Source: Wayward Music Series.
In response to the COVID-19 crisis, we’ve been considering how we can most directly assist the artists who inhabit our particular niche of the Seattle music community.
With the Chapel closed indefinitely due to the COVID-19 pandemic, the Wayward Music Series now moves from the concert hall to the living room. In place of our usual ten monthly concerts, Nonsequitur is curating and commissioning ten Seattle artists each month to create a series of streaming audio sessions of exclusive material. Many of these will be essentially “live” performances recorded at home for this occasion. Others may create a mix of pre-recorded material that has not been previously released elsewhere.
These tracks are available to stream at no charge on SoundCloud via the links below, and will be promoted like our concerts via our weekly e-newsletter, our Facebook group, and our Twitter feed. The artists retain all rights to their recordings. We strongly encourage you to visit their web sites and purchase their recordings or contribute to their personal crowdfunding campaigns.
This series will continue for as long as we are unable to use the Chapel for performances.
Wayward in Limbo 30: Yann Novak
Yann Novak’s Mountain, Fire, Holding Still is a remixed version of time-suspending ambient drone for a 10-hour durational performance by dancer taisha paggett at the Getty Center in Los Angeles.
Wayward in Limbo 31: Norm Chambers
Norm Chambers’ Music for Neuropathy combines modular synths and field recordings to aurally portray the experience of living with nerve damage for nine months and the accompanying phantom sensations.
Wayward in Limbo 32: Carlos Snaider
Carlos Snaider shares a series of recent compositions, improvisations, and songs for guitar, voice, and percussion from his personal sanctuary, exploring both external physical space and internal emotional space.
Wayward in Limbo 33: Nordra
Nordra (Monika Khot) creates apocalyptic dirges combining modern classical explorations of electronic ambiance with hardware-fueled industrial barrages. This piece combines cacophonous and meditative elements