Guiseppe Pascucci and Vito Pesce, both of whom play guitar and electronics, are collaborators on these two simultaneously released and complementary albums, both of which were recorded live September 2016-February 2017. Pascucci and Pesce’s individual bios on the label’s site are vague almost to the vanishing point—which in a way is consistent with their music: on both albums they craft a collective sound in which each individual voice blends into an encompassing and satisfying whole.
On Nikola Was Right!—the Nikola in question being Tesla—the group sound is rich: resonant, full-ranged and sensuous. The album’s concise, intelligent soundscapes feature surging and cresting tones, complex harmonies wrapped in washes of sound folding back on itself, and crystalline, echoing chords and single-line runs splayed against electronic chaff and the occasional synthetic choir. Humasaurs, by contrast, is a spikier affair. Where Nikola Was Right! tends to efface the guitarishness of the guitars’ sound, Humasaurs pulls it into the foreground and revels in it. Pascucci and Pesce make each part of the instrument audible with aggressively staccato attacks, insistent rhythms, pointillistic textures and sharper-edged timbres. It’s a different proposition from what we hear on Nikola Was Right! and the perfect counterpart to that album. A fine matched pair.