…sibilava tra i denti…–“hissed between the teeth”—is the work of two generations of Venetian experimentalists. Multi-instrumentalist Mauro Sambo, here on electronics, double bass, kalimba, gong and other percussion, is joined by his daughter Matilde, who provides field recordings and plays electric guitar and electronics. Both bring sensibilities formed at the crossings of sound and various other media—videography for Matilde, and the plastic arts for Mauro. As might be expected, their collaboration shows a sensitivity to the ways sound can imply and simulate action projected into a three-dimensional space—implication being the soul of their musical wit.
The single, nearly twenty-nine minute track is permeated by an atmosphere of acousmatic mysteriousness, as the sources of Sambos’ sounds seem reluctant to reveal themselves. Until they do, in the form of clearly-shaped guitar arpeggios, a struck gong reverberating in a void, or the skittering of a hyperactive kalimba. Throughout its changes of texture and timbre, the track gives rise to an almost cinematic sense of obscure but purposeful actions performed with the help of unknown means, and all of it taking place just at the threshold of comprehension.