Tag: Connie Crothers

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Performances

September at Roulette

The September schedule from New York’s Roulette:

3 NIGHTS: SKELETON$ BIG BAND: New Works for a Larger Ensemble
Wed-Fri Sept 7, 8 & 9 – 8:30 PM

INTERPRETATIONS: Works by Yusef Lateef and Adam Rudolph
Thurs Sept 17 – 8:00 PM

Gordon Beeferman’s MUSIC FOR AN IMAGINARY BAND
Tue Sept 22 – 8:30 PM

The Mara Rosenbloom Quartet CD Release
Wed Sept 23 – 8:30 PM

Music of Mario Diaz de Leon Performed by International Contempoary Ensemble (ICE) and Talea: CD Release Event
Fri Sept 25 – 8:30 PM

Lisle Ellis “Stomping Ground”
Sat Sept 26 – 8:30 PM

The Hassay-DeChellis–Nakatani Trio “An Evening of Spontaneous Beauty”
Wed Sept 30 – 8:30 PM

Fay Victor Ensemble “The FreeSongSuite”
Thurs Oct 1 – 8:30 PM

Bisio / Crothers
Fri Oct 2 – 8:30 PM

Tom Hamilton & Bruce Eisenbeil w/ William Hooker
Sat Oct 3 – 8:30 PM

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Performances Reviews

Curtis Clark, Connie Crothers, and Joe Bonner: Exploring the World of Piano in Northampton, MA

An article from our friend, Lyn Horton.

Sitting at the piano before playing it is somewhat like sitting at a drawing table in front of a blank piece of paper before drawing on it. The keyboard is like the piece of paper. Until a pianist touches the keyboard (or not, i.e. John Cage, 4’33,”1952) or the artist makes a mark (or seems to not, i.e. Robert Rauschenberg, “White Paintings,” 1951), nothing happens: the emptiness is brimming with potential (which implies “substance” to Cage because Cage was exploring the meaning of silence as itself and Rauschenberg was reacting to the overdone-ness of Abstract Expressionist Painting).

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DOWNTOWNMUSIC.NET Photos

From DOWNTOWNMUSIC.NET:

December 14, 2008
Connie Crothers & Bill Payne, The Stone
Connie Crothers, Bill Payne, Jeff Schlanger

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