Source: Bandcamp Daily.
For Myanmar’s experimental musicians, the city of Yangon is both a constant source of inspiration and a predictable wellspring of frustration.
The scene is comprised of a group of artists who have been collaborating, performing, and releasing ambient and noise music from Myanmar’s capital city since 2017. It is new and wildly eclectic—drone duos play together with hardcore punk bands, and song themes include an ode to a taxi driver who witnessed a political assassination.
Musically, they’re deliriously creative, breaking apart traditional Burmese sounds and reflecting the dissonant noises of Yangon streetscapes through harsh noise and drone. Operationally, they’re forced to be a combination of clever entrepreneurs, performance artists, and “guerilla musicians”—taking inspiration from the Indonesian “noise-bombers” in the Javanese city of Yogyakarta, who steal public electricity to power their amplifiers.