Parts of Lavrador from Canadian sound artist and composer Richard Bégin could be generative. The opening shimmers and wafts over slow-moving bass notes, exploring a defined space with a particular sound palette. But as the album progresses it evolves into an exploration of synth-heavy drone accompanied by rhythmic patterns and hazy elements. Bégin’s chording and … Continue reading AMN Reviews: Richard Bégin – Lavrador (2024; Reverse Alignment)