Source: The New York Times.
In an interview, Kathinka Pasveer, one of Stockhausen’s partners and collaborators, and the musical director of “Aus Licht,” said that for him, “more and more, the music became the most important thing.”
That comfort with conceptual mystery as an organizing element has also had a strong influence on the American composer-saxophonist Anthony Braxton and his “Trillium” series of operas. When I interviewed Mr. Braxton earlier this year, he referred to Stockhausen as a hero, while also expressing his affection for Wagner. (By contrast, Ms. Pasveer said that the music of Wagner made Stockhausen “sick” — and that they once had to leave a performance of “Die Walküre,” after only 20 minutes.)