Seattle Scene: November 15-18, 2017

From Seattle’s Wayward Music Series:

WAYWARD MUSIC SERIES

Chapel Performance Space at Good Shepherd Center

4th Floor, 4649 Sunnyside Ave. N, Seattle 98103 (corner N 50th St. in Wallingford)

Every month, Nonsequitur and a community of like-minded presenters and artists offer ten concerts of adventurous music in an informal yet respectful all-ages setting: contemporary classical, free improvisation, the outer limits of jazz, electronic music, microtonal/new instruments, sound art, and other extraordinary sonic experiences.

Passenger Pigeon + Mark Schlipper + Too Tired to Say Anything
Wed. Nov. 15, 8 PM; $5 – $15 donation at door

Passenger Pigeon (Levi Fuller) uses baritone guitar, cheap mic, and looper to make improvised wordless music; guitarist Mark Schlipper creates sounds to cross senses and alter states with influences as disparate as the avant garde, Eastern sacred, and American roots music; Too Tired to Say Anything plays blurry music designed to put us all to sleep with loops, synths, piano, guitar and flickering lights.

Matthew McCright, piano
Thu. Nov. 16, 8 PM; $5 – $15 donation at door

Minneapolis-based pianist Matthew McCright presents Connecting Flights, a wide range of interconnected, contemporary composers including Venezuelan composer Reinaldo Moya’s epic 30-minute The Way North appears alongside music by Irish composer Linda Buckley, as well as poignant pieces by Amy Williams, Stephen Andrew Taylor, and the percussive dance-club rhythms of Andrea Mazzariello’s Flight School.

Olson / Gundran / Falzone
Fri. Nov. 17, 8 PM; $5 – $15 donation at door

Three of Seattle’s premier improvisers and noise musicians come together for a night of magical sounds and contemplative moments, in solo sets and a trio: guitarist Patrick Neill Gundran (aka Uneasy Chairs), woodwind specialist Kate Olson (KO SOLO, Syrinx Effect), and clarinetist James Falzone.

Kin of the Moon
Sat. Nov. 18, 8 PM; $5 – $15 donation at door

Composer/vocalist Kaley Lane Eaton, flutist Leanna Keith, and violist Heather Bentley debut an innovative program of new electroacoustic compositions and improvisations that transcends genre and classification, providing a portal into the daring, cutting-edge work of Seattle new music’s iconoclastic women.

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