Seattle Scene: January 11-20, 2018

Estonian composer Arvo Pärt in Christchurch Ca...

From Seattle’s Wayward Music Series:

WAYWARD MUSIC SERIES

Chapel Performance Space at Good Shepherd Center

4th Floor, 4649 Sunnyside Ave. N, Seattle 98103 (corner N 50th St. in Wallingford)

Every month, Nonsequitur and a community of like-minded presenters and artists offer ten concerts of adventurous music in an informal yet respectful all-ages setting: contemporary classical, free improvisation, the outer limits of jazz, electronic music, microtonal/new instruments, sound art, and other extraordinary sonic experiences.

February + Tiny Ghost
Thu. Jan. 11, 8 PM; $5 – $15 donation at door

February, led by bassist Kelsey Mines, premiers five pieces that challenge the musical range of the double bass, incorporating compositional elements with free improvising, with ensemble members Mike Gebhart, Andrew Olmstead, and Matt Williams. Tiny Ghost is a new quartet with Greg Sinibaldi, Katie Jacobson, Ivan Arteaga, Raymond Larsen. They play music that is strange, pretty, funny, and weird.

Jesse Myers: solo piano works
Fri. Jan. 12, 8 PM; $5 – $15 donation at door

Pianist Jesse Myers presents To Sober & Quiet the Mind, an evening of spacious solo piano works from the masters of time and space – Arvo Pärt, Morton Feldman, and more. This program is meant to bring mental clarity. The audience is encouraged to get comfortable, bring a mat or pillow, and forgo the chairs. So, hit reset on your brain, close your eyes, and become entranced by the magical sounds.

THU. 1/18 – Canadian vocalist Helen Pridmore improvises and Seattle locals Lori Goldston (cello), Kyle Hanson (accordion), and Mark Hilliard Wilson (guitar) play improvisations and graphic scores

FRI. 1/19 – Spontaneous Combustion New Music Festival: Delgani String Quartet from Eugene, OR plays Ligeti, Hovhaness, and a new work by Benjamin Krause

SAT. 1/20 – Rob Angus and Marc Barreca play electronic and sample-based compositions and improvisations

DOWNTOWNMUSIC.NET Photos

Source: DOWNTOWNMUSIC.NET.

January 7, 2018
Hassles, The Stone
Terrie Hessels Paal Nilssen-Love Jon Rune Strøm Ken Vandermark

January 6, 2018
Ronnie Burrage & RaDu Oluwu Ben Judah, Clemente Soto Velez
Ronnie Burrage RaDu Oluwu Ben Judah

January 6, 2018
Weasel Walter Quartet, Clemente Soto Velez
Leila Bordreuil Michael Foster Brandon Lopez Weasel Walter

January 6, 2018
Deep Ecology Trio, Clemente Soto Velez
Cristian Amigo Andrew Drury Jackson Krall J. D. Parran

January 3, 2018
Michelle Yom & Paul Feitzinger, Muchmore’s
Paul Feitzinger Michelle Yom

January 4, 2018
Kris Davis & Ken Vandermark, The Stone
Kris Davis Ken Vandermark

January 3, 2018
Chris Pitsiokos, Tim Dahl, Kevin Shea, Muchmore’s
Tim Dahl Chris Pitsiokos Kevin Shea

January 3, 2018
Lenticlouds, Muchmore’s
Álvaro Domene Briggan Krauss Ches Smith

Kuhn / Brown / Nordeson / Walton, January 14 in San Francisco

Top of the Transamerica building, downtown San...

Source: OutSound.

The SIMM Series is a bi-monthly music performance series curated by Outsound Presents and composer/improvisers/sound artists Rent Romnus and Bill Noertker since 2001. They have a reputation of excellence in bringing highly professional and truly adventurous music to the SF Bay Are that would not normally be heard or supported by mainstream presenters. They are filling a vital function to creative improvised music in California in much the same way that Arts For Arts/Vision Festival does on in NYC.

In their first concert of 2018 the offer an exciting night of music with the Peter Kuhn (clarinet, bass clarinet)– Chris Brown (piano)– Kjell Nordeson (drums and percussion)– Scott Walton (bass). This is a historic reunion for Kuhn and Brown who have a long musical friendship that dates back to the 70’in Santa Cruz, CA. On Peter’s return from NYC in the early 80’s they reconnected and formed an improvising trio with Peter’s childhood friend William Winant. As astute listeners will know, Brown and Winant went on to collaborate on a number of exciting projects over the years while Kuhn dropped off the scene to deal with a debilitating drug problem.

This concert is their first musical collaboration since 1977 when the Kuhn-Winant-Brown Trio shared a double bill with Charlie Haden-Nels Cline Duo at Miles Playhouse in Santa Monica, CA. While all the players are known to each other Kuhn is the catalyst in bringing this quartet together having collaborated with Scott Walton on a number of projects in recent years and recently performed with the amazing Kjell Nordeson in San Diego.

Best known for his early work the like of Frank Lowe, Billy Bang, William Parker and Toshinori Kondo in the heydays of the NYC Loft Scene, Kuhn has been preforming and recording with the likes of Alex Cline, Abbey Rader, Dave Sewelson, William Parker and his trio (Kyle Motl/Nathan Hubbard) since his return years ago. He has recordings available on Hat Hut, Soul Note, NoBusiness and two new releases on FMR Records.

Chris Brown, professor of music at Mills College is a pioneer composer, improviser, instrument maker that enjoys global fame and has recorded with Pauline Oliveras, Wadada Leo Smith, Butch Morris, Frank Gratowski/William Winant/Brown Trio, and others. He is involved with a number of electronic and acoustic projects that include The Hub and fuzzybunny and composes and perfiorms in an exciting mix of acoustic instruments, acoustic instruments with interactive electronics, improvisers and computer networks. His latest solo work “Six Primes” was released on New World Horizons

Kjell Nordeson is a Swedish composer, improviser who is currently dividing his time between San Diego and San Francisco. In 1986 Nordeson formed AALY Trio, together with fellow Swede Mats Gustafsson. AALY Trio became one of the leading groups in the Swedish experimental scene in the 90’s. While his work with Mats Gustafesson has brought him international acclaim in the Jazz community he enjoys equal notoriety in the academic and classical circles for his impeccable percussion work and compositions.

Scott Walton is a bassist and pianist whose music negotiates the terrain between jazz, free improvisation and the classical avant-garde. Active in a variety of ensembles he is well known to Bay Area jazz fans. He has recorded and performed with Vinny Golia, Bobby Bradford, Alex Cline, Michael Vlatkovich, Myra Melford, Nels Cline, and Cosmologic to name a few. He has a new release due out later this month on FMR with Kuhn, Alex Cline, Dave Sewelson and Dan Clucas called “Dependent Origination”.

7:45 PM the show opens with the Duo Jones Feona/Staiano Moe! Who will play on “prepared” conventional instruments in a mix of composition and improvisation bring unconventional sounds leading the listeners to the unexpected and new.

8:30PM Kuhn-Brown-Walton-Nordeson Quartet

SIMM Series January 14, 2018 at the Musicians Union Hall at 119 9th Street @ Mission, San Francisco, CA $10-$20 sliding scale

GRM Overview

Schaeffer with the phonogène

Source: Bandcamp Daily.

GRM—to give it its full title, Groupe de Recherches Musicales—is hardly a household name. But it deserves to be spoken of in the same breath as other centers of 20th century sonic innovation, from the BBC Radiophonic Workshop to the San Francisco Tape Music Center to Bob Moog’s work station. In fact, in terms of sheer outer-limits invention, it might just outstrip them all.

5049 Records Podcast Episode 144 – Pete Simonelli 

Source: 5049 Records.

Pete Simonelli is a Brooklyn based poet and voice artist who has been performing with his band Enablers since the early 2000s. Originally from Stockton CA, Pete started out in San Francisco in the early 90s, engaging with all aspects of the city’s rich culture of history, poetry, music and art. His work with Enablers is singular and utterly addictive, a combination of complex, technical, imaginative rock and evocative spoken word that transports the listener to landscapes not commonly found on popular music. This conversation with Pete was a god damned joy and I am delighted to share it with you.