Source: Bandcamp Daily.
Forty years after he first started recording as Merzbow, Masami Akita’s music is no easier to categorize. Though his creations are perennially pigeonholed as noise music, anti-music, and even über-music, the sheer magnitude of his output will always present an obstacle to easy classification. Consider Mike Connelly’s comments in the opening episode of Merzcast, one of two recently launched podcasts attempting to scale Akita’s entire discography—which currently towers at 432 releases and counting: “Like, what is he thinking when he’s doing this?!”