On the Monoculture of The Experimental Sound and Music Industry 

Source: The Wire.

Over the years I’ve lost track of the number of times I’ve been presented with another label catalogue, festival programme, book, residency, workshop, conference, academic course, magazine article, online column that purports to deal in these particular areas of cultural activity and had cause to roll my eyes and think, why are there only white musicians, composers, performers, theorists being included here? Where the hell is everyone else?