Welcome to AMN Celebrates Braxton 75, a multipart series focused on the work of American composer and multi-instrumentalist Anthony Braxton. Braxton, who in 2020 will be celebrating his seventy-fifth birthday, is one of the most important and influential creative minds of the past fifty years. Each week this series will feature three to four links of live performances, interviews and articles found on the web that should be of interest to both the curious and the longtime explorers of Braxton’s music.
Anthony Braxton’s many awards include a 1981 Guggenheim Fellowship, a 1994 MacArthur Fellowship, a 2013 Doris Duke Performing Artist Award, a 2014 NEA Jazz Master Award, and honorary doctorates from Université de Liège (Belgium), New England Conservatory (USA) and the 2020 United States Artists Fellowship. Here is a short interview from 2014 for his NEA Jazz Masters Award.
Anthony Braxton’s Diamond Curtain Wall Music is a combination of graphic notation, improvisation, and interactive electronics. This particular sextet performance from 2015 includes many of his mainstays including: Taylor Ho Bynum -brass, Mary Halvorson – guitar, Ingrid Laubrock – reeds, Andrew Raffo Dewar – soprano saxophone and Carl Testa – bass. The recording is a bit low and boomy so give it a little volume.
One of the the web’s best magazine-style resources for creative music is Sound American. Its issue archive is a wonderful resource. Sound American 16: The Anthony Braxton Issue contains articles on Braxton written by many of his collaborators including: Taylor Ho Bynum, Nate Wooley, Kyoko Kitamura, Anne Rhodes, Katherine Young, Carl Testa, Erica Dicker, and Graham Lock. The archive can be a little slow to load, so be patient because the articles are well worth the wait.
We end this week’s post with a short excerpt of a lyrical alto saxophone solo from 2012 at Amuz, in Antwerpen.
Join us again next week for another post as AMN Celebrates Braxton 75
Chris De Chiara