Source: The Wire.
After playing with Cecil Taylor and Albert Ayler, Sunny Murray created some of the most important music of his career between 1968–72. His radical drumming and personal composing flourished through regular meetings with musicians such as Alan Silva, Byard Lancaster, Kenneth Terroade and François Tusques. But while the dynamic for free jazz in Europe provided the conditions needed for Murray’s conceptions to come to maturation and be heard, it did not ensure the longterm impact of the music made during this era. Although enough material for a box set exists, much of the work of this musician at the forefront of a revolutionary moment in music history remains unreleased. Using archival recordings and uncirculated documents, we can revisit these pivotal years.