Source: burning ambulance.
Peter Brötzmann first emerged onto the global scene in the late ’60s — he released his first album, For Adolphe Sax, named for the inventor of the saxophone, in 1967. A year later, he made Machine Gun, which is a landmark record not just in free jazz but in jazz history, period. A lot of critics have said that the music on Machine Gun was more extreme than anything that had come before, mostly because Brötzmann and the other two saxophonists, Willem Breuker and Evan Parker, seemed to be going even farther on their horns than John Coltrane or Pharoah Sanders or Albert Ayler had gone, but when you pay close attention to it you’ll hear that there are actually riffs — really big, honking, fist-pumping riffs, especially at the end. And Brötzmann has said many times that the music was inspired by Lionel Hampton’s big band, which had four saxophonists up front blowing in unison.