Source: Bandcamp Daily.
Just last week, Jon Wiederhorn meticulously traced the history of doom metal in his Bandcamp Daily piece, Doom Metal: A Brief Timeline. As that story proved, the subgenre is vast, with plenty of room for both genre traditionalists and left-field outliers.
Brooklyn-based tuba player Dan Peck falls squarely into the latter camp. For roughly the last five years, he’s been melding doom’s slow-crawling bludgeoning with elements of jazz, minimalism and noise. And while “tuba” isn’t exactly the first word doom metal brings to mind, Peck—with his trio The Gate, his solo tuba record, and a hodgepodge of other releases on his label, Tubapede—has managed to deconstruct the genre, working within an unconventional setup without relinquishing any of doom’s heaviness and brutality. Call it doom-jazz.