Musique Machine Reviews

Source: Musique Machine.

Yiorgis Sakellariou – Stikhiya

Hwyl Nofio – From Elevated Gangways Rivers Of Molten Metal Flow

Giorgio Moroder/Klaus Doldinger – The Neverending Story(OST)

Vidna Obmana – The Face That Must Die

Electric Sewer Age – Moon’s Milk in Final Phase

Bobuck – Nineteen-Sixty-Nine

AMN Reviews: Common Eider King Eider – Shrines For The Unwanted, Respite For The Cast Aside (2017; Cold Spring Records)

Common Eiders and King Eiders are both categories of large ducks. Be that as it may, Common Eider King Eider is a dark ambient group consisting of Rob Fisk (formerly of the quirky pop band Deerhoof), Andee Connors, and a host of guests. This album, Shrines for short, is perhaps their 10th depending on what you count.

It starts off routinely enough. Thick, bassy drones ponderously exploring a haunted landscape. Over the course of Cast Out to the Wolves to be Devoured, They Were Instead Embraced, the movements become louder and more menacing, yet the tension remains in check. The second track, The Dark Winter, introduces synth washes and wordless chants. By the five-minute mark, it has already grown into a multi-layered crescendo – and from there it keeps going. Chaotic percussion and dense walls lead to an outro of twisted vocals. Elk Tongue takes it down a few notches, with eerie, windswept atmospherics. On the 25-minute finale, Litha, all hell breaks loose. Beginning with deep chants, the track slowly morphs into synth-led thematics over growled vocalizations. Slowly the droning becomes more distorted, and the growling becomes frantic screams…and continues for several unsettling minutes before settling back into the original chanting and a soft, distorted drone.

Shrines is a deliberate journey from unsettled quiet to all-out madness. It is a carefully and beautifully crafted hellish nightmare. With so much music out there that falls somewhere in the general category of “dark ambient,” it is refreshing to hear an artist not only serve the genre so well but break new ground in the process. Highly recommended.

AMN Picks of the Week: Matt Mitchell / Brandon Seabrook / Lina Allemano / Visions of Darkness

Here is where I post, at a frequency of about once a week, a list of the new music that has caught my attention that week. All of the releases listed below I’ve heard for the first time this week and come recommended.

Matt Mitchell – A Pouting Grimace (2017)
Brandom Seabrook’s Needle Driver – Needle Driver (2017)
Lina Allemano Four – Sometimes Y (2017)
Lina Allemano Titanium Riot – Squish It! (2017)
Various Artists – Visions of Darkness (In Iranian Contemporary Music) (2017)

Upcoming Boston Shows

Source: Non-Event.

Le Laboratoire Cambridge
Wednesday, October 11, 2017
Non-Event presents
ROBERT BEATTY (formerly Three Legged Race)
STEVEN WARWICK (formerly Heatsick)
VALERIE MARTINO (formerly Unicorn Hard-On)
Le Laboratoire
650 East Kendall Street, Cambridge
8pm (doors: $7:30pm)
$15 general admission | $10 students + Non-Event members

Tuesday, October 17, 2017
Non-Event Presents
Our October Experimental Coffee House
Café Fixe
1642 Beacon Street (Washington Square)
Brookline, MA
7 p.m. /$5

Swissnex Boston
Wednesday, November 8, 2017
Non-Event and swissnex Boston present
swissnex Boston
420 Broadway (across from the Cambridge Public Library)
Cambridge, MA
$10 general admission, $8 members

Ballister Profiled

Fred Lonberg-Holm in 2002

Source: Lexington Herald Leader. A little late for the show but still a nice piece…

Given the number of jazz and improvised music groups Dave Rempis leads (his website lists nine), one might wonder how sound and intent differ when it comes to Ballister, the free jazz power trio the Chicago saxophonist returns to Lexington with for an Outside the Spotlight concert on Monday.

The sound? That’s readily apparent when listening to “Slag,” one of the two new Ballister recordings released this year (the other is the vinyl-only Belgian album “Low Level Stink”). The music is alternately immediate and aggressive. It’s sparse and spacious one moment and thunderously textured the next. On “Gusiarme,” the second of three extended improvised pieces making up “Slag,” Rempis, cellist Fred Lonberg-Holm and drummer Paal Nilssen-Love let the music drop to a bare scratch of a solo sax whisper before building to a full, abstract trio assault.

Hamid Drake Profiled

English: Hamid Drake

Source: Times Colonist.

Free jazz is known as an improvisational strain of avant-garde music, which has always struck one of its foremost practitioners, percussionist Hamid Drake, as something of a misnomer.

Free jazz is better explained as improvisational music, where instruments often sound at odds with each other to the untrained ear. The reality is more complicated, said Drake, who is coming to Victoria on Friday for a performance with Nanaimo-raised saxophonist Brodie West. The concert at Martin Batchelor Gallery is billed as An Evening of Solos and Duets, which combines two of Drake’s preferred styles of playing.