Source: Bandcamp Daily.
By combining Persian overtones and harmonies with jazz structures, Modirzadeh started formalizing his own musical system, which he dubbed ‘chromodality,’ while studying at Wesleyan University. (Anthony Braxton was on his dissertation committee.) He worked on it throughout the 1990s and early 2000s on a series of independent releases, then signed with Pi Recordings for 2012’s Post-Chromodal Out!, a collection of 27, mostly short, linked pieces performed by trumpeter Amir El-Saffar, pianist Vijay Iyer, bassist Ken Filiano, and drummer Royal Hartigan, plus a few guests. The music swings at times, but lurches sideways at others, and while the harmonies between the horns aren’t “Persian” in any clichéd way, they have a keening quality that nods to Middle Eastern music while also drawing on the sharp-edged interplay between Ornette Coleman and Don Cherry in 1959.