Source: Rolling Stone.
One day in the late Nineties, Dave Lombardo, the metal drumming powerhouse best known for bringing a tornado-like fury to Slayer’s early thrash masterpieces, was driving from San Francisco to his home in Los Angeles. On the way, he threw on a recording of an unusual gig he’d just taken part in: a performance of a so-called game piece by John Zorn, in which the category-defying composer assembled a group of improvisers and staged a spontaneous sonic happening according to a series of rules, cards, and gestures.
For most of his musical life to that point, Lombardo had performed in highly controlled settings, but he’d always felt he had a gift for more off-the-cuff playing. With Zorn, he finally got the chance to explore it. And listening back to the show, he had an epiphany.