Source: The New York Times.
MICHAËL ATTIAS at Greenwich House Music School (April 6, 7:30 p.m.). On Friday, Attias will release “Échos la Nuit,” an album of slow, ruminative solo recordings on which he plays both the alto saxophone (his primary instrument) and the piano. Hearing these 12 tracks is like inspecting the mysterious line drawings of a beloved artist. Sometimes you’ll almost discern the contour of a landscape or the dark shading of a limb, but ultimately the shapes all drift back into a desolate, spacious abstraction. At Greenwich House, Attias will perform solo and in a quartet.
AMIR ELSAFFAR AND TWO RIVERS WITH HAMID AL-SAADI at Pioneer Works (April 8, 7 p.m.). ElSaffar, a lauded Iraqi-American trumpeter, leads bands mostly comprising jazz musicians, but he gets them to use the trundling rhythms and maqam-based melodies of Middle Eastern music, rather than the typical tools of contemporary jazz. Recently he has been performing with Al-Saadi, a singer and scholar of traditional maqam. Here Al-Saadi will join ElSaffar’s sextet, Two Rivers.
JONATHAN FINLAYSON at the Stone (April 10-13, 8:30 p.m.). Last year, Finlayson, a young trumpeter with an appetite for tangled rhythm and lithe, fugacious melody, released a compelling album, “3 Times Round,” with his sextet. In the coming week at the Stone, across four evenings, he gathers a different band each night: On Wednesday and Thursday, there are trios (featuring the bassist Mark Helias and the drummer Tom Rainey on the first night, then the saxophonist Brian Settles and the drummer Chad Taylor on the second). On April 12, he presents a quintet that includes the alto saxophone phenom Immanuel Wilkins, and on April 13, he closes the run with a septet, playing a new suite of music called “The Odyssey of Big Boy.”
OLIVER LAKE at Roulette (April 5, 8 p.m.). An avant-garde alto saxophonist and multimedia artist, Lake has been at the top of his class since the early 1970s, when he arrived in New York from St. Louis, where he had helped establish the influential Black Artists Group. In 1976 he and three other saxophonists formed the World Saxophone Quartet, an all-sax combo that became one of the most successful, if unorthodox, jazz groups of the following decade. At Roulette, he presents Alto Madness, a similar ensemble featuring three fellow alto saxophonists — Bruce Williams, Darius Jones and Michaël Attias — as well as the drummer Pheeroan AkLaff. The band will play “Tone Poem for J. A. H.,” a piece Lake originally wrote 12 years ago for the World Saxophone Quartet.