New David S. Ware and William Parker Recordings Out Soon

Source: Aum Fidelity.

David S. Ware Trio
The Balance

David S. Ware: tenor saxophone, saxello
William Parker: bass
Warren Smith: drums, tympanis/percussion

The Balance is the fourth edition in AUM Fidelity’s DSW-ARC Series; it presents an outstanding and incendiary David S. Ware concert, in trio with William Parker and Warren Smith. A tenor sax–bass–drums excursion displaying full vitality from the first note, this suite of spontaneous form was created at NYC’s Vision Festival in 2010. Ware had been a perennial at this vital annual gathering since its beginning; this was his first time back since the revered Quartet bid farewell there in 2006, and it was an exhilarating return.

Also included here are four out-takes from the Onecept session – all of which had been completed & considered for inclusion at that time. The three releases together present the total work which this group created.

William Parker
Flower In a Stained-Glass Window -&- The Blinking of The Ear

Released on his own Centering Records imprint (dist. by AUM Fidelity), this special edition release is comprised of two brand new full-length albums, distinct in personnel & approach, yet complementary in ethos. William Parker is / has been on a profound and voluminous creative flow. Both of these albums were made in Summer 2018; they follow up and extend on his June 2018 release, the exemplary triple-album set Voices Fall From the Sky.

Flower in a Stained-Glass Window fully features vocalist Leena Conquest, a tremendous interpreter of Parker’s work in song. She can be heard to deep affect in his Raining On The Moon and Curtis Mayfield projects. This is her first work together with Parker since 2012, and it is a potent return to this creative orbit. She sings and speaks atop of and within a fresh ensemble featuring Parker’s bass together with long-time compatriots trombonist Steve Swell & saxophonist Dave Sewelson, South African drummer Kesivan Naidoo (in his first work with Parker), Parker’s son Isaiah on piano, as well as younger saxophonic talents Abraham Mennen and Nick Lyons. This work is dedicated to the inspiration of Martin Luther King, and the lyrical content pulls no punches delivering the truth as Parker sees it. The message is: social and political justice and equality for all human beings.

“Flower..” was slated for release on its own, and then William Parker had a summer residency at The Stone / New School in New York in which The Blinking of The Ear was presented in wholly extended form by an ensemble featuring Daniel Carter (witness the recently released Seraphic Light), Steve Swell, Eri Yamamoto on piano, William Parker and young Leonid Galaganov on drums, with mezzo soprano AnnMarie Sandy. This composition first appeared on the Voices Fall From The Sky set in a voice/piano/drums reading. Here, as Parker writes in the liner notes: “The dream was to combine written music with improvised music; slowly and seamlessly folding them together as one. This sextet live version wholly realized that dream; it was an extraordinary event in music called universal tonality.”

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