Source: The New York Times.
He sailed to San Francisco in 1967 and then headed to Los Angeles, where he spent a year as the chief engineer at Pat Boone’s recording studio. He later moved to New York City, where he worked at the Record Plant for six weeks before being hired as the maintenance engineer at Mediasound.
He admired the Moog synthesizer IIIc at Mediasound but did not meet Mr. Margouleff until his fifth night there. They quickly began recording experimental psychedelic music together, and six months later the jazz flutist Herbie Mann signed them to his Embryo label.
The first track they recorded for what would be their album “Zero Time” was “Aurora,” which was originally 23 minutes long. “I said, ‘Malcolm, I’m not even sure it’s music,’” Mr. Margouleff recalled. They cut its length by two-thirds.