On this second release by the international trio O3—Norwegian percussionist Ingar Zach, Italian flutist Alessandra Rombolá, and Spanish accordionist Esteban Algora—the group return to the chapel of Ermita de la Anunciada in Urueña, Spain, where their debut recording was made. This new recording opens with two resonant and widely-spaced percussive thumps, gradually followed by the clink of ceramic surfaces in collision and the whoosh and scrape of objects finding their voices. It’s an appropriate introduction to the exploration of space and timbre that follows. O3’s work is a kind of abstract painting with sound—more Miró than Pollock—with splashes of color in irregular shapes occupying discrete zones of audio space. Although the sound textures tend toward a higher density the further the playing develops, the points at which sounds join tend to be permeable; so too are the spaces between individual pieces, with the seven tracks working together as a single, non-narrative suite of timbral events.