Source: The New York Times.
In his politics and in his music, the composer Luigi Nono favored bold moves. In his 20s, Nono joined the Italian Communist Party, and loudly held fast to the party line for decades. Neo-fascist protesters demonstrated at the 1961 premiere of his opera “Intolleranza 1960” (which will be given a rare performance on Thursday at Carnegie Hall) and Nono remained a loyal Communist to the end, visiting the Soviet Union in 1988, not long before his death.
He remained similarly pledged to his chosen aesthetic. For his entire career, he was a champion of modernism, reveling in the possibilities offered by dissonance and electronic experimentation. But that reliability did not make him predictable, as a pair of New York performances demonstrates.