Creative Music. This evening’s performance presents two sets, the Grasse/Hay/Steck Trio and Other Criteria. Jonathon Grasse (guitar), Emily Hay (flute, voice), and Tom Steck (drums) will perform, as well as Other Criteria – Robert F. Leng (saxes) and Tom Steck (drums). California State University Dominguez Hills, Marvin Laser Recital Hall (LaCorte Hall A103) , 1000 East Victoria St., Carson | $2 minimum donation, $4 parking (lot 6)

From FaceBook:

Tuesday, February 21, 11:30pm
The TRiP Santa Monica presents the Scott Fraser (guitar, electronics) Bruce Friedman (trumpets) Duo, performing improvised melodic overlays to evolving sonic tapestries. TRiP, 2101 Lincoln Blvd., Santa Monica | Free

From Angel City Arts:

Wednesday, February 22, 9pm
Angel City Arts presents the Rhythm Chowder Quartet, featuring Bevan Manson (piano), Brad Dutz (percussion), Dave Robaire (bass), and Tom Rizzo (guitar). Blue Whale, The Weller Court, 123 Astronaut E S Onizuka St. # 301, downtown Los Angeles | $10

From Hammer Museum:

Thursday, February 23, 7pm
The Hammer presents Sanford Biggers: Moon Medicine, an aural and optical experiment conducted by interdisciplinary artist Sanford Biggers. His live work, by turns troubling and inspiring, weaves found images of punk, funk, film noir, sci-fi, traditional Samoan dance, and Buddhism with original video content and improvised turntableism and veejaying. The result is an evocative concert that is as much jam session as it is a performative film screening. UCLA Armand Hammer Museum, 10899 Wilshire Blvd., Westwood | Free, $3 parking

From Creative Alarm Inventions:

Thursday, February 23, 7:30pm
Creative Alarm Inventions and California State University Dominguez Hills present a series of concerts featuring Improvisation and Creative Music. This evening’s performance presents two sets, Scott Heustis and Friends, and The Decisive Instant. Scott Heustis (guitar) will perform with Breeze Smith (drums), Tony Green (bass), Dan Clucas (trumpet), and Tony Atherton (sax). The Decisive Instant is a large free jazz and creative music ensemble who will perform pieces by Barry Guy, Jonathon Grasse, Robert F. Leng, and Charles Sharp. The Decisive Instant features David Adler, Robert F. Leng, Ken Luey, Tracy McMullen, Charles Sharp, and Alexander Vogel (reeds), Bruce Friedman, Carvell Holloway, and Douglas Wadle (brass), Derek Bomback, Jonathon Grasse, and Jeff Schwartz (strings), Eduardo Poyart (keyboards), and Alan Cook, David Martinelli, and Tom Steck (drums, percussion). California State University Dominguez Hills, Marvin Laser Recital Hall (LaCorte Hall A103) , 1000 East Victoria St., Carson | $2 minimum donation, $4 parking (lot 6)

From CalArts:

Thursday, February 23, 8pm
CalArts presents ESP Night 2, an evening of electronic & experimental music composed and performed by students in the Experimental Sound Practices program. <a href=”California Institute of the Arts, Roy O. Disney Music Hall, 24700 McBean Pkwy, Valencia | Free

Categories
General Performances

Los Angeles / SoCal Scene

English: Fred Frith performing in Wallingford,...
Image via Wikipedia

From Open Gate Theatre:

Friday, February 10, 8pm
Open Gate Theatre presents The Moose Herd: SOUND, MOVEMENT and LIGHT – Drama / dance / music improvisations, featuring the LA Collective and Open Gate players. The LA Collective features Ellen Burr (flute, conduction), Laura Osborn (flute), Ken Luey (clarinets), Robert Leng (sax), Alexander Vogel (sax), Steve Lockwood (keys), Oz (Chapman stick), Jeff Schwartz (double bass), Owen Green (electric bass), Charlie Lowrey (percussion), Tom Steck (drums, percussion), and Nicole Strafaci (poetry), with special guests Cheryl Banks-Smith and Roxanne Steinberg (movement), Kio Griffith (live video art), and Anet Ris-Kelman (performance art). The Open Gate players include Will Salmon (flute, voice, performance), Vinny Golia (winds), Brad Dutz (percussion), Jie Ma (pipa), and special guests Anet Ris-Kelman (performance art), Carmina Escobar (voice and performance), and Antony DiGennaro (prepared guitars). Glendale Moose Lodge, 357 West Arden Ave., Glendale | $10

From REDCAT:

Friday, February 10, 8:30pm
Vintage electronics share a stage with the newest sonic technology when acclaimed Dutch composer Thomas Ankersmit highlights a two-night festival celebrating the CalArts Center for Experiments in Art, Information and Technology (CEAIT). Friday is “Noise Night” featuring L.A.’s own Damion Romero and the pairing of noise pioneers Zbigniew Karkowski and Xopher Davidson. REDCAT, located in the Walt Disney Concert Hall Complex, 631 West 2nd St., downtown Los Angeles | $20 / $16 / $10

From the wulf:

Saturday, February 11, 8pm
the wulf presents Voice and the Composer – Odeya Nini, Andrea Young, & Denis Kolokol: An evening of experimental solo voice and new instrumental music, performed by Tara Boyle (flute), Elaine Cho (flute), Clarie Chenette (oboe), Christin Hablewitz (clarinet), Derek Stein (cello), Archie Carey (bassoon), Cassia Streb (viola), Nic Salas (violin), and Betsy Rettig (cello). the wulf, 1026 South Santa Fe Ave. #203, downtown Los Angeles | Free, donations accepted

From Sundays Live:

Saturday, February 11, 8pm
PiE (People inside Electronics) presents Nothing is Real: psychedelia for piano and electronics, a kaleidoscopic concert of fleeting sonic images, epic journeys and eerie doppelgangers. The program includes works from Shaun Naidoo, Pierre Jodlowski, Linda Bouchard,
Charles Dodge, Alvin Lucier, and Mike McFerron. Performers will include Aron Kallay, Vatche Mankerian, Vicki Ray, Rafael Liebich, Genevieve Lee, and Louise Thomas. Pierre’s Fine Pianos, 11039 Pico Blvd., Los Angeles | $20 / $10 students

From LAFMS:

Saturday, February 11, 12pm (noon)
The Box is host yet again to another ful day of LAFMS and related musical performances in support of the exhibition “Beneath The Valley Of the Lowest Form Of Music: The Los Angeles Free Music Society (1972-2012)”. Performances begin at noon and will conclude by 7pm, featuring Extended Organ (Tom Recchion, Paul McCarthy, Joe Potts and Fredrik Nilsen), Jim Shaw (with Dani Tull & Eddie Rusha), Marnie Weber’s F for Ache/Dolphin Explosion (Marnie Weber, Dani Tull, Doug Harvey…with Colette Weber Shaw and Ariel West), Feedback Waveriders (Antony DiGennaro, Michael Fink, Paul McCarthy, Chas Smith, Brian Walsh), Vetza & Joe Potts, Ace and Duce, and Dinosaurs With Horns. The Box, 805 Traction Ave., downtown Los Angeles | Free, donations appreciated

From REDCAT:

Saturday, February 11, 8:30pm
Vintage electronics share a stage with the newest sonic technology when acclaimed Dutch composer Thomas Ankersmit highlights a two-night festival celebrating the CalArts Center for Experiments in Art, Information and Technology (CEAIT). “Ambient Night” on Saturday features the debut of a new work by Ankersmit created expressly for the historic Serge analogue modular synthesizer, originally developed by Serge Tcherepnin at CalArts in the 1970s. Ankersmit, known for abstract, intensely focused electroacoustic work using hyper-kinetic synth and computer improvisation, kicks off a program that also features work by zerfall_gebiete, the duo of electronic ambient soundscape veterans Thomas Köner and Ulrich Krieger. REDCAT, located in the Walt Disney Concert Hall Complex, 631 West 2nd St., downtown Los Angeles | $20 / $16 / $10

From SASSAS:

Sunday February 12, 7pm
SASSAS and Center for the Arts Eagle Rock present the Ad Hoc series, having the honor of presenting an evening with Fred Frith. As a songwriter, composer, improviser, and multi-instrumentalist Fred is best known for the reinvention of the electric guitar. Center for the Arts Eagle Rock, 2225 Colorado Blvd., Eagle Rock | $12 advance / $10 for SASSAS and CFAER members / $15 at the door advance tickets available here

From REDCAT:

Wednesday, February 15, 8:30pm
Celebrating the 100th anniversary of John Cage’s birth, REDCAT hosts two nights of rarely played music – some of which is performed for the first time in Los Angeles. The CalArts New Century Players join forces with the CalArts Orchestra to open the festival with a program of large-scale pieces by the American visionary, including Dance/4 Orchestras, Fourteen, Etcetera, Ryoanji, and Renga. REDCAT, located in the Walt Disney Concert Hall Complex, 631 West 2nd St., downtown Los Angeles | $20 / $16 students / $10 CalArts students, faculty, staff

From musicweb UCSD:

Thursday, February 16, 8pm
Violinist Andrew McIntosh and bassist Scott Worthington perform Wolfgang von Schweinitz’s concert-length duo in just intonation, Plainsound Glissando Modulation. University of California San Diego, CPMC Concert Hall, 9500 Gilman Dr., La Jolla | Free

From REDCAT:

Thursday, February 16, 8:30pm
Celebrating the 100th anniversary of John Cage’s birth, REDCAT hosts two nights of rarely played music – some of which is performed for the first time in Los Angeles. The New Century Players center the festival’s second evening on Cage’s seminal graphic score Fontana Mix – a telling example of the composer’s fascination with the ideas of indeterminacy, chance, and silence. In addition to the original Fontana Mix tape music composition itself, the program consists of instrumental group works composed using the Fontana Mix score by James Tenney, David Behrman, Cornelius Cardew, and others responding to Cage’s benchmark. REDCAT, located in the Walt Disney Concert Hall Complex, 631 West 2nd St., downtown Los Angeles | $20 / $16 students / $10 CalArts students, faculty, staff