Speaking of the jazz avant-garde, Tom Surgal’s documentary Fire Music premiered this month in New York, Los Angeles, and a few other cities. I saw an earlier, shorter cut (running just over an hour) in 2018 and didn’t like it much. Surgal jumped from subject to subject, let seemingly tangential musicians talk at length about not much, and seemed to spend as much time on Charlie Parker as on free jazz. This new version is 90 minutes long and is much improved. But it still has some major flaws, which it pains me to report, because I love this kind of music and want to see it well served on film.