Source: 15 questions.
It really depends what I’m working on, if it’s something conceptual or not. I can slap a piece of meat to create a snare, a dead meat snare. Or I can work on specific frequencies to give life to an esoteric formula linked to numerology. On the other hand, I can work on a bass sound and fall in love with it, resulting in an entire track in a single day. If I come across something that tangles me up, I preserve it, record it, and give it a name. It could be sitting in a folder for years and then bloom in a track.