New Takuroku Releases

Source: Takuroku.


Biliana Voutchkova is a thoroughly engaged composer-performer/interpreter whose work combines regular performances of major solo violin/ensemble works, new works by contemporary composers often written for her, and improvisation. Her research as a creative improviser spans the widest possible range of sound/music/movement and extends the sonic and technical capacities of her instrument evolving into the development of a highly individual musical language.

Biliana lives in Berlin and appears at festivals and concert series worldwide. She works as a soloist and collaborates with the Splitter Orchestra, Solistenensemble Kaleidoskop, Ensemble Modern, Ensembles United Berlin, Mozaik, Zeitkratzer, LUX:NM and Sasha Waltz & Guests, among others. Recent/current projects include solo concerts at the Huddersfield Contemporary Music Festival, GAS, Mózg, Moving Music and Radar Festivals, Cafe Oto, the release of the solo album “Modus of Raw” and “As found” in trio, a concerts tour in the USA with Voutchkova/Thieke duo supported by the Goethe Institut, and performances for the festivals Klangwerkstatt, Documenta14, Wien Modern, Experimental Intermedia and Gent festival. Biliana received the Composition Stipend from the Berliner Senate in 2017 and grands from INM Berlin and the Trust for Mutual Understanding in New York in 2016.


Quinie, aka Josie Vallely, is based in Glasgow. She sings primarily in Scots, with a style inspired by the traditions of Scottish Traveller singers Lizzie Higgins (1929-1993) and her mother Jeannie Robertson (1908 –1975). Collaging together source material, Vallely amalgamates sean nos style melodies, children’s rhyme, story poems and snippets of more traditional tunes to create a bleak and extended blur of narratives routed in an imagined Scotland. She released her second album ‘Buckie Prins’ with GLARC at the end of 2018.

The word ‘piobaireachd’ literally means pipe playing or pipe music, but is now used to describe the classical music of the Great Highland Bagpipe. A piobaireachd consists of a Urlar, theme or, ‘ground’, with variations which vary in number and complexity following that theme. The Urlar for this piece is a Scots translation of the traditional song May no man steal your thyme.

This classification of Piobaireachd takes in the categories as follows: Laments — Descriptive pieces, Gatherings — Marches, Battles and Salutes — Farewells. In this piece we are using the voice to express the Lament and the drum to Gather.