Source: Bandcamp Daily.
We credit Brian Eno with coining the term “ambient music” and opening experimental music to a mainstream audience—but it was largely the work of Dieter Moebius and Hans-Joachim Roedelius, aka Cluster—that prompted Eno to do so. The recordings these two young composers made together helped define a set of stylistic benchmarks that outlined “krautrock”—German experimental rock from the ‘60s and ‘70s—as a genre.
Though it’s most often associated with a shortlist of groups in more traditional psychedelic and prog-leaning directions, or is used as a rather crude umbrella for any German music of the sort (Can, Popol Vuh, and so forth), krautrock may be best understood as early German prog. Though they recorded one of the genre’s foundational staples with 1974’s landmark Zuckerzeit, Cluster exhibited characteristics that positioned them as a stylistic outlier to that basic archetype. (It’s notable that the musicians labeled “krautrock” have never particularly embraced the label.)