AMN Celebrates Braxton 75: Part VII

1_braxton_0Welcome to AMN Celebrates Braxton 75, a multipart series focused on the work of American composer and multi-instrumentalist Anthony Braxton. Braxton, who in 2020 will be celebrating his seventy-fifth birthday, is one of the most important and influential creative minds of the past fifty years. Each week this series will feature three to four links of live performances, interviews and articles found on the web that should be of interest to both the curious and the longtime explorers of Braxton’s music.

The Anthony Braxton Quartet, Montreux 1975 performing  Composition 40M.  This quartet was Braxton – Reeds, Dave Holland – Bass, Barry Altschul – Drums and Kenny Wheeler – Trumpet and Flugelhorn.  This was a tremendous group I’m so glad that there is video of this group floating around for all us to enjoy.

This is a transcript of an interview with Anthony Braxton at WKCR FM by Ted Panken. In this interview from 1995 Braxton discusses the forming of the Tri-Centric Foundation, his friendship with Roscoe Mitchell and Muhal Richard Abrams, the early days of the AACM, among many other topics. Panken also gets Braxton to explain some of his terminology so it is a very interesting read.

This is a wonderful excerpt from a live concert Of the Dave Holland Quartet at the Festival de Jazz d’Antibes Juan-les-Pins, Pinède Gould, July 25, 1974.  The group was Sam Rivers, Dave Holland, Barry Altschul and Anthony Braxton.

Join us again next week for another post as AMN Celebrates Braxton 75

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Chris De Chiara

AMN Celebrates Braxton 75: Part VI

1_braxton_0Welcome to AMN Celebrates Braxton 75, a multipart series focused on the work of American composer and multi-instrumentalist Anthony Braxton. Braxton, whom in 2020 will be celebrating his seventy-fifth birthday, is one of the most important and influential creative minds of the past fifty years. Each week this series will feature three to four links of live performances, interviews and articles found on the web that should be of interest to both the curious and the longtime explorers of Braxton’s music.

Despite the graphic for this video this is an audio only interview of Anthony Braxton in 1985. The interview runs about 30 minutes and covers topics ranging from Frankie Lymon to John Coltrane to Paul Desmond and so much more. An interesting listen.

This clip is from a series of clips featuring Walter Thompson and his orchestra with Anthony Braxton from 2009. Braxton participates as both a “sound painter” through his conduction of the ensemble and as an instrumentalist within the ensemble.

The final clip this week is a short excerpt from Braxton’s quintet in 1977 at the Moers Jazz Festival.  The group was Braxton with George Lewis – trombone, Muhal Richard Abrams – piano, Mark Helias – bass, and Charles “Bobo” Shaw on drums. They are on fire but unfortunately we only get to hear Braxton’s solo in this nine-minute excerpt.

Join us again next week for another post as AMN Celebrates Braxton 75

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Chris De Chiara

AMN Celebrates Braxton 75: Part V

Braxton_anthony_moers_260507Welcome to AMN Celebrates Braxton 75, a multipart series focused on the work of American composer and multi-instrumentalist Anthony Braxton. Braxton, who in 2020 will be celebrating his seventy-fifth birthday, is one of the most important and influential creative minds of the past fifty years. Each week this series will feature three to four links of live performances, interviews, and articles found on the web that should be of interest to both the curious and the longtime explorers of Braxton’s music.

Anthony Braxton Unwaveringly Creative is a recent essay by Timo Hoyer for the 2019 Berlin Jazz Festival.  It provides very informative program notes for the performances of Braxton’s Sonic Genome and ZIM Music. Here are the entire five-plus hours of the Berlin performance of Anthony Braxton’s Sonic Genome.

This is an absolutely burning clip (audio only) of Braxton in a trio with Dave Holland – Bass and Phillip Wilson –  drums from Town Hall in NYC in 1972. It features the trio in a very unusual and original performance of the jazz standard “All The Things You Are”.

An hour of the Anthony Braxton Sextet performing Composition 348 in Spain, 2008.

Join us again next week for another post as AMN Celebrates Braxton 75

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Chris De Chiara

AMN Celebrates Braxton 75: Part IV

Braxton_anthony_moers_260507Welcome to AMN Celebrates Braxton 75, a multipart series focused on the work of American composer and multi-instrumentalist Anthony Braxton. Braxton, who in 2020 will be celebrating his seventy-fifth birthday, is one of the most important and influential creative minds of the past fifty years. Each week this series will feature three to four links of live performances, interviews, and articles found on the web that should be of interest to both the curious and the longtime explorers of Braxton’s music.

The Sounds of Now, Part Three: Anthony Braxton and the Ethics of Improvisation by Chadwick Jenkins from 2007 is a very insightful essay that digs into Braxton’s musical philosophy. Jenkins very clearly explains his interpretation of some of the ideas found in Braxton’s Tri-Axium Writings. It is very well written and should be read carefully, and maybe more than once in order to digest Jenkin’s interpretation of Braxton’s writings.

This is a recent performance of Braxton’s Composition No. 1 (1968) for solo piano performed by Brett Carson.

A short interview from 2008 where Anthony Braxton discusses chess, math & music.

A set of the Anthony Braxton Quartet performing in East Berlin in 1985. The group for this concert is Anthony Braxton, Marilyn Crispell – piano, Gerry Hemingway – drums and Jens Saleh – bass. You can hear the magic that Hemingway, Crispell, and Braxton have together.

Join us again next week for another post as AMN Celebrates Braxton 75

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Chris De Chiara

AMN Celebrates Braxton 75: Part III

Braxton_anthony_moers_260507Welcome to AMN Celebrates Braxton 75, a multipart series focused on the work of American composer and multi-instrumentalist Anthony Braxton. Braxton, who in 2020 will be celebrating his seventy-fifth birthday, is one of the most important and influential creative minds of the past fifty years. Each week this series will feature three to four links of live performances, interviews, and articles found on the web that should be of interest to both the curious and the longtime explorers of Braxton’s music.

In 1973 Bill Smith interviewed Anthony Braxton for Coda Magazine.  Smith removed the questions from the interview so that it reads like an essay.  The interview offers some insight into Braxton’s development as a musician and his determination to be true to himself and his vision, despite the potential consequences. “Anthony Braxton Interview 1973” by Bill Smith.

This is a very good recording of the first set at The Kitchen in 1977 of three of the AACM’s titans – Roscoe Mitchell, Anthony Braxton, and Joseph Jarman.  There is no video but the performance is astounding! The second set is also floating around and worth checking out.

The Instant Composers Pool (ICP) is an independent Dutch jazz and improvised music label and orchestra founded in 1967.  In this short excerpt of a 2005 performance at the Bimhuis in Amsterdam, they are joined by Anthony Braxton.

Join us again next week for another post as AMN Celebrates Braxton 75

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Chris De Chiara

AMN Celebrates Braxton 75: Part II

Braxton_anthony_moers_260507Welcome to AMN Celebrates Braxton 75, a multipart series focused on the work of American composer and multi-instrumentalist Anthony Braxton. Braxton, who in 2020 will be celebrating his seventy-fifth birthday, is one of the most important and influential creative minds of the past fifty years. Each week this series will feature three to four links of live performances, interviews, and articles found on the web that should be of interest to both the curious and the longtime explorers of Braxton’s music

This is a short promotional video from 2006 of the Anthony Braxton 12+1tet for the release of a 9-CD + DVD box set. The video mixes a Braxton lecture on his Ghost Trance Music with live performances of the ensemble illustrating his words. The clip reveals how interactive the ensemble can be in the direction the piece takes and how much this ensemble really enjoys performing Braxton’s music.

“A Renewed Spotlight on Anthony Braxton” by Robert Ham is a recent interview from 2019 in which Braxton talks a little bit about his spiritual beliefs and his approach to composition.

Circle was Anthony Braxton – reeds, Chick Corea – piano, Dave Holland – Bass and Barry Altschul – drums. The group was active from 1970 -71. They released two studio albums and three live albums. This is a live recording (no video) of Circle from 1971. Despite the roughness of this recording, the music is quite powerful and well worth the listen.

Join us again next week for another post as AMN Celebrates Braxton 75

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Chris De Chiara

AMN Celebrates Braxton 75: Part I

Braxton_anthony_moers_260507Welcome to AMN Celebrates Braxton 75, a multipart series focused on the work of American composer and multi-instrumentalist Anthony Braxton. Braxton, who in 2020 will be celebrating his seventy-fifth birthday, is one of the most important and influential creative minds of the past fifty years. Each week this series will feature three to four links of live performances, interviews, and articles found on the web that should be of interest to both the curious and the longtime explorers of Braxton’s music.

In the last fifty years or so Anthony Braxton has composed hundreds of pieces and recorded well over one hundred albums. Navigating this vast amount of material can be a little bit intimidating. Seth Colter Walls’s article “Anthony Braxton: Ghost Trance Music” is a great place for all to start. This article is an excellent guide that provides a nice overview of Braxton’s work with clear high-level explanations of some of Braxton’s most prominent musical concepts and structures. It also includes links to suggested listening examples.

Among Braxton’s many innovations is his extensive work for solo saxophone such as his landmark 1969 LP “For Alto”.  Here is a short but excellent example of Braxton’s solo saxophone music. The clip is from Hamburg in 1981.

This thirty-minute clip features a 1973 performance from one of Braxton’s many quartets. This may be the first live performances of his compositions 23B and 23D. The quartet is Kenny Wheeler – trumpet and flugelhorn, Jean-François Jenny-Clark on Bass, Charles “Bobo” Shaw on drums and of course Anthony Braxton – flute, contrabass clarinet, and alto saxophone.

Join us again next week for another post as AMN Celebrates Braxton 75.

Chris De Chiara

AMN Reviews: exclusiveOr / Architeuthis Walks on Land / International Contemporary Ensemble – “modules” [Carrier 044]

Jeff Snyder and Sam Pluta have been working together since 2006 as the duo exclusiveOR.  With Snyder performing on analog synthesizer and Pluta on live electronics. Their work explores the intersection of composition and improvisation with live electronics. For “modules” the duo is joined by some of today’s leading creative musicians: Architeuthis Walks on Land (AWOL) which is Amy Cimini – viola and Katherine Young – bassoon, and members of ICEPeter Evans, Nate Wooley – trumpets, Ryan Muncy – saxophones, Weston Olencki – trombone and Ross Karre – percussion.

“modules” was commissioned in 2014 by the International Contemporary Ensemble (ICE) as part of their ICELab Series. It is a concert length work that utilizes both improvisation and strictly notated material. The piece covers a lot of ground as it flows through its fifteen modules in which seemingly opposing materials (pitch, sound and noise) and methodologies (composition, improvisation and live electronics) seamlessly interact with one another to create a unified whole. 

 

The fifteen “modules” are comprised of five composed by Pluta, five by Snyder and five improvisations from various small groupings of the ensemble. Each of these tracks or modules has its own distinct character, color and instrumentation. Pluta’s modules tend to be more aggressive and noisier, while Snyder’s are often more harmonically focused. The improvised sections are all sonically oriented and very original. Despite the contrasts within each module they really seem connected and many segments flow into one another in a conversational like manner.

Here is an earlier performance with brass quartet, analog synthesizer, live electronics, and percussion.  It’s interesting to hear both of these versions because it makes clear the significant contributions that improvisers can bring to pieces like “modules”.

For those that need some kind of categorization I would put “modules” under the banner of “creative music”; in that the sound worlds that the composers and improvisers create, freely explore many different contemporary and historical musical ideas without any allegiance or deference to any of the “school’s” associated with these ideas. This is a trend that has been growing for quite some time and I think the composers and improvisers on “modules” are among the best of a new generation of musicians continuing this exploration.

Highly recommended!

Chris De Chiara

 

 

Sound American 21: The Change Issue

Sound American is very excited to announce a new step in our growth as one of the preeminent music journals in America. Beginning on May 6th, we’ll be releasing each issue in print form. Although we will continue to make each issue available for free online at www.soundamerican.org, we are taking a step to meet the long-standing demands of our readership to make each issue available in a physical, collectible form.

Designed by Mike Dyer of Remake Designs (designer of the recent Donald Judd: Writings publication), each issue is:
– Printed using offset lithography in a special Pantone color throughout (which will change each issue)
– Bound with the highest quality thread-sewn binding, using cold glue and Otabind™, so the book lies open and stays completely flat, and will last for a lifetime.
– Printed on Holmen paper, an excellent Swedish stock
– Printed by die Keure, one of the finest book printers in the world in a limited edition of 500

Sound American 21: The Change Issue will be released on May 6th online and in print.  The Change Issue is the first in a new editorial format and features words by or about Jeremy Toussaint-Baptiste, Ornette Coleman, Nicole Kaack, Bradford Bailey, G. Lucas Crane, Jennie Gottschalk, Ambrose Akinmusire, Mats Gustafsson, Peter Margasak, Terry Riley, Kim Brandt, John Cage, Josh Sinton, Edgard Varése, Marc Hannaford, John Zorn, Matthew Mehlan, Million Tongues Festival, Alex Mincek, Lester St. Louis, and Steve Lehman.

Mulhouse Music Festival: August 21 -25

PROGRAMME FESTIVAL MÉTÉO 2018
LE PROGRAMME COMPLET EST EN LIGNE || FULL PROGRAM IS ONLINE

MARDI 21 AOÛT 2018
* PÜK (Vincent Posty, Cécile Thévenot, Benoit Kilian)
* KEITH TIPPETT SOLO
* DAVID MURRAY “INFINITY 4TET” feat. SAUL WILLIAMS (David Murray, Saul Williams, Jaribu Shahid, Orrin Evans, Nasheet Waits)

MERCREDI 22 AOÛT 2018
* PETER EVANS SOLO
* STREIFENJUNKO (Eivind Lønning, Espen Reinertsen)
* JEAN-PHILIPPE GROSS & AXEL DÖRNER
* MICHIYO YAGI SOLO
* AHMED (Pat Thomas, Joel Grip, Seymour Wright, Antonin Gerbal)
* NIMMERSATT feat. JON ROSE (Daan Vandewalle, Chris Cutler, John Greaves, Jon Rose)

JEUDI 23 AOÛT 2018
* PASCAL NIGGENKEMPER SOLO
* SOFIA JERNBERG & METTE RASMUSSEN
* NICOLE MITCHELL SOLO
* SYSTÈME FRICHE II “LE CHANT DES PISTES” (Xavier Charles, Jacques Di Donato, Félicie Bazelaire, Jean-Luc Cappozzo, Benjamin Duboc, Isabelle Duthoit, eRikm, Franz Hautzinger, Simon Henocq, Soizic Lebrat, Bruno Maurice, Roméro Monteiro, Nicolas Nageotte, Alfred Spirli, Thierry Waziniack)
* MICHIYO YAGI & TONY BUCK
* SENYAWA (Rully Shabara, Wukir Suryadi)

VENDREDI 24 AOÛT 2018
* JON ROSE SOLO
* WOLFGANG MITTERER “GRAND JEU 2” (for organ and electronics)
* SPLITTER ORCHESTER & JEAN-LUC GUIONNET “VOLLBILD” (Jean-Luc Guionnet, Liz Allbee, Boris Baltschun, Burkhard Beins, Anthea Caddy, Axel Dörner, Kai Fagaschinski, Robin Hayward, Steve Heather, Anat Cohavi, Mario de Vega, Chris Heenan, Magda Mayas, Mike Majkowski, Matthias Müller, Andrea Neumann, Morten J. Olsen, Simon J. Phillips, Julia Reidy, Ignaz Schick, Michael Thieke, Clayton Thomas, Sabine Vogel, Biliana Voutchkova, Marta Zapparoli)
* CHARLES HAYWARD & TONY BUCK
* A PRIDE OF LIONS (Daunik Lazro, Joe McPhee, Guillaume Séguron, Joshua Abrams, Chad Taylor)
* SONS OF KEMET (Shabaka Hutchings, Theon Cross, Eddie Hick, Tom Skinner)

SAMEDI 25 AOÛT 2018
* ROBIN HAYWARD & JEAN-LUC GUIONNET
* GROUPE D’IMPROVISATION DU CONSERVATOIRE DE MULHOUSE (Samuel Colard, Célestine Asselin, Gauthier Legris, Alexandre Cahen, Laure Fischer, Théo Zimmermann)
* SPLITTER ORCHESTER (Liz Allbee, Boris Baltschun, Burkhard Beins, Anthea Caddy, Axel Dörner, Kai Fagaschinski, Robin Hayward, Steve Heather, Anat Cohavi, Mario de Vega, Chris Heenan, Magda Mayas, Mike Majkowski, Matthias Müller, Andrea Neumann, Morten J. Olsen, Simon J. Phillips, Julia Reidy, Ignaz Schick, Michael Thieke, Clayton Thomas, Sabine Vogel, Biliana Voutchkova, Marta Zapparoli)
* PETER EVANS ENSEMBLE (Peter Evans, Mazz Swift, Tom Blancarte, Sam Pluta, Jim Black)
* THIS IS NOT THIS HEAT (Charles Hayward, Charles Bullen, Frank Byng, Daniel O’Sullivan, Alex Ward, James Sedwards)

Découvrez le programme complet : WWW.FESTIVAL-METEO.FR

Check the full program : WWW.FESTIVAL-METEO.FR