Source: The New York Times.
VIJAY IYER AND CRAIG TABORN at Roulette (March 12, 8 p.m.). Two leading jazz pianists in their late 40s, Iyer and Taborn each have their own specific formulas, but both are built on a mix of studious abstraction and propulsive weight. Next week they will release their first album as a duo, the expansive, richly improvised “The Transitory Poems,” on ECM Records. The crystalline scatter of Taborn’s playing meets Iyer’s slightly thicker articulation in a sympathetic repartee; the pair seem to constantly divert their own path. They celebrate the album’s arrival at this concert, playing on two grand pianos.
‘IDENTITY: FREEDOM’ at the Kitchen (March 7-9, 8 p.m.). The nonprofit organization Arts for Art organized this series of concerts to highlight some of free jazz’s most respected elders, all of whom are presenting suite-length original works here. The festival begins on Thursday with “Trail of Tears Continuum (1492-2019),” a 90-minute piece composed by the bassist William Parker (a founder of Arts for Art) featuring singers, poets and a five-piece instrumental group, as well as a film component. On Friday, the pianist Dave Burrell debuts “Harlem Renaissance,” a response to the life and work of the dancer Josephine Baker; Burrell’s sextet will play in conversation with two dancers, Marguerite Hemmings and J’royce Jata. The series concludes on Saturday with a presentation of Andrew Cyrille’s “Haitian Fascination” project, in which this storied drummer fuses the music of Haiti — his ancestral home — with avant-garde jazz.
MIYA MASAOKA at the Park Avenue Armory (March 13, 7 and 9 p.m.). Masaoka’s style on the koto, a long, stringed instrument from Japan, bespeaks deep equanimity: She is comfortable allowing vast amounts of open space — playing quietly, just a few notes at a time — but within that serene composure she strategically builds a feeling of tensile anticipation. You can lie down and stretch out inside her music, but you can’t ever get completely comfortable. An eclectic collaborator across the worlds of traditional and avant-garde music, at the armory she debuts “The Long Arc of Time,” a work inspired by traditional Japanese Buddhist chants and by the poetry of Tracie Morris. The performance will feature Masaoka alongside fellow Japanese and American musicians and the soprano Kamala Sankaram.
LOU REED DRONES at the Cathedral Church of St. John the Divine (March 13, 6:30 p.m.). Physics and music nerds, unite and rejoice! The moment you have been collectively awaiting has arrived: A handful of Lou Reed’s guitars, curated by his technician Stewart Hurwood, will be arranged against a stack of amplifiers and tuned to create a glorious noise that will morph as you wander about in this acoustically splendid cathedral. Holy feedback! It should be glorious.