Source: Unexplained Sounds Group.
ELECTROFRAMEWORK – Unexplained Sounds Group
Recorded music history has been conveniently digitized and cataloged, available now on your favorite streaming service. The map of musical influence shows arrows going every which direction, circling back on themselves, stretching tautly into the future. Regional scenes have given way to global Internet micro genres, which have in turn dissolved to fill the cracks in our musical past. Music has never been harder to classify, and that is a good thing. By the way, since when has “experimental music” been something even remotely definable? The spirit of the avant-garde is so pervasive in today’s art, it’s almost unworthy of mention. Pure experimentation, the kind of noise making most removed from what we consider “music”, with a tune and a pulse, pushes known conventions to the limits, or redraw said limits.
Anthology of Electroacoustic Lebanese music
Following the Second World War (1945-1949), Beirut established itself as the cultural capital of the Middle East, with the Lebanese music scene leading the way. Lebanese music has a distinct sound due to the country’s unique fusion of Western and Eastern influences. Even Lebanese folk compositions often reference Western contemporary music. After 15 years of civil war and a decade of post war rehabilitation, the situation of alternative art and especially music was very poor in Lebanon. Things began to change around 2000 with the arrival of a new generation of musicians, born at the beginning and during the war, more interested in experimental art forms than in fame or glory. The experimental music scene in Beirut, may exist in relative geographic isolation from other global movements of a similar ilk, but over the past fifteen years it has become a dynamic hub for a dense concentration of fiercely independent musical voices. From humble beginnings and tiny numbers, the close-knit community has grown and thrived.