Source: Improvised Music Company.
Described by Brian Morton as “a musical philosopher… a delightful shape-shifter”, guitarist and composer Han-earl Park is drawn to real-time cyborg configurations in which artifacts and bodies collide. He has performed with some of the finest practitioners of improvised music, leads Sirene 1009 with Dominic Lash, Mark Sanders and Caroline Pugh, and is part of Numbers with Richard Barrett. Together, Park, guitarist Nick Didkovsky and saxophonist Catherine Sikora forge an improvisative space where melody can be melody, noise can be noise, meter can be meter, metal becomes metal, bluegrass turns to bluegrass, jazz transforms into jazz, all there, all necessary without imploding under idiomatic pressures.
Ahead of Eris136199’s performance on Monday 12th August at the Fumbally Stables, Han-Earl told us a bit about his approach to music, unusual inspirations from politics, to cinema to pop music, and the particular collisions which make up the music of Eris136199.