Source: Bandcamp Daily.
For more than two decades, the Chicago reedist, bandleader, and composer Ken Vandermark has served as something of a DIY icon, a fiercely independent musician pursuing improvisation with the same rigor and ferocity with which he conducts his own business. Chicago, of course, has a rich tradition of creative musicians taking charge of their affairs. In 1965, a group of iconoclastic, forward-looking musicians, including Muhal Richard Abrams, Anthony Braxton, and Roscoe Mitchell joined the Association for the Advancement of Creative Musicians (AACM), taking charge of concert production and programming in order to have full, uncompromised control of their art. Vandermark, a Boston native who moved to Chicago in 1989, adapted many of those concepts for his own work in the early ‘90s, inspired as much by the punk ethos as the AACM’s model. The self-sufficient system he forged has not only fueled his own successes, but was crucial in reinvigorating avant-garde music in Chicago and abroad.