Coming to Boston

Source: Non-Event.

RACHEL DEVORAH/SEIYOUNG JANG
Village Vinyl & HI-FI
Tuesday, January 14, 2020
307 Harvard Street, Brookline
7pm / $5 suggested donation

RACHEL DEVORAH is a sonic artist and technologist whose works engage the poetics and politics of their specific context. Her work has been heard in the U.S. at Art in Odd Places, The William Benton Museum of Art, the California Electronic Music Exchange, the Computer Music Center at Columbia University, Detroit Contemporary, the Granoff Center at Brown University, the International Horn Symposium, the International Society for Improvised Music Festival/Conference, the International SuperCollider Symposium, Music for People and Thingamajigs, the National Opera Center, New Interfaces for Musical Expression, Omaha Under the Radar, Pioneer Works, The Stone, the Virginia Film Festival, and the Watermill Center, as well as abroad in Canada, China, Cuba, England, Estonia, Finland, France, Germany, Ghana, Italy, the Netherlands, and Norway.

SEIYOUNG JANG is a composer, improviser, and maker currently based in Cambridge, MA. She aims to celebrate manifestations of organic forms in resistance of thoughtless sterility, with a focus on intersubjectivity and embodiment. She has studied with Laetitia Sonami, James Fei, Ted Coffey, Maggi Payne, Chris Brown, and Pauline Oliveros, among others. She obtained her MFA in Electronic Music and Recording Media from Mills College, Oakland, CA, and a BA in Psychology and Music from the University of Virginia, Charlottesville, VA. Seiyoung is pursuing a PhD in Creative Practice & Critical Inquiry at Harvard University, studying with Vijay Iyer.

JENNIFER WALSHE + M.C. SCHMIDT + WOBBLY
SMFA Anderson Auditorium
Saturday, February 29, 2020
Non-Event, BU Center for New Music, and SMFA Library Sounds present
230 The Fenway, Boston
8pm / $15 general admission / $10 members + students / FREE for SMFA and BU students

Jennifer Walshe – “The most original compositional voice to emerge from Ireland in the past 20 years” (The Irish Times) and “Wild girl of Darmstadt” (Frankfurter Rundschau), composer and performer JENNIFER WALSHE was born in Dublin, Ireland. Her music has been commissioned, broadcast and performed all over the world. She has been the recipient of fellowships and prizes from the Foundation for Contemporary Arts, New York; the DAAD Berliner Künstlerprogramm, the Internationales Musikinstitut, Darmstadt and Akademie Schloss Solitude among others. Recent projects include Aisteach, a fictional history of avant-garde music in Ireland; EVERYTHING IS IMPORTANT, a work for voice, string quartet and film commissioned by the Arditti Quartet; and TIME TIME TIME, an opera written in collaboration with the philosopher Timothy Morton, which has been touring to critical acclaim. ALL THE MANY PEOPLS, her second solo album, was released on Migro Records in May 2019. Walshe is currently Professor of Experimental Performance at the Hochschule für Musik und Darstellende Kunst, Stuttgart.

M.C. SCHMIDT is a sound artist, video artist and member of the band Matmos. He enjoys sound synthesis, digital and analogue, sampling sounds, reading out loud, playing percussion on unusual objects and the piano. At home in Baltimore, he works in a record shop, and is the president of The High Zero Foundation, a collective which presents festivals of traditional music, improvised music and electro-acoustic music, as well as operating a small venue that runs year round.

Jon Leidecker has been producing music under the name WOBBLY since 1990, improvising with recordings to produce music which inherently questions the act of being captured. Recent performances deploy a battery of mobile devices driven by their built-in microphones, reacting spontaenously with error-prone yet intelligent variations on the notes and sounds they believe themselves to be hearing: a tightly-knit ensemble with inhuman reflexes, which the human performer influences more than controls. Currently touring and recording with Negativland and the Thurston Moore Ensemble, other live and studio collaborators include Zeena Parkins, Dieter Moebius & Tim Story, People Like Us, Matmos, Laetitia Sonami, Fred Frith’s Gravity Band, Thomas Dimuzio, Porest, Tim Perkis & Xopher Davidson, Tania Chen, Sue C., The Freddy McGuire Show, Sagan and the Chopping Channel. Radio Web MACBA commissioned a nine hour podcast overview on the history of recorded collage music entitled ‘Variations’ in 2008, and related lectures have been presented at Mills, Oxford, Peabody, & Stanford. In 2015 he inherited Negativland’s long-running Over The Edge radio program, broadcasting from KPFA FM in Berkeley.