Forrest Fang’s music exists in a singular space between the traditionalists (if there is such a thing) of electro-ambient music and a combination of Western and non-Western acoustically-based classical. As such, Ancient Machines – his latest in a run of 18 albums – incorporates the influences of minimalists such as Glass, Riley, and Reich, who were themselves influenced by music from multiple hemispheres.
The album is based on floating synth washes and drones that include gamelan-infected stringed passages and/or percussion in polyrhythmic patterns and interlocking motifs. Fang also offers gentle piano-led pieces that combine with his atmospherics. A sense of optimism and hope exudes from these efforts, emotions that are perhaps more needed now that ever before in Fang’s four-decade-long career.
Indeed, Fang’s work is very much in contrast to the dark-ambient works often discussed on these pages that have grown to evoke the menacing sounds of age-old technology and industry. His title appears not to refer to mechanical devices, but instead to the building blocks of life – DNA, RNA, proteins, and organs – that have carried out their repetitive functions for millions of years. And like those biological mechanisms, these countless iterations over time give rise to newly-evolved forms and structures.